http://www.native-languages.org/cjargon.htm
trying on a metaphor

❣ Chile in a Photography ❣
noise dept.
Cosmic Funnies
Mike Driver
untitled
$LAYYYTER
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Andulka

tannertan36

blake kathryn
TVSTRANGERTHINGS
Aqua Utopia|海の底で記憶を紡ぐ

★

Kiana Khansmith

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cherry valley forever
Cosimo Galluzzi

@theartofmadeline
Fai_Ryy

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@imp9363f
http://www.native-languages.org/cjargon.htm
http://dronecenter.bard.edu/publication/the-drone-primer/
http://www.publicseminar.org/2014/12/how-i-got-over/
Military Solutions Are the Problem - Sep 2007
"What happens when the salmon people can no longer catch salmon in their rivers?"[1]
Jeff Corntassel.
When I was a child I slept in a room at the back of my parent’s house. During the summer, the old wisteria would climb up the garden wall, edge over the window-sill and spill…
http://en.wikipedia.org/wiki/Capacitor
Mitch Hedberg - Emergency Brake
cf. Walter Benjamin:
“Marx said that revolutions are the locomotive of world history. But perhaps things are very different. It may be that revolutions are the act by which the human race travelling in the train applies the emergency brake.”
OK Go - Here It Goes Again
http://thedisorderofthings.com/2014/11/18/terra-forming-islands-in-the-south-china-sea-or-the-future-of-international-law-in-the-age-of-anthropocene/
Hannah Arendt | Origins of Totalitarianism (1951) | 124
cf. “The solar system is mankind’s. This mission is the first step to take it. It’s ours.”
Rosetta's twelve-year journey in space
https://content.lib.washington.edu/iwwweb/read.html
http://warhistorian.org/mershon/arendt-on-violence.pdf
Fassin speaks of the past as existing in two dimensions. On the one hand, there is the past of the historians: objectified, distanced, depending on documents, archives, artefacts. On the other hand, memories of individuals, which are subjective, and in which what is repressed and unsaid is also significant. These two overlapping representations can sometimes compete, for they are founded on different schemes of truth-telling. Like a psychoanalyst, the ethnographer is in dialogue with the living, yet he has no access to their interiority: his job is to objectify, like a historian. He is shot through with the terror of interpretation, and he is alive to all the unconscious prejudices that shape what can be heard; yet if he does not interpret, his material becomes simply exotica, to be placed in a cabinet of curiosities.
Hilary Mantel’s review of Didier Fassin’s ‘When Bodies Remember: Experiences and Politics of Aids in South Africa’
(via humanities-institute)
The past of historians versus the past of individual memories.
(via literary-ethnography)