Ada LimĂłn, from âThe End of Poetryâ, The Hurting Kind
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Today's Document
đ©” avery cochrane đ©”
sheepfilms

shark vs the universe

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Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
we're not kids anymore.

Janaina Medeiros

romaâ
Claire Keane
d e v o n

Kaledo Art
Sweet Seals For You, Always

Product Placement
Cosimo Galluzzi
NASA
Not today Justin
I'd rather be in outer space đž
DEAR READER
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seen from TĂŒrkiye
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seen from Singapore
@littlelazystar
Ada LimĂłn, from âThe End of Poetryâ, The Hurting Kind
karborn
Helene Schjerfbeck  -  Kuvakirja âPicture Bookâ, 1917
Finnish, 1862-1946
Charcoal, watercolour and gouache on paper
David Altmejd
Phil Epps
âWe have, each of us, nothing. We will give it to each other.â
â Carolyn ForchĂ©, from âFor the Strangerâ
ăMy Hometownă
peace of mind
The Veiled Virgin (early's 1850s) by Giovanni Strazza (1818 - 1875).
Adonis, from The Days (tr. by Samuel Hazo)
feeling like that One scene in kill your darlings with this setup
âThis is not the moon, Nor is this the spring, Of other springs, And I alone Am still the same.â
â Ariwara no Narihira, from âThis is not the moonâ; One Hundred Poems from the Japanese (tr. by Kenneth Rexroth)
In my dreams I come home to you and you come home to me and for a split second every hardship I ever endured has meaning.
The Carnivorous Lamb, AgustĂn GĂłmez-Arcos (transl. William Rodarmor)
A panorama of the Roman ruins at Dougga, with the Capitol at the top. The latter was presented to the city in 166 A.D. by the wealthy Marcio family and was dedicated to the gods Jupiter, Juno, and Minerva, Tunisia, James Stanfield