leo @idaokiwatine - Tumblr Blog

Singha’s like, ‘I don’t need my emotional support witness with me everywhere. In fact, I’ll prove it: I'll send him home and go to the next crime scene all by myself. I mean yes, I will be calling him the second I get done there to tell him every single thing I saw but the point is I went there without him. Just me all by myself with nothing but my phone so I can call him as often as possible and the matching ring on my finger. That’s all. I’m very independent.

yichens

ThamePo + KangMoo ↳ Phases of Relationship

"Are you saying we should push the buzz about why idols aren't allowed to love?" "This is actually the question people have always been asking. They're already wondering if it's fair for idols to not have their private lives." (insp. x x)

requested by @barthsrak ♥

paper-wounds

Fortesa Latifi, from The Truth About Grief.

yingui

don't be a stranger to your own heart / early morning confession in the garden

yichens

ThamePo Break Up in other words ↳ 5CM by William Jakrapatr | insp. x x

"P'Po, I've written all of this to thank you and to beg you. No matter what happens, no matter what I have to go through, and how serious it is, can you not let go of my hand? Even if the world doesn't welcome us, or is falling apart right in front of us, I still want to stand with everyone and with you. Please stay and support me as I am. Stand by my side and fight together against the world that keeps placing expectations on us."

requested by @abstractelysium ♥

yichens

❝ i need you 'til the decades turn to centuries. ❞

Nick Jonas – I Need You insp. x x

requested by @moonverus ♥

yichens

i'm now accepting edit prompts!

the last time i did this was in 2022/23, so it's been a while. even if i have no milestone to celebrate this time, i miss the joy and sense of community these events give me, so i wanted to return here. i also wanted to boost my own productivity as i've struggled with finding the motivation to edit lately and would love to lose myself in this form of art again. so if you'd like to send me a prompt during these trying times, know that it will be greatly appreciated ♥

here are some instructions and tips on how things will work:

what to make your prompt about:

in general, you can craft your prompt in whichever way you'd like, but here are some options for those who get overwhelmed by too much creative freedom:

i. the classic: pick a character/characters you like and mix them with a poem, a song/lyric, or a quote you love as much. most of my old event edits have been like this and they always work. – examples: x x x ii. the aesthetic: i've created several episode edits in the past, most of them inspired by color palettes or colors. if you want something similar, give me a character(s) or a show and a color/color palette, and i'll try my best with it! – examples: x x x iii. the analysis: i love different personality tests and other such things, which shows in my edits. if you'd also like to see you favorite character(s) analyzed like this, tell me who and how: horoscope? mbti? other personality test? a playlist? a dnd character sheet? something else? i'm open to suggestions. – examples: x x x x iv. the web weave: my personal favorite, but might take longer than others to make. if you wish for a classic web weave edit, mention in your prompt if you want it for a character or a specific relationship dynamic and what the theme/topic of it should be. – examples: x x bonus: free square! just like in bingo, this is where anything goes. aka if you find it difficult to come up with a prompt but would still love to enable me, this is your chance. choosing free square means that i will randomly pick an edit idea from my secret stash, finally bring it to life, and dedicate it to you.

shows i accept prompts for:

Fangs of Fortune Mysterious Lotus Casebook ThamePo: Heart That Skips a Beat Never Let Me Go Only Boo! My Magic Prophecy (+ JimmySea multiverse) Pit Babe 1 & 2 Century of Love The Wicked Game Goddess Bless You From Death This Love Doesn’t Have Long Beans My Stand-In Heated Rivalry Yesterday

(links lead to the mdl page of the series if it has one.)

! for aestetic edits, i will also consider accepting prompts related to any riser/gmmtv records mvs OR any other ost mvs related to the shows on this list

!! your prompt may also include parallels between two or more of these series and their characters, especially if it's characters played by the same actor. the jimmysea multiverse is not the only multiverse i may be convinced to explore. (examples: x x)

how to get your prompt to me:

i'd prefer you send me your prompt as an ask, but i've previously accepted prompts via dms, too. it does not matter to me much, but asks are easier to keep track of, tho i've always ended up making a spreadsheet for the prompts anyway :'D you can also include several different prompts to one ask! if you feel like it's hard for you to pick which idea to present me, you can make me choose for you. overall my thumb of rule while doing prompts has been to create only one edit per person so that i don't get too overwhelmed and having only one ask from one person helps with that.

i'll be accepting prompts from today until the 10th of april (which is also my birthday), after which i will be closing my inbox for a little while before starting to work on the prompts in the same order i received them.

if you have anything to ask about any of this or just wish to chat, my dms are open! i'd also appreciate any reblogs for this post ^^

sm-baby

sappy

lostysstuff

I put a spell on you, because you’re mine

zemuoga

wow guys! can't for volume 2 tonight! it's going to be great! haha!

audii-the-starry-eyed-wise

this is steve after Wills coming out scene. hes wiping a tear.

