Sans Soleil (1983)
Conceived and edited by Chris Marker
Sweet Seals For You, Always
Keni

祝日 / Permanent Vacation
Xuebing Du

blake kathryn

if i look back, i am lost

pixel skylines
Mike Driver
ojovivo
KIROKAZE
No title available

❣ Chile in a Photography ❣
🪼

⁂
No title available
occasionally subtle

No title available
hello vonnie
art blog(derogatory)
AnasAbdin

seen from South Africa

seen from Canada

seen from Türkiye
seen from Canada

seen from Netherlands

seen from Germany

seen from Malaysia
seen from United States

seen from Australia

seen from South Africa

seen from United States
seen from United States

seen from United Kingdom
seen from Philippines
seen from Croatia

seen from United States
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@lookingformovies
Sans Soleil (1983)
Conceived and edited by Chris Marker
(x)
Blood Type Blue (1978) aka Blue Christmas 『ブルークリスマス』 Written by Sō Kuramoto 倉本 聰 Directed by Kihachi Okamoto 岡本 喜八
RIP.
R.I.P. Pierre Soulages
Soulages
1968
Bed and Board (1970)
La ragazza con la pistola / The Girl with a Pistol (1968) | Dir. Mario Monicelli
Away Trailer - Animated feature film coming in 2019.
Preview a newly restored version of Bruce Conner’s 1976 masterpiece Crossroads
Bruce Conner, Crossroads, 1976, 37", 35 mm transcodé en vidéo, N&B, sonore (Patrick Gleeson, Terry Riley)
Bruce Conner
Bruce Conner (1933–2008) was one of the foremost American artists of the postwar era. After working the California art scene for 50 years, Conner’s work addresses various themes of postwar American society, from growing consumer culture to the threat of nuclear apocalypse. Conners works hybridise painting and sculpture, film and performance, drawing and printing. An early practitioner of found-object montage, his relief and free-standing sculptural objects, such as CHILD (1959) and LOOKING GLASS (1964), were widely recognized for their masterful compositions and daringly dark subject matter.
Equally a pioneer of avant-garde filmmaking, Conner developed a quick-cut method of editing that defined his approach to film making. Incorporating footage from a range of sources (countdown leaders, training films, and newsreels) and splicing it with his own 16mm film footage, Conner’s films also focus on disturbing, very current themes.
Films= A Movie (1958), Cosmic Ray (1961), Vivian (1964), Ten Second Film (1965), Easter Morning Raga (1966), Breakaway (1966), Report (1963–1967), The White Rose (1967), Looking for Mushrooms (1967), Permian Strata (1969), Marilyn Times Five (1973), Crossroads (1976), Take the 5:10 to Dreamland (1976), Valse Triste (1977), Mongoloid (1978), Mea Culpa (1981), America is Waiting (1982), Television Assassination (1995), Looking for Mushrooms (long version, 1996), Luke (2004), Eve-Ray-Forever (three screen installation) (2006), Three Screen Ray (three screen installation) (2006), His Eye is on the Sparrow (2006), Easter Morning (2008)
Just borrowed this post.
Monica Vitti in La ragazza con la pistola / The Girl with a Pistol (1968) | Dir. Mario Monicelli
藪の中の黒猫, Yabu no Naka no Kuroneko (1968) dir. Kaneto Shindô
Willard (1971)
directed by Daniel Mann