we're not kids anymore.
Love Begins
Cosimo Galluzzi
2025 on Tumblr: Trends That Defined the Year
Three Goblin Art
let's talk about Bridgerton tea, my ask is open
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Xuebing Du
Misplaced Lens Cap
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dirt enthusiast
blake kathryn
AnasAbdin
he wasn't even looking at me and he found me
taylor price
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tannertan36
almost home
Peter Solarz
will byers stan first human second
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@lesbow
watching an old disney movie
inspired by the comments in this video making me aware of the siamese cat scene in aristocats
hey guys its me mickey and minnie mouse we were just looking for a third and noticed your vibe from across the bar. hey do you want to enjoy in the childlike wonder in the films we are associated with? i hope you looooooove traditional 2D animation with the MOST RACIALLY INSENSITIVE CARICATURES POSSIBLE snuck right in the middle to ruin the experience
Just in case you haven't heard yet:
Target accidentally released character designs for the new adult atla movie on some t-shirts they are selling lmao
I love how whenever ATLA recognizes Sokka is smart enough to solve a problem but it’d be too fast they just stick him in some kind of situation. Like he COULD’VE stopped jet from drowning a town so they tied him up and dumped him in a forest. He COULD’VE figured out what that spirits deal was so they lost him in the spirit world for 24 hours.
One time they just stuck him in a hole in the ground for a whole episode.
This is how writers should deal with characters who are too smart for the arc instead of making them suddenly dumber for no apparent reason.
If you frequently find yourself in random situations while your friends happen to be experiencing problems maybe you, too, are too smart for the narrative.
My favorite is that Sokka absolutely would've just navigated them out of the desert, so they had to put him on acid the entire time.
Jim Hawkins’ trauma stemming from not being fast enough to catch up to a ship at the last second while he reaches his hand out and do you see where I’m going with this
aka
Top Gif: The lesson he learned from Leland
Bottom Gif: The lesson he learned from Silver
femslash february aesthetics
cinderella x tiana (disney)
my fav airbender💨💨
We gotta stop letting teenage transmasc kids watch South Park it's doing something deeply evil to them
Fandom spaces have GOT to stop finding out about concept art & saying they were supposed to have x or y. That’s not how concept art works, there isn’t a secret better show they decided to hide from you for no reason
“Look at the animation style we could have had!” and it’s a drawing so detailed that the animators would have killed themselves before ever being able to finish a single frame
Happy 27th anniversary!!
you know voltron?
*Calmly levels a pistol at your forehead*
KPOP DEMON HUNTERS
All jokes aside, despite the fact that multiple sources of canon tell us that Maui struggles with being empathetic and understanding where others are coming from when it comes to their needs in the way of emotional comfort, I'm gonna come out and say it: Maui is actually very good with being empathetic, but only in a very specific kind of way that only resonates with Moana.
(some fun analysis, please don't tag as a ship)
Here's the thing! I've been listening to Can I Get a Chee-Hoo? a lot lately, and the more I listen to it the more patterns I started noticing, and the more you unpack those patterns the more you start to understand why it worked to lift Moana's spirits, despite her being unreceptive to everything else he tried.
Namely that he went after her sense of identity.
Self-identity has always been hugely important to her. He's gotta know that better than anybody, given how many times she told him in the original that she is Moana of Motunui, and he *will* board her boat and sail across the sea, yadda yadda, you all know the rest.
And here's the thing! That's not even remotely close to the only time where the importance of one's identity comes up! (He, uh, wasn't there for one of those times, because one of those times was right after he took off and left at the result of frustration with his own sense of identity, but I digress for that specific situation), but do you know what the important thing to note about those other times is?
Both of those other times, she was reaching out and trying to comfort someone else by reminding them about their own sense of identity!!
I talked briefly about this years ago, but there's a tiny scene in the novelization for the first movie that's omitted from the movie itself. It's right after Lalotai, but far before Moana gets Maui to open up about his issues with abandonment. If I remember right, he's being a stubborn pouty mess about his hook not working, refusing to even get back on the canoe at all, and the way that Moana gets him to comply is with a speech that goes somewhere along the lines of "We will make it all the way to Te Fiti, and you will defeat Te Ka, and I know that because you are Maui." It's a tiny gesture, and nowhere near as sentimental as her later "You are not nothing, and maybe the whole reason the ocean sent me here is to help you see that”, (also from the novelization), but it works, because in that moment all he needs is that gentle push and a reminder of the strong and powerful person he sees himself as. It's not about how she feels about him, it's about him needing to have faith in himself. That's what works!! That's what motivates him to keep going.
