“What horrifies me most is the idea of being useless: well-educated, brilliantly promising, and fading out into an indifferent middle age.” ― Sylvia Plath
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“What horrifies me most is the idea of being useless: well-educated, brilliantly promising, and fading out into an indifferent middle age.” ― Sylvia Plath
Ophélie (also known as Ophelia and Ophelia Drowning) (1894-1895) by Paul Albert Steck (French, 1866 –1924), oil on canvas, 162 cm (approx. 63.8 in) x 98.5 cm (approx. 38.8 in) Petit Palais
Suddenly, with July, the heat of sultry summer has jumped on us and we go about the house barefoot, in bathing suits, drinking iced drinks.
Sylvia Plath, Letters of Sylvia Plath Vol. II: 1956 -1963
Virginia Woolf in a diary entry dated 30 June 1919, from The Diary of Virginia Woolf: Vol. I 1915-1919
The Penitent Mary Magdalene in the Cave, (Detail), (1890), by Edouard Kasparides (Austrian, 1858 – 1926), oil on canvas, 45.5 x 67 in (115.6 × 170.2 cm), Private Collection
visiting fields of flowers as a form of self care
Emilio Freixas - Midsummer Fairies.
The First Awakening of Eve, (Detail), (1889), by Valentine Cameron Prinsep RA (British, 1838 – 1904), signed and inscribed 'Eve. by Val Prinsep. RA RA Exhibit - £CHH' (on an old label on the stretcher), oil on canvas, 44 7/8 x 53¼ in. (114.1 x 135.3 cm), Private Collection
Con la rosa tra le labbra (With the rose between her lips) (1895) by Ettore Tito (Italian, 1859 – 1941), oil on panel, 25.4 cm (10 in) x 41.4 cm (16.2 in), Private Collection
In a room full of people, i’d look at you so we can leave
Still Life with Roses and Decorative Elephant (detail), Marie Nyl-Frosch
Gaston Bussière (detail)
Reclining Partial Nude or Nude on the Sofa (n/d) by Alfred Stevens (Belgian, 1823 – 1906), oil on canvas, 62.3 cm x 89.9 cm (24 1/2 in x 35 1/4 in), Private Collection
She is the poem - June Bates
Hylas and the Water Nymphs (c. 1909) by Henrietta Rae (British, 1856 – 1928), signed bottom right ‘Henrietta Rae’, oil on canvas, 142.3 cm (56 in) x 222.8 cm (87.7 in), Private Collection