CâMON TELETUBBY! TELEPORT US TO MARS!
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CâMON TELETUBBY! TELEPORT US TO MARS!
Itâs easy to feel hopeful on a beautiful day like today. But there will be dark days ahead of us too.There will be days where you feel all alone. And thatâs when hope is needed most. No matter how buried it gets or how lost you feel you must promise me that you will hold on to hope. Keep it alive. We have to be greater than what we suffer. My wish for you is to become hope. People need that. And even if we fail, what better way is there to live?Â
âI have noticed that if you want to wear lipstick it doesnât mean you donât want to go to college.â
29/08/15
Hawaii-born painter and street artist Sean Yoro
Yes
Suspiria (dir. Dario Argento, 1977)
The Nightly Show, August 3, 2015
XtinaFeels #20/
âI feel like Iâm in a fortunate position in life and itâs a necessity for me to wanna help where I canâ. [x]
Artists frequently hide the steps that lead to their masterpieces. They want their work and their career to be shrouded in the mystery that it all came out at once. Itâs called hiding the brushstrokes, and those who do it are doing a disservice to people who admire their work and seek to emulate them. If you donât get to see the notes, the rewrites, and the steps, itâs easy to look at a finished product and be under the illusion that it just came pouring out of someoneâs head like that. People who are young, or still struggling, can get easily discouraged, because they canât do it like they thought it was done. An artwork is a finished product, and it should be, but I always swore to myself that I would not hide my brushstrokes.
âMad Menâ creator Matthew Weiner on why you should show your work, from the book, Getting There (via austinkleon)