♫ And I’m a goddamn coward, but then again so are you. ♫

Product Placement
Peter Solarz
he wasn't even looking at me and he found me
d e v o n
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dirt enthusiast

Origami Around

Kiana Khansmith

PR's Tumblrdome

tannertan36
Acquired Stardust
taylor price
cherry valley forever
Lint Roller? I Barely Know Her
I'd rather be in outer space 🛸

No title available
Not today Justin

Kaledo Art
Claire Keane
AnasAbdin
seen from T1

seen from Germany

seen from United States

seen from Malaysia
seen from United States

seen from Germany
seen from United Kingdom
seen from Israel
seen from United States
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seen from United States
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seen from United States

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seen from Germany

seen from United States

seen from United States
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seen from United States
seen from United States
@kurusa
♫ And I’m a goddamn coward, but then again so are you. ♫
There’s a new app out for creating manga that’s totally free?!
No way!
YES WAY!
JUMP PAINT ― The official Shonen Jump app for creating manga ― is out now!
It’s completely free and comes with tutorials from famous manga authors, like One Piece’s Eiichiro Oda and Naruto’s Masashi Kishimoto, and the Weekly Shonen Jump editorial staff. Learn from the very best on your path to becoming a manga creator!
Available on Winodws, Mac, iOS and Andriod!
Download it here today! ↓ https://medibangpaint.com/en/jumppaint/
Enjoy!
ELI SHOWED ME A COOL THING where it generates a skeleton in various angles for you !!!!!!
oh shiiiit it’s the ultimate warmup tool yesss thank you
FEEL IT’S MIGHT
ORT
This site is SO FRICKIN COOL!!! OMG I am ADDICTED!!!
I wanted to make a more concise list of my brushes, with examples in tow.
Please don’t be afraid to tweak the settings if you use any of these. I never change the settings on my marker brush, but I am constantly changing at least the “blending” setting on all of my painting brushes.
If you’re missing certain textures, this download may help. I believe it is where my cloud brush originated from, though I’ve altered the settings from the original.
Mini SAI guide - "Blending (color blending)", "Dilution (opacity mix)", and "Persistence" settings.
I’ve had a general idea what these things did but wasn’t completely sure what their specific functions were. I decided to sit down and figure it out, and I have thrown together a short reference guide for anyone who is confused about them. I know there are multiple translations of SAI floating around, so if some of these terms don’t sound familiar, just know that I’m talking about the three settings that appear under the texture in the brush tool settings (note that this won’t apply to any tool types except for brushes and watercolor brushes).
I don’t claim to be an expert so if you find I’ve made a mistake, let me know so I can update it, thanks! :3
—-
BLENDING (Color Blending)
This controls how readily the brush will inherit any colors you are painting over with it. For example, a 0% blending setting will pick up no existing colors, treating it as if you were painting on a transparent layer. A 100% blending setting will ONLY pick up existing colors (provided there are any). So at 100%, the color you’re using won’t even show up, unless you move to a transparent area. Blending is not affected by transparent pixels, so if you’re drawing on a blank layer it will have no effect.
So you can see from this example that the color I’m using gets harder to paint as the blending increases and more of the existing green is absorbed, until at 100% it is just completely turning green.
—-
DILUTION (Opacity Mix)
This controls how readily the brush will draw on a blank (transparent) part of the layer. A 0% Dilution will result in the brush painting very easily onto a blank surface, while a brush with 100% dilution will literally not paint on blank parts of the layer at all. Dilution is ONLY affected by transparent pixels. So it won’t do anything if the whole layer is already filled in (even with white). Dilution can be thought of as the inverse of the Blending setting in some ways.
So in this example, you can see that as dilution approaches 100%, the color I’m painting with basically becomes invisible. In fact, if you were to switch to binary color mode and look at this layer, there would literally be nothing there anymore!
Keep this in mind - if you ever can’t paint for some reason, check your dilution setting, it might have gotten accidentally bumped to 100!
—-
PERSISTENCE
This one goes hand-in-hand with blending. Basically, it controls how easily a brush shifts color as you are blending from one color to another. Rather, how long it “persists” if you will. Like blending, Persistence is only really relevant when painting over existing color so it’s mostly unaffected by transparent pixels. Basically, the higher the persistence, the longer it will take for the color to shift as you make a stroke, and subsequently, from which color to which other color it is shifting is dependent on the blending setting.
So for this example I’ve done the same test with three different levels of blending. I turned off all pressure sensitivity (actually I just used my mouse) to emphasize the effects in a controlled environment:
If blending is at 0%, persistence fails to have any real effect. With pressure on, there is only the difference of having to push harder, but the results will be the same as far as I can tell.
At a happy medium of 50%, persistence increase causes the orange that the brush is picking up to last longer as it goes into the green, until it never shifts to blue at all.
At 100% blending, there was never any blue in the first place, because as we already know, full blending causes you to only pick up existing color. So the persistence setting changes only how fast the orange changes to green.
Persistence is dependent upon the blending settings, so having them somewhere in the middle will probably produce the most optimal results.
—-
CONCLUSION
Ultimately how you use these is up to you, and is largely dependent on what kind of brush you’re making and what it will be used for. And most of these settings are meant to be used together in unison, so play around with them a lot!
