INFIDELIX ft. EllandM
I'd rather be in outer space đ¸
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

⣠Chile in a Photography âŁ
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Product Placement
NASA
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The Bowery Presents
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Origami Around
Color Me Curious
YOU ARE THE REASON

tannertan36
Phantogram Three

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Not today Justin
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@musicgob
INFIDELIX ft. EllandM
A Pessimistâs Guide to Music Festivals
Itâs the summer! Youâve somehow bagged tickets to your first festival. Youâve spend a small fortune for your right to sit in a muddy field for a weekend after having your ear attached to a hotline on redial for 5 hours. Congratulations. Youâre one of the chosen few (thousand). Youâve done a countdown on social media and made everyone secretly hate you and now the day has finally arrived. So Iâm sure youâre excited but letâs go over some basic festival realities before you begin imagining living out those wild, hedonistic urges you have planned for the weekend ahead.
Getting There
Travelling to a festival is a bit like travelling to Mordor: A right epic pain in the arse. Firstly, you have tons of crap on you; rucksacks, sleeping bags, a tent, shopping bags full of snacks, a fold up chair, a floor mat, one ring to control them all and some really heavy booze. Secondly youâre travelling to a field. Trains donât go to fields, it turns out they go to stations nowhere near fields. Youâre going to have to walk three miles to get to the field. Fuck the stupid field, why canât it be in the middle of town the rural cockwomble. Youâre going to weigh up the option of getting a black cab and jizz away your festival money, so no, you take the âshort walkâ to the festival entrance instead, weighed down with a ton of shit, arriving more exhausted than that one time you played football with your mates on a full sized pitch.
Or you might want to avoid this insufferable Michael Portillo style train pilgrimage and actually drive. No crowds yeah? Except they cleverly put the car park as far away from the entrance as the railway station. And now youâre going to have to queue in traffic to get in, and queue in traffic for approximately a decade to get out on the Monday. So train or car. Itâs one or the other Iâm afraid. Choose your destiny.
Getting In
So after Maoâs Long Walk youâre eventually in one of the multiple queues that get you through the festival gates. You and your mates feel excited, pumped. Only one sticking point, when you arrive they donât allow your booze in. U wot m8? Wrong container or some shit. Followed the instructions on the website? Tough, the rules have changed. If you want keep those 24 cans of Fosters youâve carted all the way from Northampton Tesco, youâll be forced to pour them all into these handy giant plastic bags with screw tops. No problem carrying around pillows of warm, flat beer with you for the rest of the weekend? Cool. Oh and that Bacardi bottle isnât allowed either. Sorry.
Setting Up Camp
Youâre in! Fiiiiinally. Surprise: The entrance gate is a mile away from the campsite. Yeah yeah, youâve walked enough already, but shut up and WALK SOME MORE DAMMIT. It was you who wanted to get away from normal civilisation for a weekend, with its transport and labour savings devices. Welcome to the big time. Oh and when they said a mile away, they meant a mile to the campsite edge. Youâll be walking for double that in circles trying to find a spot to put up your tent that isnât in a river of piss or next to a walk way thatâs got slightly more footfall than Westfield Shopping Centre on New Yearâs Day. Which wonât happen. Or if it does itâll be a mile to the nearest toilet. Anyway, time will roll on and somehow you would have done it. Tent up, sleeping bags in, giant, shitty beer pillows and bags of cheap snacks secured in your impenetrable, nylon house. Youâve finally made it. What can go wrong?
The Toilets
Ah yes, that. After visiting, perhaps itâs a good thing the toilets are that far away. In a mere blink of an eye every Port-a-loo within a four mile radius is full to the brim with body fluids. Festival toilets are a bit like Boris Johnson speeches, half amusing, half terrifying and always full to the brim with fresh shit. Now youâre going to do your very best not to use them the whole weekend, but trying not to defecate after a day of 12 Strongbows and three chilli dogs is like trying not to retch after hearing a Manic Street Preachers song: Nigh on impossible.
