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legend (1985, dir. ridley scott)

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dean blunt

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the champ (1931)

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i wake up screaming (1941)

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ministry of fear (1944)

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the shanghai gesture (1941)

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t-men (1947)

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the two ways of life - rejlander

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_                                                                              ]Mql /*d ^\"._ ;-.                                  .-,-  ,x*\'    q_ . ^_    -.                         _!  _6      *._*/^ _^x  ^*.                     ,^   F        T \' ]\"-.   *,   \"-^m_   ^-._              *C,/   f       _   ^, \',  *, _  ,  \"= ._  = ,_          f   ]    I          g *q    \"*.*_^-.     \'*-* .CZMmpw,      ,]    ]q          M, ,_   \"w_.  *Qbg_^-._           q ! :gcJ]f    f M0MNq_ *m   $ ( ^= _ *a_   _  \"*w_MC     ] I/\"7_         f   M  )Mgp\' \"v    *+JM*q_+w_    _#*\"*, ,    tf , J         f    &,hf *m,_ = , MNmg_^*#^  ==e4--    Lb  !         f . Mmq,_\" - ._\"**  S_ =*&    *mm0a,     _   4  _,, .  \"\"-=JZM0Mpgg,,__ -p^ Z7@&,        Y      \"q_gJ#g \',_   +- ,___^&_   J  \"kmu         _,a*    -CMq **mqag,,___^_\"\"*y-\"9^  -]    ]    /       _a_ ^Mm, ^S  5_gu*a    \'          _N   \"*g_ \"m, ,pmmme=\"_,w\"                _F  _   Nq   f m^        \"                    #  dM&q_ M- 4 p@\"*g,_$                    _,        ,QL*      q#   b # g0                  _p@^       p\'          0N_  t I \'_*#p8                 *         _p             # Mg] #  I]\']6 :                      _,m\'              4_   l ]  !4 ]f S         ]    _,p,,ms@                  *._j f ] ]f +          & p\" m_    _J   ] ]1  *         0f# !**\"^    ]  #,           # 2 #mu,__,,b -   _\'  f   Mq         j\'_ g          _r ,(      *m_    ,Y A &      / M*\"_\'          ]   j! d m,_,\'     /            ]   \' F _p*   _,*^             f   &_& M**M               ]     0q, ]maq__    M&*q \"*q_   _*Pu \"pFMc #    ^q 4__   L*

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21798 S Colusa Ave, Five Points, California.

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He imagines absolute awareness on the other side He wonders as we all do, how it comes to you that you are dead We were distracted by the fluid right edge "There is an absoluteness to surprise," he thinks He applies this simple thought To the problem of how to move the shot Incredibly slowly, our view begins to slide But begins is a problem We are enchanted by the park in all its details Frozen, broken on the right edge By the body of the person, very close, blurred, moving rhythmically How can it begin to change? How can the beginning go unnoticed? How can we pass from one state to another? Is it possible, if one already has a certain experience of life To start directly on the path? Or is there danger involved in trying to do advanced practices Without having the proper foundation?