The reason I bring all of this up is that Can I Get a Chee-Hoo? is his way of doing the exact!! same!! thing!!
The first line in the whole song!
You're down in the dumps, you think you're way off your game, but you can turn it around, just remember your name!
He's not calling out to some scared kid, he's calling out to the Moana he knows, the Moana who's unafraid to shout her name from the mountain-tops and not care who hears her! The Moana who stood her ground in front of the very same lava monster who took him down without flinching once! Maui doesn't need to say he's proud of her or that he believes in her, not directly, because this is his way of saying this is not who you are, you know who you are.
The whole song is calling out to that pride he knows she has for herself.
Who are you? Who are you gonna be?
He's not looking for a dramatic, over the top answer. He's only looking for things she already knows. She is Tautai Moana of Motunui, she's the human who restored Te Fiti's heart when he couldn't. She knows who she is! But she's lost her way, just as he had once, and this is his way of helping her help herself out of it. He makes a joke about their roles being reversed for the sake of quid pro quo, you helped me so now I'm helping you, but whether he realizes it or not, he's using her own words against her! "I know who you are. Do you? Do you remember who you are?"
He sings her praises, (literally), but none of them are exaggerated or overly boastful in the way he sings his own praises! (also literal). She's legendary, she's going to make history, but oh, you actually already did! I know your legacy! Everything beyond I know your legacy and your destiny and I know that you're great is only hypothetical to build her up! He never claims that she's going to destroy Nalo, or that she'll singlehandedly do anything impossible for a human, it's all can you imagine the stories they'll tell about you? because he knows that's what's important to her!
The reason it works is because it calls her to pick herself up, just as she had done for him. In the novel, where a song obviously needs to be replaced, it all boils down to the essentials of "...I’ve been low before, and I couldn’t see my path. And someone came along who I underestimated and she lifted me up. Someone I don’t want to underestimate herself right now.” It works because it's less about come on, we can fight this guy! in reference to Nalo and more about come on, I know you can believe in yourself better than that!
And perhaps the most important thing of all:
He uses her name.
It's established in the novelization pretty early on, even before they're reunited, that she misses him and all of the teasing and all of the nicknames that comes with him (not that she'd ever admit it out loud, she'd rather be caught dead). She's used to Curly, that name is second nature to her. She's annoyed by princess, but will still respond to it if he calls her by it. They're affectionate nicknames, by all means, but she knows Maui, and she knows he tends to fall back on teasing and jokes and avoiding the heavier topics.
When he calls her Moana, she knows that he's not messing around. He's not teasing her. There's genuine, serious truth to what he says.
Throughout the song, he uses nothing but her name. C'mon, Moana, you know you can do this. It's a lot different hearing I have faith in you, you're the bravest wayfinder there's ever been when it's attached to her own name. He isn't teasing her anymore, he's genuinely trying to reassure her of her identiy and her inevitable legacy and if all else fails then that's what I'm here for.
It works for her because he's demonstrating empathy towards the one thing that's more important to her than anything else. That's how she knows he cares. That's how she knows he listens.
tldr; Even though Maui isn't great at the whole understanding and empathizing with humans thing, the reason he's still able to resonate with Moana is because he's able to empathize with her in a way that others may not have been able to.
Moana 2 has been nominated for a Golden Globe! I pitched the idea of a little sister for Moana, as I have a much younger sister too. These are some of my early sketches. I hope you get a chance to see it!
Maui's very specific "2000 years" comment has an added layer beyond it being a joke about him being ahead of the times.
Thousands of years ago, people progressively spread from South East Asia to the various islands dotting the Pacific.
Then, after Samoa and Tonga were settled, that expansion stopped. ... For around a thousand years.
Lots of theories abound why that's the case. A prevailing theory being the difficulty in tackling the weather and waves beyond the points already settled.
In any case, that period is known as the Long Pause.
After that Pause, you suddenly see this rapid expansion; such as when Hawaii and Aotearoa (New Zealand) get settled. This was potentially due to advances in maritime technology.
The end of the Pause? Roughly 2000 years ago.
Weather being a potential major factor in the Pause also gives more layers in Nalo being the primary antagonist.
