Three Goblin Art
Not today Justin
occasionally subtle

Origami Around
wallacepolsom

oozey mess
Xuebing Du

if i look back, i am lost
Show & Tell

roma★

★
ojovivo

blake kathryn
Monterey Bay Aquarium
dirt enthusiast

Andulka
Sade Olutola
One Nice Bug Per Day
I'd rather be in outer space 🛸

@theartofmadeline
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@jupiteretrograde
This is making me go insane
Boss makes a thousand and I make a dime that's why I browse on company time. Lol
A friendly lizard
The resignation…
Angelina Jolies iconic back tattoo
its de niro’s pussy poppin platforms monday
what the fuck did you just say?
mr de niro it’s an honour to have you here
Headfooter
Hieronymus Bosch, The Garden of Earthly Delights, 1515
No fucking way
16th Century goomba
saying “i dont find conventional attractiveness attractive” just sounds like im trying to be the most Enlightened and Progressive person in the room but its like, its not even trying to be a statement bc conventional attractiveness is so lacking in humanity
like… clear skin, clean shaven, manicured faces, an uncomfortably starved physique, and (if a woman) the expectation of elaborate and time consuming makeup for the sole purpose of removing all human flaws, shaved arms and legs, invisible pores, etc etc.
its so unsexy. its like… the body as a minimalist rich person house or a flawlessly manicured suburban lawn. its a performance and not lived in.
everyone is beautiful and no one is horny goes into this in a way i really liked. some quotes:
Actors are more physically perfect than ever: impossibly lean, shockingly muscular, with magnificently coiffed hair, high cheekbones, impeccable surgical enhancements, and flawless skin, all displayed in form-fitting superhero costumes with the obligatory shirtless scene thrown in to show off shredded abs and rippling pecs. And this isn’t just the lead and the love interest: supporting characters look this way too, and even villains (frequently clad in monstrous makeup) are still played by conventionally attractive performers. Even background extras are good-looking, or at least inoffensively bland. No one is ugly. No one is really fat. Everyone is beautiful. And yet, no one is horny. Even when they have sex, no one is horny. No one is attracted to anyone else. No one is hungry for anyone else.
In the films of the Eighties and Nineties, leading actors were good looking, yes, but still human. Kurt Russel’s Snake Plissken was a hunk, but in shirtless scenes his abs have no definition. Bruce Willis was handsome, but he’s more muscular now than he was in the Nineties, when he was routinely branded a bona fide sex symbol. And when Isabella Rosselini strips in Blue Velvet, her skin is pale and her body is soft. She looks vulnerable and real.
[about Poltergeist] The house looks real, too. There are toys and magazines scattered around the floor. There are cardboard boxes waiting to be unpacked since the recent move. Framed pictures rest against the wall; the parents haven’t gotten around to mounting them yet. The kitchen counters are cluttered and mealtimes are rambunctious and sloppy, as one expects in a house with three children. They’re building a pool in the backyard, but not for appearances: it’s a place for the kids to swim, for the parents to throw parties, and for the father to reacquaint himself with his love of diving. At the time, this house represented an aspirational ideal of American affluence. Compare this to homes in films now: massive, sterile cavernous spaces with minimalist furniture. Kitchens are industrial-sized and spotless, and they contain no food. There is no excess. There is no mess.
Kate writes, “The inside of McMansions are designed in order to cram the most ‘features’ inside for the lowest costs.” These features exist to increase the house’s resale value, not to make it a good place to live. No thought is given to the labor needed to clean and maintain these spaces. The master bathroom includes intricate stone surfaces that can only be scrubbed with a toothbrush; the cathedral ceilings in the living room raise the heating and cooling costs to an exorbitant sum; the chandelier in the grand entryway dangles so high that no one can replace the bulbs in it, even with a stepladder.The same fate has befallen our bodies. A body is no longer a holistic system. It is not the vehicle through which we experience joy and pleasure during our brief time in the land of the living. It is not a home to live in and be happy. It, too, is a collection of features: six pack, thigh gap, cum gutters. And these features exist not to make our lives more comfortable, but to increase the value of our assets. Our bodies are investments, which must always be optimized to bring us… what, exactly? Some vague sense of better living? Is a life without bread objectively better than a life with it? When we were children, did we dream of counting every calorie and logging every step?
When a body receives fewer calories, it must prioritize essential life support systems over any function not strictly necessary for the body’s immediate survival. Sexual desire falls into the latter category, as does high-level abstract thought. A body that restricts food and increases exercise believes it is undergoing a famine, which is not an ideal time to reproduce.Is there anything more cruelly Puritanical than enshrining a sexual ideal that leaves a person unable to enjoy sex?
LITERALLY MY LOGIC
it was a mistake to convince everyone that using social media is the same as having a platform and that their “platform” comes with a moral obligation to issue a public statement every time anything significant happens regardless of their level of understanding of said situation ...
can you specifically look up apartments or houses that had a murder or other violent death happen in them so you can get a nice discount for the area
damn that’s some steals
You're beginning a thought process that will invariably lead to becoming a scooby doo villian.
hey does anyone know the fastest way to clean up milk that’s covering every goddamn i nch of the kitchen floor
i know a gal……she’s on her way
thanks