STEVE HARRINGTON HAD A BIGGER REACTION TO WILL COMING OUT THAN MIKE. STEVE. HARRINGTON-

samwises

MERLIN | 5.01 Arthur’s Bane pt. 1

kidovna

the painting

fic collaboration with @andiwriteordie

bylertruth3r

homotron 7000 was like: "my boyfriend took out 3 DEMOS all on his own with his mind and he's a sorcerer and his powers are innate and yes it matters get that right and he's magic"

video here

lunewarden

Byler doodle that turned into a proper piece

lune-moon-nuit

People who use the end of the flirting scene between Mike and Will in Episode 4 as “proof” that this is somehow the “end of Byler”—despite the extensive explanations already offered by countless viewers—continue to misunderstand a scene that is, both narratively and psychologically, entirely coherent. Will’s reaction at the end is not a response to anything Mike does after his subtle romantic gesture. The conversation had already ended. Yes, Will made a move—an initiative in flirting he had never dared before, even if it was discreet and understated. Mike noticed it, appreciated it, and was perhaps momentarily overwhelmed, but he did not walk away because he was uncomfortable. He simply resumed walking because the exchange was over, fully expecting Will to follow.

It is Will who remains rooted in place, seized by anxiety and suddenly doubting himself—not because of Mike’s response, but because of the act of flirting itself. He tried to take a risk after his conversation with Robin in the hospital, but the shame and self-directed contempt that have been so deeply internalized in him resurfaced almost instantly. Robin, importantly, sees this. What she recognizes is not the “rejection” that some viewers project onto the scene, but the familiar spiral of a young gay boy allowing himself, for one fleeting moment, to be authentic, only to recoil in fear the second after. She sees herself in him because she knows that spiral intimately.

And I believe people who misinterpret all of this—aside from the disingenuous homophobes and the Milevens who would sell their own mothers before letting Byler become canon out of pure spite and ego—are forgetting the historical context: the 1980s.

When a gay teenager today flirts with a friend, the primary anxiety is generally, “Does he like me back?” But for Will—and for queer youth in the 1980s—that question is only the surface. Beneath it lies a far more frightening one: “Even if he does like me back, what future could we possibly have? What will become of us?”

In 1980s America, homophobia was not just widespread; it was violent, institutionalized, and intensified by AIDS panic and puritanical conservatism. Even two boys with mutual feelings would be engulfed in fear—not only fear of rejection, but fear of consequences, fear of visibility, fear of the world itself. Will’s anxiety here is not simply “Does Mike return my feelings?” That is the least of it. His true questions are: “Do I even have the right to feel this way? What will happen to me if I allow myself to be this person? What danger am I inviting?”

I mentioned in a previous Byler post the testimony of the French comedian Pierre Palmade, a gay man coming of age in the 70s and young adult in 80s, who described an internalized homophobia so extreme that, despite his close friends knowing and accepting him, he was incapable of sustaining a loving relationship with a man. He ultimately became dependent on cocaine because it was the only way he could bear to have sexual relationships with men—only when drugged out of his mind could he silence the shame and self-loathing his society had engraved into him since childhood. Otherwise, he repressed everything—repressed himself—because he had been taught that what he was constituted a flaw, an aberration.

This is the kind of fear we are talking about. The kind of shame that is shouted at you throughout your entire upbringing.

We must remember that the first reaction of most adults and classmates in Hawkins when Will went missing at just twelve years old was: “He was probably kidnapped and assaulted by some ‘queer.’ It was bound to happen—he’s one of them. He brought it on himself. It’s not a great loss anyway.” His own father used that slur on him. All of this directed at a child barely taller than the bicycles they rode.

This is why his conversation with Robin in the tunnel is pivotal—and why the scene in which he unleashes his powers, anchored in Robin’s words and in his childhood memories, is so profoundly significant. That moment is when he finally leaves shame behind. It is when he understands that he has never been a problem to be fixed—that he should never erase or hide who he is. In those memories, he sees the little boy who was happy, open, and full of wonder—loved by his mother, loved by his brother, loved by his best friend (which he loves more than anyone). These three people shaped him through their love, and he carries that love within him. It is organic, reciprocal, and essential to who he is. It is the answer.

So yes, in that Episode 4 moment, Will falls back into a spiral of anxiety forged by hundreds of homophobic micro- and macro-traumas inflicted by his father and by society—wounds meant to plant shame and self-hatred deep within him. But he ultimately breaks free of those chains during his recollection of childhood and through Robin’s affirmation. He does not follow the path of repression and shame that destroyed Pierre Palmade and harmed those around him. Will breaks the cycle—of shame, of fear, of internalized violence—by choosing liberation instead.

yichens

GMMTV2026 FAVORITES • Part 2

I Will Always Save You Gunshot Oxytoxin Mr. Kill My Professional Boyfriend

+ Honorary Mention: You Maniac

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