I still think Moana deserved an Oscar for this part
To me, the moral of Moana is that only women can help other women heal from male violence.
The movie starts with the idea that the male god who wronged Te Fiti must be the one to heal her. This seems to make a certain sort of intuitive sense in that I think we all believe that if you do something wrong you should try to make it right. But how does he try to right it? Through more violence. Of course that failed.
It was only when another woman, Moana, saw past the “demon of earth and fire” that the traumatized Te Fiti had become (what a good metaphor for trauma, right?) and met her with love instead of violence that she was able to heal. Note that they do the forehead press before Moana restores the heart, while Te Fiti is still Te Kā. Moana doesn’t wait for her beautiful island goddess to appear in all her green splendor before greeting and treating her as someone deserving of love.
Moana is only able to restore the heart because Te Kā reveals her vulnerability and allows Moana to touch her there. Maui and his male violence could only ever have resulted in more ruin.
@i-want-cheese
This is a touching anaylisis but it’s extremely racist as not only have you completely ignored the whole point of Maui’s character, but have managed to incriminate a man of color on a tumblr wide scale.
First of all, Maui’s character does not represent male violence—it represent human greed. Maui did not take the heart because he is a man, and Te-Fiti is a woman. He took it because the humans asked him to. The humans asked Maui to do everything for them, not caring how greedy or selfish their requests were and in the end it was Maui who suffered for it. Maui is supposed to show the flaw of humanity.
This has nothing to do with sexism, it has everything to do with the fact that Maui gave and gave to the humans who could never stop being greedy. Moana giving the heart back wasn’t supposed to be her “making up” for the male violence that Maui represents. It was her making up for the greed she and her people represent. It was touching however because yes it was an important moment between two women, but you missed the point and you’ve come off racist and very disrespectful to a culture at that.
Yes, Moana is an empowering movie for women, especially women of color. But the last thing this is about is Maui being an abuser/rapist or whatever. That is not the point of Maui’s character.
And to assume so is racist. You are a white woman completely dehumanizing a man of color and ruining his image because of how you see him. And other white girls here on tumblr have happily picked up that image and interpretation and rolled with it. Maui’s character is now seen as an abuser or as someone who is violently because of white girls here on tumblr—which it doesn’t surprise me. (an in a historical context this is even MORE racist because white women would always make Maui’s people out to be savages and abusers etc., simply because of the color of their skin and their culture so yea, this is bad).
You can see the morality of the movie however you want, but do not be disrespectful toward a character and in this case a culture.
@i-want-cheese Please don’t write this off as another “butthurt comment” or “male guilt”, because this is really messed up. I see how you’re brushing off some other people’s comments and I honestly hope that you don’t see mine the same way because this is an issue I think you need to face/realize. You are being racist and brushing it off isn’t going to change that. the
@visibilityofcolor THANK YOU FOR THIS. As a Polynesian woman, reading that post and other replies painting Maui and even Tui as aggressive and violent men had me feeling some type of way, especially since White people have always regarded Polynesian men in such a manner.
I’ve thought about replying because I’m tired of seeing these kind of “Moana is a feminist movie” posts collect hundreds of notes despite the fact that these posts always conveniently fail to mention Pasifika people, but it always stressed me out, so thank you.
As an aside, Maui taking Te Fiti’s heart and Moana restoring it was symbolic of environmental preservation. Because the people who inspired Moana–Pasifika people, not just Polynesian–are always affected first when the environment is threatened. Our way of life is greatly influenced by the ocean and we believe that if you take care of the ocean, she will take care of you.
You’re very welcome.
This is insight for me as well (as I wasn’t aware that the movie also came fro the culture of the Pasifika people), and does give a very important perspective. I do agree with you, this movie is about environmental restoration, not some white fem bullshit.
I tried over and over again to explain to I-want-cheese about how she was being racist, but she responded by blocking me and other poc who called her out (even other polynesian people). People to this day are still trying to explain that she is being racist and culturally insensitive but she ignores us.
I’ve made a few posts about this, hoping that people realize how problematic it is to agree with i-want-cheese. Explaining to her racist white ass that this was problematic was like explaining to a bird. She wouldn’t listen and neither would have of her racist friends.
Sorry you’ve had to see this on your dash every so often, but I’m glad my portion of the post is starting to get around. (reblogged to the wrong blog at first lols)
dang reblogging this as a correction for the very first reblog. this why feminist analysis always needs to be intersectional
My heart just cried
