Kansai Yamamoto
RMH

@theartofmadeline
đŞź
art blog(derogatory)

romaâ

Jar Jar Binks Fan Club

if i look back, i am lost
KIROKAZE

Discoholic đŞŠ
Keni

Origami Around
TMBGareOK. The Official They Might Be Giants tumblr
Doug Jones
No title available
No title available
occasionally subtle

tannertan36

Game Changer & Make Some Noise
Today's Document

oozey mess

seen from TĂźrkiye

seen from Canada

seen from United States

seen from United States
seen from United States

seen from Russia
seen from United Kingdom

seen from Germany
seen from United States

seen from Malaysia
seen from T1

seen from Cyprus

seen from United States

seen from Germany

seen from China

seen from Philippines

seen from United States
seen from China
seen from Canada
seen from United States
@idiopathicity
Kansai Yamamoto
Susan Tyrrell and Viva (Susan Hoffmann) behind-the-scenes of Forbidden Zone, 1980.
Polaroid from Susanâs private collection.
Hair by Evanie Frausto.
wow hey, hi, havent been here in awhile
My Offline Social Life In a Nutshell
I kneel in my garden You bend over in yours I am weeding zucchini You are watering corn
Staff talk to each other They talk to you and to me You and I donât talk to each other But sideways-glancing, we see
[Image description: Â Large field, of plants, thereâs a weeded spot thatâs mostly just dirt, Iâm kneeling down pulling weeds, you canât really see my face.]
Most of my in-person social interaction works like this. Â Itâs as much an artifact of the developmental disability system I am forced to live in to survive, as it is an artifact of anything particular about me or the woman I wrote this about, who I have only met in this kind of context. Â
I owe my life to the DD system. Â I have given up so much to survive the DD system even at its best. Â Neither of these things can be ignored. Â Everyone who uses this system to survive, gives up things you may not be able to imagine. Â This should not inspire pity or a sense of sad inevitability â âthings have to be like this, itâs too badâ â but outrage and love and common humanity. Â This is an area where people donât really differ from each other in anything but shape. Â Donât kid yourself that weâre some kind of second-tier human beings who innately can take this because weâre not quite as real as you and donât feel it. Â Most of us spend our whole lives shoving our humanity into boxes to survive and itâs never enough to please the forces that push us in that direction. Â We feel it. Â It always comes out in one way or another. Â All of us. Â Even those of us in hiding from ourselves.
Iâm nervous about telling you the price we pay to be here. Â I feel like iâm revealing a dangerous secret. Â I feel like, in a system that is taking the place of something much worse, a system I need for survival, a system under threat right now, is not something I should be openly criticizing. Â But if it continues without change, with everyone simply saying weâre lucky it exists â which we are, but thatâs not the whole story. Â And without people knowing the whole story, we try to cram our souls into boxes. Â Our souls eventually object.
Meanwhile we often try to connect with each other indirectly rather, as described in the poem.
[If you want more on why and how our souls object, see this post, Itâs long. Â But thorough..]
Julien Fournie S/S 2020 Couture
âCarlota Joaquina de BorbĂłnâ (details) by Salvador Maella, 1785.
Julien Fournie S/S 2020 Couture
Marie Laurencin
Valentine
1924
Nymphe et Biche, 1925Â - Marie Laurencin
Kornelia Korpusinska for Teeth Magazine
Photographer:Â Yan Wasiuchnik
AnOther Mag
Sasha Yosselani
Come unto These Yellow Sands (1842) - Richard Dadd
Adolf Hiremy-Hirschl  (1860  â 1933)Â
Nächtliche ErscheinungÂ