The Food
On that topic, letâs talk food. Itâs going to be a mere matter of hours before everyone eats the food you brought with you. 4 multi pack bags of McCoys: Decimated. 12 Kit Kats: Destroyed. Tupperware sandwiches: Inedible after 7 hours sweating in their transparent cell. So now youâre stuck with the food stalls; essentially a vast array of the worst food available to mankind served to you on a paper plate with a plastic fork sticking out of it. Teeming with cheap meat and possible E. Coli, itâs depressingly the only form of food around. Curry tacos, cheesy chips, alarmingly yellow paella mountains and baked potatoes with various unidentifiable shit on top of them. Itâs all there for eye-watering prices. Want something healthy? You can have a thimble of a smoothie for a tenner if you like. Only a forty minute queue. A weekend of eating like this is going to make you feel like Boom! Shake the Room was written specifically about your lower intestine.
The Weather
You know, I know, your friends know, even Michael definitely-no-hurricane-yeah Fish knows, itâs going to piss it down. Constantly. Except on the day you leave.
The Music
So forget everything else. This is why youâre here. The music. Except the Sunday night headliner that you specifically booked the tickets for in the first place has already pulled out and been replaced by Deadmau5. Oh. Meanwhile youâve also missed two of the up and coming bands you wanted to catch because they got pushed down the bill in favour of a surprise Ocean Colour Scene reunion so went on in the morning instead of the afternoon. Never mind, time to catch that special act on the second stage youâve been looking forward to. Oh whatâs that, you didnât get there 3 hours early? Well you can always stand outside the stage tent getting rained on, peering in. Look, I swear thereâs the top of Yannisâs head. And some lights. Whyâs he have to be so short? Yeah, ok this is rubbish.
The new plan is to change all this misfortune by burying yourself deep in the crowd for the Saturday headliner, hours early. But wait, you do this only to find getting to the front is like a Tough Mudder challenge and whilst youâre loitering two thirds back in the crowd, youâre attracting all manner of shitcunts like moths to a flame. Youâre surrounded by rucksack wearing Goliaths, jocular, pissed up, bottle chuckers and that group of restless, half-baked mates who violently mosh to the interval music an hour before anyone is even thinking about coming on stage. When the big names do turn up (very late by the way), they look no bigger than a flyâs leg on your sunglasses and the wind is ensuring that theyâre playing directly to the small patch of the crowd at the most north eastern edge of the field. That piss youâve been holding in for half a day finally demands you give it up and walk back to your tent. Oh, thatâs a mile away, remember.
The Night Life
Forget seeing bands, thereâs always hanging out with your mates and getting off your face. It seems quite nice initially. Sitting round a campfire, chatting. Except youâre not allowed to start a fire and when you do, out of the darkness comes a bunch of uniformed men with stoney faces that blast the fire out with extinguishers. Peace and love, man. Still, someone somewhere has some shitty weed, you can smell it. You can trade a plastic, screw top pillow of Fosters for something half reasonable with the weed smoking people and everyone chats and bonds. Suddenly it all seems alright. And it is. The best bit of the festival is essentially pretending youâre not at a festival. Youâre doing with your mates what you do every weekend anyway and itâs enjoyable. Word to the wise, in Reading and Leeds at least, leave the grounds and spend the entire day in the pub if you like. Have access to a real toilet. Eat food that isnât made entirely from circus meat and drink from something made from actual glass. Ah, civilisation, why hast thou forsaken me?
Sleeping
Back to the festival. Sleep: Youâre not getting any. Youâre in a tent. Itâs about as soundproof as a Japanese paper house, only 400 times hotter in the morning. The tent is a ludicrous idea really, like sleeping in a balloon with zips. Worse still, youâre surrounded by people off their heads on drink and drugs that just wonât shut up, ever. Like ever ever, and all of them seemingly wear the same 4 band t-shirts. The noisy twats. Oh and itâs not until you get into the tent on your first night you realise someoneâs nicked your floor mat. Three nights. THREE NIGHTS OF THIS.
Going Home
Finally. You get to go home. All that stands between you and your bed is a little more walking. Well a lot more walking actually. And queues. Lots of them too. You plan to leave at 10am and you actually get to the station at 2pm. If youâve had a good time, great, but this bullshit delay is the reality of tens of thousands of people all leaving the same field at the same time. Fucking idiot field.
