noise dept.
No title available
cherry valley forever
"I'm Dorothy Gale from Kansas"
🪼
Monterey Bay Aquarium
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#extradirty
Jules of Nature

祝日 / Permanent Vacation
AnasAbdin
Today's Document
let's talk about Bridgerton tea, my ask is open

★
Game of Thrones Daily

Love Begins

Janaina Medeiros
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Sweet Seals For You, Always

PR's Tumblrdome
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@iratattelman
UNDER RECONSTRUCTION
NEW LAUNCH LATER THIS YEAR
Sleepover, 2024
Family Irony, 2024
The Dilemma of Alien Archaeology (Except 1 of 3), 2024
Format: Video
Duration: 07:54
Moving Into Frame, 2023 (overview)
Moving Into Frame, 2023 (ground level)
Moving Into Frame, 2023 (detail)
Measure, 2022 (front)
Measure, 2022 (side)
Traige, 2021
Anchoring to a Disappearing Island, 2021
Format: Video
Duration: 6:07
Sticks and Bones Crated, 2022
Constellation, 2021
Accident, 2021
Seat, 2021
Surrender, 2022
Twister, 2021
Soaked Through, 2022
Swell, 2021
Reflection, 2021
Losing Sight, 2021
Crossing the Vardar River, 2019
In the Vardar River, 2019
Hi Ira. Love your site!! Sorry to say we can’t make the party this evening. Definitely looking forward to your housewarming!! Amy
Whenever gathering can happen again. I hope you are both well.
Email is iratattelman at gmail dot com
Bazen Saraj
2019
video (11:39 minutes)
Created for Brashnar Creative Project Artist Residency, Skopje, North Macedonia.
During my month in Skopje, I photographed life along the Vardar River. I discovered the remains of Bazen Saraj, an outdoor swimming pool from Yugoslavian time. Given the hot climate, the city’s water features are important for its residents. The pool depicted was abandoned in 1985. By flattening time, I focus on the displacement that occurs when people bring their memories to urban ruins.
I came to the Brashnar Creative Project prepared to photograph life along the Vardar River in Skopje, North Macedonia. I posted daily photographs on social media to correspond with 30 words written before I arrived. With the use of a bike, I soon discovered the remains of Bazen Saraj as well as Lake Treska, two former sites for swimming. I also visited the brutalist buildings in Skopje, many now in disrepair. Each experience influenced the multi-disciplinary work I created while in residence, from printmaking to painting to installation to video.
Bridging the Vardar River 2019 Monoprints on Fabriano Tiepolo paper 14.75” wide x 11” high
Created for Brashnar Creative Project Artist Residency, Skopje, North Macedonia.
On top of the Vardar River 2019 Monoprint on Fabriano Tiepolo paper 14.75” wide x 11” high
Created for Brashnar Creative Project Artist Residency, Skopje, North Macedonia.
Surrounding the Vardar River 2019 Monoprint on Fabriano Tiepolo paper 15.5” wide x 12.125” high
Created for Brashnar Creative Project Artist Residency, Skopje, North Macedonia.
Vardar River Cascade 2019 Monoprints on discarded poster 15.5” wide x 12.5” high
Created for Brashnar Creative Project Artist Residency, Skopje, North Macedonia.
Brutal Styling 2019 Mixed media including racing car door, plastic trash, fabric, vinyl banner, and miscellaneous hardware. 6’-0” width x 2’-6” deep x 4’-0” tall
Created for Brashnar Creative Project Artist Residency, Skopje, North Macedonia.
For this site-specific installation in Skopje, North Macedonia, I collected trash along the Vardar River and roadways. I also drew inspiration from the highly expressionistic, brutalist buildings constructed in the capital after the devastating 1963 earthquake. The piece sheds a playful light on one of the most polluted countries in the world.
The Surface of the Vardar River 2019 Monoprint on discarded map 18” wide x 24” high
Created for Brashnar Creative Project Artist Residency, Skopje, North Macedonia.
Surf: an exchange about climate change
2018
Mixed Media including digital print and adhesive tape
Discharge
Infiltration
Leak
Drain
Seepage
Waste
Water Flow I
Water Flow II
Line Up
Offering
2018
Space Around Us
2017
Single digital prints
Inhale-Exhale (District of Columbia)
Tape (District of Columbia)
Hidden From View (Louisiana)
Air in a Box (District of Columbia)
Skylight (District of Columbia)
Stain (District of Columbia)
Color Coded (District of Columbia)
Broken (District of Columbia)
Finished Floor (New York)
Forest
2018
Mixed media
6’-6” wide x 3'-6” deep x 6’-0” tall
Created for ‘Traces’, a one-woman performance by Jennifer Restak
A woman finds a spot in the woods surrounded by trees set into motion as if suspended in the waves.
Hedge
2018
Mixed media
7’-0” wide x 1'-0” deep x 6’-0” tall
Created for ‘Art All Night Shaw’.
This interactive installation was created at harvest time. Community members added a flower of their choosing in order to create a whole. A single act of joy or mourning became a collective act of beauty.
Fence
2018
Mixed media
6’-6” wide x 4” deep x 5’-0” tall
Created for ‘Traces’, a one-woman performance by Jennifer Restak
A woman builds a fort in order to step into shelter.
Screen (front)
2018
Mixed media including bicycle wheels, aluminum louver, plastic bucket, concrete, galvanized pipe, 4’ tall x 8’ wide 13oz white vinyl banner with pole pockets/hems, and miscellaneous hardware.
8’-0” wide x 4’-0” deep by 4’-0” tall
Created for ‘Artina” at Sandy Spring Museum, Sandy Spring, Maryland.
Screen is a sculpture that undergoes transformation as the sun moves and the light quality changes. The sculpture is a contemporary sketch based on the left over equipment that already inhabits the site. The screen is way to conjure up stories, to begin a narrative. Together, as a whole, the installation reimagines the shared spaces of the grounds at Sandy Spring Museum.
Screen (back)
2018
Recovery: Splint, Drain, Suture, Amputate 2018 2′-8” wide x 3’-0” tall.
The places we inhabit are often wounded or damaged by use and proximity. How do we restore, repair and revive these locations?
The recovery process involves temporary solutions designed for healing what is injured or infected. While seemingly self-sufficient structures undergo transformation, the temporary fixes preserve and protect the original. Flexible enough to be reconfigured or removed when circumstances change, these healing solutions insinuate themselves into the existing order of space. They cannot, however, insulate the objects as they change or face new attacks and abrasions.
Human Traces
2017