Éclipse solaire, 1970s
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@mondaymindset
Éclipse solaire, 1970s
Wendy Morgan
I loved you at lunch
when the coffee kicked in and you cut carrots into coins
for our salad, the satisfying, slow knocking of the dull knife against the cutting board while I pretended to read while I worshipped you from the sofa
— Solmaz Sharif, from “Break-Up,” in Look: Poems
Tips for choosing knitting patterns for a beginner.
The Courier-Journal, Louisville, Kentucky, August 31, 1952
richard siken / salma deera / jen mazza / joy ladin
“That’s what I admire most about you – the bloodiness of your heart. It’s not my heart that’s bloody, it’s my mind. I’m bloody-minded. Or so I’ve been told. He laughs. Here’s to your bloody mind then. Down the hatch. She drinks, makes a face.”
— Margaret Atwood, from The Blind Assassin
“You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying.”
— Richard Siken, Litany in Which Certain Things Are Crossed Out
Afternoon tea
something so dizzying about being kissed in a dream. faraway and transient ofc in its non-existence and yet. lingering?? you wake up with your mouth full of that imaginary thing. you wake up still slow and timeless and wondering. milk and half-eaten apple. there’s simply no core to throwaway
Cover art by Philip Gough for horror anthology, GHOSTS, SPOOKS AND SPECTRES (1967).
Fiona Apple, 1996
Dear Diary, my teen angst bullshit has a body count.
HEATHERS (1989), dir. Michael Lehmann
By James Welling
Jenny Saville
Twin Peaks: Pilot (1990) dir. David Lynch