pretty face & electric soul @heatwhereyoulay - Tumblr Blog

[ID: a floral lace doily on a grey background. the phrase "sometimes I feel very evil" has been added to it in white thread.]

catcowcat

thatmiumiu

nature morte aux fleurs by henri matisse ♡

zaynmalikgallery

#this used to make me feral #and now im like wow tjhat is but a baby boi

japkevanuffelen

Jenny Holzer, Protect Me From What I Want, date unknown

redbelles

SILVER SPRINGS Fleetwood Mac — The Dance (1997)

By 1997, Stevie Nicks and Lindsey Buckingham’s romance should have been ancient history. The pair had split two decades prior, fueling Rumours’ famously raw breakup anthems. But during a taping of a Fleetwood Mac reunion show later released as The Dance, shit once again got very real. Midway through a non-album rarity called “Silver Springs,” Nicks turned and faced her former flame as she sang the song’s rueful bridge: “Time cast a spell on you, but you won’t forget me / I know I could have loved you but you would not let me.” The pair locked eyes, and Nicks gradually built to a cathartic howl — “I’ll follow you down ‘til the sound of my voice will haunt you / You’ll never get away from the sound of the woman that loves you” — indicating that, for her at least, resolution had never really come.

This was by design. Nicks has admitted that the fiery take on the song that appears in The Dance was “for posterity,” as she told Rolling Stone at the time. “I wanted people to stand back and really watch and understand what [the relationship with Lindsey] was,” she later told Arizona Republic.

The track’s primary exposure was as a B side to “Go Your Own Way” — Buckingham’s own expression of anger and revenge against Nicks, where he claimed that “packin’ up, shackin’ up is all you wanna do.” The song would become one of the band’s biggest hits, charting in the Top 10. “He knew it wasn’t true. It was just an angry thing that he said,” Nicks told Rolling Stone in 1997 of the “packin’ up, shackin’ up” line. “Every time those words would come onstage, I wanted to go over and kill him. He knew it. He really pushed my buttons through that. It was like, ‘I’ll make you suffer for leaving me.’ And I did.”

Of course, Nicks had the exact same motivation when she wrote “Silver Springs.” In a 1997 interview with Arizona Republic, she explained the song’s message as “I’m so angry with you. You will listen to me on the radio for the rest of your life, and it will bug you. I hope it bugs you.”

—Brittany Spanos, ‘Silver Springs’: Inside Fleetwood Mac’s Great Lost Breakup Anthem

scavengedluxury

Florists on Fény street market, Budapest, 1986. From the Budapest Municipal Photography Company archive.

neshamama

philippa iksiraq, "flowers," 1990, felt, embroidery floss and duffle

yodaprod

Christmas lights in Europe (1971)

London - Paris - Amsterdam - West Berlin

sioltach

The house of Maud Lewis

evilbuildingsblog

Athens, Greece - The iconic statue “The Runner” during the last Monday’s blizzard

altered-statuses

Simply Living, No.7 Pg.54, The huts of Dobroyd Head (1978)

vintagehomecollection

While local officials were willing to let developers culvert and fill the streambed to create a level building site, Cutler proved that an environmental alternative could be not only achievable but also spectacular.

The Naturally Elegant Home, 1992