Claire Keane
Cosimo Galluzzi

pixel skylines
One Nice Bug Per Day
occasionally subtle
The Bowery Presents
Not today Justin
PUT YOUR BEARD IN MY MOUTH

Origami Around
official daine visual archive

Kiana Khansmith
ojovivo
noise dept.
Misplaced Lens Cap

shark vs the universe
Cosmic Funnies
almost home

blake kathryn
"I'm Dorothy Gale from Kansas"
taylor price

seen from Türkiye
seen from United States

seen from Italy

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Colombia

seen from Bangladesh
seen from Germany
seen from Palestinian Territories
seen from Palestinian Territories

seen from United States

seen from United States
seen from United States
@luctmelod
What's not to love 🥰
CHIP-8 setup
The problem with the #Cinemagraph
hi guys, I love cinemagraphs - they’re beautiful, simple and clean.
BUT the problem I’ve noticed with the #cinemagraph is that a lot of people are tagging gifs as cinemagraphs when they are not.
A Cinemagraph is always a gif, but a gif is not always a cinemagraph.
So what is a cinemagraph?
To me, a cinemagraph is an animated photo, in that the majority of the frame is still and there is an element of movement.
The loop point of the animation should be imperceptible.
But as they say, a picture speaks a 1000 words.
This is a gif
and this is a cinemagraph
Have fun and tag responsibly
𝗩𝗶𝗱𝗲𝗼𝗱𝗿𝗼𝗺𝗲 (1983): Japanese first theatrical release poster, 1987.
Hellraiser (1987) by Clive Barker.
The Body Horrific: Barker, Cronenberg and the Queer Coding of Transformation https://culturefilmpublication.co.uk/2026/06/15/the-body-horrific-barker-cronenberg-and-the-queer-coding-of-transformation/
Hellraiser (1987) by Clive Barker.
2001: A Space Odyssey | Stanley Kubrick | 1968
Keir Dullea
The Craft (1996) dir. Andrew Fleming
#Always reblog the Craft #Blessed Be
130 favorite horror movies: (79/130)
"the balance must be respected."
-the substance (2024) dir. coraline fargeat
★ ᯓ Y2K (2024) dir. by Kyle Mooney ᯓ ★
Here's some paintings I've done of people looking at screens. These are all available as prints on Inprnt: Art Prints by Ollie Jones - INPRNT I'm also selling a limited edition print of my piece 'Producer' at Black Dragon Press: Producer – Black Dragon Press
US
2019, dir. Jordan Peele
US
2019, dir. Jordan Peele
Field notes from the time I scouted a decommissioned nuclear power plant...
This is the control room, and if you look closely, you'll see a dark stripe in the carpet running the perimeter of the room. This was referred to as the "velvet rope," and absolutely NO ONE was allowed to cross it without authorization. It was under constant observation from an adjacent office, and I was told that if someone did set foot inside without permission, things got VERY serious VERY quickly.
This is one of the computer stations, and to me, it's such a gorgeous encapsulation of its period of technology, the sort of aesthetic that shows like Lost will bend over backwards to recreate.
As I was scouting, I noticed the day calendar had last been torn off about when the plant closed for good...
Then we went into the nuclear reactor, and the whole damn thing was just so spooky.
Looking back, I think it came from an overwhelming feeling of utter insignificance in the face of the sheer power this colossus was designed to produce.
The scale was just so out of proportion to every day reality, the sort of place where a weight of "46000 LBS" is just casually noted on the side of a part.
Peering into where the core would've been, all I could think is that I'd never want the job where you have to climb down that ladder on the left while this thing was in operation.
If you're interested in seeing more, you can find my full tour here!
https://nickcarr.com/scouting-a-decommissioned-nuclear-power-plant/
And as always, follow for more location scouting fun...