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if i look back, i am lost
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Sweet Seals For You, Always
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Today's Document
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Looking for @creativity-of-death or @elithilanor?
Something happened and I got axed or hacked so I'm trying to regain access. If you followed me or I followed you, stay tuned:
We've been restored! Thanks everyone :)
@creativity-of-death and @elithilanor are back
I'll probably keep this one as back up though lol
Who would've thought you need MFA on a tumblr but in this day and age lmfao
they love derpy :3
get my girl some platforms...
ZOEEYY I LOVE ZOEEY
I’m having medical stuff again so I apologize if this isn’t super eloquent. Kind of the opposite to my post from a couple weeks ago about stories of escape in Angband but an underrated horror element in Tolkien is how often fear exists as an infection. Not necessarily in the literal sense though this is also fun to explore, but how it spreads and festers, turning against its hosts.
Morgoth alone of the Valar knows fear and he wishes for it to spread.
I know this isn't revolutionary of course but I just find it really interesting to think about it from the context of fear. Courage, bravery in the face of danger is of course such an enduring theme in Tolkien and an individual feeling fear is not demonized.
But Tolkien's works also touches upon the dangers of fear, especially when it comes to rumors, deceit and prejudice
It’s one of Morgoth’s earliest weapons, seen for example when he takes a distorted form of Nahar for his mount in the hopes that the first elves would fear Oromë
in earlier versions Morgoth literally curses his thralls past and present with a deep fear of the dark. More specifically, they are cursed to feel and to fear his presence in the dark.
His stunt with Amlach (which I spoke about here) is designed to sow uncertainty, as was his sending emmessaries to lie to humans east of the Ered Luin, even his releasing of captive elves tied to his will was surely meant more to garner paranoia and conflict within his enemies than it was to achieve direct goals. Even the brutal killing of Gelmir during the Nírnaeth alone isn’t enough for Morgoth’s forces; what accompanies it is the threat that this violence will befall the other captives.
The fear of Morgoth therefore almost exists as if not a separate entity and threat to Morgoth himself, than at least one that is shifting, not always existing solely as one.
When Morwen says in argument with Melian and Thingol that their uncertainty is the work of Morgoth, fear in that discussion seems to take on a life of its own. There is Morwen's fear for her son and her fear of Melian and Thingol but there is also another fear. Something that is almost believed to sway minds and freeze plans
Indeed, Melian too speaks of this type of fear though she disagrees where it is entwined.
(also although I brought up the previous point as an example, obligatory mention of the fear of Morwen; the fear in witch panics is infectious and one of the most vivid descriptions of fear in Silmarillion related texts is in my opinion Brodda's "great dread" of Morwen and especially of her eyes. That fear too is paralyzing and good that it is, in that instance)
Anyways it’s just something I’ve been thinking about a lot
Sunrise 🌅
Unfinished art I made of Findekano. I completely forgot I made it... I just found it in my folders of uhh November?….lol….
Him ✨✨✨
"Then in defiance of the Orcs, who cowered still in the dark vaults beneath the earth, [Fingon] took his harp and sang a song of Valinor that the Noldor made of old, before strife was born among the sons of Finwë; and his voice rang in the mournful hollows that had never heard before aught save cries of fear and woe. Thus Fingon found what he sought. For suddenly above him far and faint his song was taken up, and a voice answering called to him. Maedhros it was that sang amid his torment."
"In that hour Lúthien came, and standing upon the bridge that led to Sauron's isle she sang a song that no walls of stone could hinder. Beren heard, and he thought that he dreamed; for the stars shone above him, and in the trees nightingales were singing. And in answer he sang a song of challenge that he had made in praise of the Seven Stars, the Sickle of the Valar that Varda hung above the North as a sign for the fall of Morgoth. Then all strength left him and he fell down into darkness. But Lúthien heard his answering voice, and she sang then a song of greater power. The wolves howled and the isle trembled."
"[Sam's] voice sounded thin and quavering in the cold dark tower: the voice of a forlorn and weary hobbit that no listening orc could possibly mistake for the clear song of an Elven-lord. He murmured old childish tunes out of the Shire, and snatches of Mr. Bilbo's rhymes that came into his mind like fleeting glimpses of the country of his home. And then suddenly new strength rose in him, and his voice rang out, while words of his own came unbidden to fit the simple tune. [...] and then he stopped short. He thought that he had heard a faint voice answering him."
And I do think about this multiple times a day.
kiss before the sculpture of feanor and nerdanel
reference:Henryk Hektor Siemiradzki
fuck it, yurifies your huntrix