If you are confused, or not sure what settings you want or what settings you should be using, a safe bet is to put them all at about 50% - that will produce fairly average results that are easy to work with, and it’s easy to remember in case you want to experiment but don’t want to forget your settings in case you decide to switch back.
Hope that helps!
nODO for those who need help with sai!
Space Brush
Just a quick brush / texture I put together to learn how to make Sai brushes.
You can get the space texture here. SET THE BRUSH LAYER ON LUMINOSITY.
TRY THIS BRUSH IT’S BEAUTIFUL
To all my artist followers
I have to thank @tessiellation for recommending the program cause it saved my life big time.
Do you know how you are always have this image in your mind of how to pose a certain character but for some reason, you can’t hand, leg or whatever reason you can think of to make it look proper?
Lovely Tess here recommended a program call DesignDoll I’m not sure if it works on MAC as well, however it is compatible with Windows.
Want to have a Male doll base?
No biggie.
Perspective with Big Boobs Mckenzie? Fuck yes.
How to hand?
This program will save your life!!
apparently ppl don’t know about waifu2x??? despite its… concerning name it’s literally the most convenient website i’ve ever come across as an artist
it allows you to resize artwork without it becoming pixellated. this is a MASSIVE help if you, for example, make lineart too small or something. it works best with things that 1. have no textures 2. have smooth lines 3. have cel shading, but it still works really damn well for things that don’t fit that profile
here’s an example:
normal size
2x in paint
2x in waifu2x
so like, there’s that. go wild
Original:
Photoshop scaled:
Waifu2x scaled:
It’s legit!! Tell your friends!
That’s quite impressive! It must have some great code under the hood.
peachy
Mixed Pack
Please like/reblog if you use.
Credit appreciated, not necessary.
None of this artwork is mine.
11 Vietnam Icons, 27 Nyo!Lithuania, and 33 Nyo!Poland
Preview:
Keep reading
need refs/inspo for period clothing?
here you go:
Medieval (9th-15th century):
10th century and earlier
Romance (1000-1250)
11th century
12th century
13th century
more 13th century
14th century
more 14th
15th century
and more 15th century
Gothic (1150-1550)
Renaissance (1520-1650)
16th & 17th century
16th century
more 16th
Tudors (1500-1550)
more Tudors
Elizabethan Period (1558-1603)
Jacobean Era (1603-1625)
17th century
more 17th century
and again
and even more
this won’t stop
Baroque (1600-1750)
Georgian Period (1714-1830):
18th century
more 18th century
18th century women’s fashion
18th century men’s fashion
Rococo (1720-1770)
Classicism (1770-1790)
children 18th-19th century
Regency Preiod (1811-1820)/ Empire (1800-1820s):
1790-1820s
more stuff on regency and georgian era
even more
that’s not enough regency
and more
how is there so much
early 19th century men’s wear
early 19th century women’s wear
Victorian Period (1837-1901):
Romantic Era (1820-1840s)
Civil War Era/1850-1860s
1870-1890s
more victorian
Edwardian Period (1901-1910):
1900-1910s
Belle Epoque (1880-1910s)
more edwardian/belle époque
Modern:
1910s-1920s [Fashion between the World Wars]
1920s
more roaring 20s
so much 20s
1920s hairstyles
1930s
1930-1940s
1930-1950s
1950s
more 50s
1960s
1960-1970s
1980s
lots of periods in one spot/fashion through centuries:
here, here, and here is almost everything (and properly ordered)
also here with lots of historic fashion magazines
historic fashion
costumes of antiquity
more historical clothing
history of fashion
more history of fashion
“vintage” clothing
historic costumes
children’s historical fashion/toys
details
historic wedding dresses
historic assecoires (hats, shoes…)
hats
masks
parasols
lots of embroidery/jewlery
it indeed is western/european centric, I’m sorry for that, but for other cultures I simply don’t have so many references
Trying to draw buildings
yo here’s a useful tip from your fellow art ho cynellis… use google sketchup to create a model of the room/building/town you’re trying to draw… then take a screenshot & use it as a reference! It’s simple & fun!
Sketchup is incredibly helpful. I can’t recommend it enough.
There’s a 3D model warehouse where you can download all kinds of stuff so you don’t have to build everything from scratch.
reblog to save a life
This is an incomplete tutorial, and it drives me crazy every time I see it come around.
We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldn’t even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.
Here’s the missing part of this tutorial:
How do you populate your backgrounds?
Well, here’s the answer:
If the focus is the environment, you must show a person in relation to that environment.
The examples above are great because they show how to use the software itself, but each one just kind of “plops” the character in front of their finished product with no regard of the person’s relation to their environment.
How do you fix this?
Well, here’s the simplest solution:
This is a popular trick used by professional storyboard and comic artists alike when they’re quickly planning compositions. It’s simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.
From Blacksad (artist: Juanjo Guarnido)
From Hellboy (Mike Mignola)
Even if your draftsmanship isn’t that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside – not just making a backdrop the characters stand in front of.
Your creations live in a unique world, and it is as much a character as any other member of the cast. Make it as believable as they are.
50 APH Lithuania icons.
I made them for @niekonepadarysi but any others can feel free to use them! Like this if you download them.
HOW DO I LIVE- FRUITY RUMPUS MEME FACTORY COVER
John: denten02 | Rose: totalspiffage | Dave: miketooch | Jade: fivetail Karkat: fadeintocase | Terezi: celestialtoxophilite | Aradia: tentacuddles | Vriska/Jane: kyleehenke | Jake: sixfootblue | Roxy: redasatomato | Aranea: aph-lithuania | Jack: veggieblt
We gathered the gang for one last hurrah. There are a few odd guests, don’t ask questions, just enjoy. Thanks everyone!!!
Download
The Homestuck VA gang all came together for one last sing-along. We wouldn’t have even met if not for this comic! What an incredible ride these last few years have been. I can say without hesitation that I would do it all over again.
How do I live without you guys? Thankfully I’ll never need the answer to that question. ::::)
Eyyyy we did a thing for 4/13! Thanks for the fun times Homestuck! Here’s to the future.
I love you guys so much. ;;;;;;;;w;;;;;;;;
that voice is insane also hair goals.
This was so beautiful to watch