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Persepolis, Marjane Satrapi
Persepolis, The Tomb of Darius
Ruins of Persepolis, Iran, circa 1923.
Book cover, 1800s, Iran.
Hand-knotted Persian Rugs from Kerman, Iran.
(x), (x), (x) and (x)
Plaisir d’amour en Iran (Agnès Varda, 1976)
weaving persian rug, Iran… handwoven carpet
سیمرغ (Simurgh)
The Persian mythical bird akin to the Phoenix, symbol of resurrection - on the façade of the Nadir Divan Beghi Madrasa, of 1622
Persian ‘zodiac’ rug, probably Kerman area, south west Persia, early 20th century, 6ft. 7in. X 4ft. 4in. 2.01m. X 1.32m.
Magnificent Ispahan Persian Rug signed Haghighi
IRAN Calligraphy in Prison. Mirza Mohammad Seifi Qazwini
Mirza Mohammad Seifi Qazwini, also known as Emadolkottab (1861-1936), was a master calligrapher of Nasta’liq in the late Qajar period. Because of his membership in a terrorist group “Komiteye Mojazat - punishment committee” and writing the group’s unsigned leaflets, he was arrested and spent five years of his life in prison.
His calligraphy writing exercises during his imprisonment encompasses a wide variety of subjects, from Saadi Shirazi’s social and moral thoughts to Imam Ali’s letter to Malik Ashtar; from quotes from Tolstoy to writing down his own dreams. Emadolkottab was released from prison in 1921 at age 60.
( source )
Iran, Isfahan, 1967, Elliot Erwitt.
A young Iranian rolls a joint on a 5000 Toman banknote, featuring Ayatollah Khomeini, who in 1979 made Iran the world’s first Islamic republic
via Nicola Zolin
Rug (fragment); Northwest Iran, Tabriz, 17th century; Marshalll and Marilyn Wolf Collection, Canada
Textile Fragment with a Repeating Pattern of Interlocked Tulips and Poppies
Object Name: Fragment Date: ca. 1628–58 Geography: India or Iran Culture: Islamic Medium: Silk, metal-wrapped thread; plain weave, brocaded