(Dario)
No disciple
I donât follow
Pave my own path
Find myself, not Waldo
Oye, hermano
Desperado
En tu mano
Tieneâ el mapa del dorado
Where the pyramids?
Tainted syllabus
Where the spirit is?
Feel my lyrics, kid
Where the pyramids?
Tainted syllabus
Where the spirit is?
Feel my lyrics, kid
Power is not limited
Doctrines got you riveted
Donât judge by appearances
The verdict says youâre gods
Donât you feel the power
Racing through your veins now
Donât you live in vain, huh
Toast to all your pain
Register the change
Quarters for the train
My mind is full of planes
I canât only stay insane
They told me what I canât
Then I showed them who I am
They thought it was my end
But Iâve only just began
I went and paid my dues
Right on time, just like the rent
These haters hit the snooze
When Iâm all theyâve ever dreamt
Get up out your bed
Go to school, you gonâ learn
Left my text on read
âcause probably canât discern
The highest in the room
Man, I think I should descend
Like Prometheus, I promise you
The fire is within
Iâm bleeding through my pen
Naked truth, but not ashamed
A Phoenix in the rain
Wildinâ out, never been tamed
They canât contain my fire
The firemen have failed
I went through livinâ hells
And by heaven, donât repent
They told me âlet it ventâ
This storm feels like torment
Foundations to my home
Stay grounded, like cement
Stop with all the chant
Now, excuse me, hereâs a rant
Teach children âbout the land
The land before we landed
We came from other planets
Thatâs truth, believe itâs cannon
Descendants of Atlantis
See now, young Nostradamus
Stranded out in Patmos
You write yourself a Bible
Higher than the atmos
I fear, you false like idols
Like serpents in the desert
Donât cross me, see me from miles
Numbers, chapter twenty one, four
Read up, gentiles
Are we really pious?
If we seek to glorify us?
Your Midas touch is cursed
Youâre twisted, thatâs arthritis
Are we really pious?
If we seek to glorify us?
Thatâs complex, like messiahs
Donât save me from the fire
The âVERANOâ season was conceived and created by artistic directors Danilo Gambini and Jecamiah M. Ybañez, producing director Estefani Castro, managing director Oakton Reynolds, and director of production Martin Montaner V.
One, a web series produced by the Yale Schwarzman Center, highlights interdisciplinary approaches to the arts in relation to the Centerâs values of collaboration, wellness and belonging.
Produced by:
Maurice L. Harris, PhD (Dir. of Marketing)
Jennifer H. Newman, MFA (Associate Artistic Dir.)
Estefani Castro, MFA (Associate Dir. for Stakeholder Engagement)
Season One, 2020-2021.
The inaugural season illuminates the creative and academic merits of student works impacted by social distance and explores perspectives on community-building among dispersed groups. The series title, One, is a nod to the Schwarzman Centerâs aspiration to advance a sense of âOne Yaleâ and create an interconnected community that builds new traditions of student engagement around the campus and into the world.
Episode #2
MFA student Camilla Tassi YSD â21 talks with Estefani Castro YSD â21 about her work in projection designâthe integration of digital projection into live events. Tassi discusses how she uses technology to spark emotional connections in opera, classical music and experimental arts, and she reflects on physical distance as an opportunity for dialogue between artists and audiences.
Episode #4
Estefani Castro YSD â21 interviews Frances Pollock YSM â19MM â23DM, Emily Roller YC â07, and Danilo Gambini YSD â20 about their novel approach to opera. The team discusses how they used social media as a performative and ideological stage for an original take on the biblical story of Sodom and Gomorrah. A workshop of their production, Salt, premiered May 8 as part of the Yale Opera Studies Today (YOST 2020) program.
In episode #4 of the Schwarzman Center web series, One, Estefani Castro YSD â21 interviews Frances Pollock YSM â19MM â23DM, Emily Roller YC
Episode #9
Estefani Castro YSD â21 interviews Zachry Bailey, Brandon Burton, Alex Vermillion, and Jaime Totti on their experience leading the Yale Cabaret and its foray into radio, recalling the 1921 Tulsa race massacre as a response to both the current pandemic and systemic racial injustice. Bailey, Burton and Vermillion are 2020 Yale School of Drama graduates. Totti is a 2020 graduate of both Yale School of Drama and Yale School of Management.
In episode #9 of the Schwarzman Center web series, One, Estefani Castro interviews Yale School of Drama (YSD) students Zachry Bailey â20, Br
Episode #18
Estefani Castro YSD'21 interviews Carrie Mannino YC'20 about her senior thesis project in creative writing. Manninoâs documentary play, It Couldnât Happen Here, delves into the aftermath of the October 2018 shooting at Tree of Life Congregation in Pittsburgh, Pennsylvania. The episode contains a dramatic reading of an excerpt from It Couldnât Happen Here and explores insights from Manninoâs writing process.
In episode #18 of the Yale Schwarzman Center web series, "One," Estefani Castro YSD'21 interviews Carrie Mannino YC'20 about her senior thes
Episode #19
Estefani Castro YSDâ21 interviews Erin Sullivan YSDâ20 and Liam Bellman-Sharpe YSDâ20 about the intersectionality of their visual and audio works. Inspired by Eadweard Muybridgeâs early work in motion picture, Sullivan juxtaposes real life bodies in motion with video frames that form a looped cycle. Similarly, Bellman-Sharpe uses human motion as a driver for musical improvisation using MIDI technology. Together, the creators explain how they might integrate their ideas on stage. This episode contains video footage of their multi-media creations.
In episode #19 of the Yale Schwarzman Center (YSC) web series, One, Estefani Castro YSDâ21 interviews Erin Sullivan YSDâ20 and Liam Bellman-
Press:
Schwarzman Center an opportunity for âmore porous boundaries,â admin says
-- Yale Daily News
âItâs really important for us to think about how to build the systems and the structures that are nimble and responsive not just to the needs and desires of students but also to the dreams that we can build out,â said Estefani Castro DRA â21, assistant director of stakeholder engagement. âThe Schwarzman Center will bring in large-scale projects, but itâs important to have a balance of that student-generated work.â
Yale School of Drama Theater Management Case Study
prepared by Estefani Castro, MFA
In the days before Berkeley Repertory Theatreâs (BRT) spring 2019 board meeting, instead of counting sheep at night before going to sleep, Susan MedakâManaging Directorâcounted the number of buildings the theater owned and made rough estimates as to how much they had increased in value since being purchased. She found this exercise helpful as she contemplated the various ways BRT could approach improving the temporary housing it provided to visiting guest artists.
Publication Date: May 14, 2021
Citation: Estefani Castro, "Berkeley Repertory Theater (2019)," Yale Theater Management Knowledge Base Case 19-98, May 14, 2021.
Keywords:Â Berkeley, Facilities, Budgeting, Capital Project
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