So you get home, exhausted, full of shit (on every metaphorical and physical level) and youâll shower, sleep and suddenly believe it was the best experience ever. Youâll keep your manky cloth entrance wrist band on until it disintegrates, despite it cleary repulsing friends, loved ones and repelling possible future partners. Youâll needlessly show it off in the pub to your unimpressed mates whilst they listen to you banging on about Glasto â15 or whatever shithole it was you endured through gritted teeth to anyone whoâll listen, mythologising it like it was fucking Woodstock. And good for you. Everyone should do it. But the point is youâll forget about all the walking, all the letdowns, all the mediocrity, all the walking, the horror of waking up in a hot tent with a hangover, the walking, the upset stomach and the walking and in a haze of stupid, misleading nostalgia youâll mindlessly book tickets for next year. Well, festivals are ace mate, so why wouldnât you?
Album Review: Bearâs Den
Hereâs a sort of boast. I remember watching Bearâs Den singer Andrew Davie and his former band unravel spell-binding folk in a rickety London club to a handful of people years back. His voice was a standout golden drawl as much then as it is now, on this second album from Bearâs Den. Davieâs music, once full of fiddle and folk chants, has evolved into expansive and expressive songs of maturity. Lyrical themes are similar to previous material â that of love and loss â but theyâre delivered as grand and beautiful gestures that would have you jumping for joy if it werenât for the hypnotic melancholy that gets there first. The heart-rending songs are spread across an epic twelve track canvas; the eponymous opener soars, tipping its hat at Haim, Future Islands and War of Drugs. And such is the tone of the album. Yet this work is so rich, so emotive in delivery, it is often unwieldy and overwhelming. The conspicuous absence of a standout track makes this album one long technicolour blur as Davie and co take us on a road trip across their spacious musical landscape. It is an enormous offering, ambitious and immersive, full of beauty and a labour of love no doubt, but perhaps ultimately, lacking in the character to reach true greatness.
8/10
This review first appeared on Shout4Music
Review:Â âNight Thoughtsâ by Suede
Itâs always weird when big bands of yesteryear release new material, destined to live in the shadow of an inescapable, highfalutin past. For seminal 90's guitar janglers Suede, it seems that every album was overshadowed by their spectacular, eponymous dĂŠbut and whether or not lead guitarist Bernard Butler was or wasnât friends with the wonderfully warbling Brett Anderson. Despite the duo taking a pit stop with new band The Tears, Suede was re-embraced, Butlerless, in 2013 and this new release could be considered their second comeback offering. Could be, if we wanted to be pricks about it. Comebacks stink and this album doesnât. It sounds fresh and passionate, at times propulsive, at others, rich and gloriously self-indulgent. Itâs not desperate, it doesn't pander, itâs not tired. An early dip from the wonderfully epic opener âWhen You Are Youngâ might be inevitable but things quickly reshape. âWhat Iâm Trying To Tell Youâ is a thrilling pop slab with a Neil Tennant style monologue; âLearning to Beâ swoons and rises with a majestic allure, and the initial track is revisited, providing some sort of collectively experienced story arc like the it's the fucking Never Ending Story or something and the closing track is more grandiose than ever. This is a brave and bold record that doesnât rest on its past. Suede are a band operating at their true mature, artistic peak. They would steal hearts if only people would listen.Â
8/10 This review originally appeared on Shout4Music
Review: The Ordinary Boys
More years ago now than feels reasonable to acknowledge, I was at the Islington Academy to see an American girl punk band called The Twenty Twos. They were all 22 years old (clever you see) except their weathered Japanese drummer who was the only man I've ever seen lose a drumstick on one snare hit and get a replacement from his drum pouch before the second came around. Apart from some drum acrobatics, the reason why the night was memorable was because this ultra cool New York band were supported by some Industry promoted wannabes called The Ordinary Boys. Even before they came on, attractive indie girls with band badges were wading through the crowds forcing free merchandise onto bewildered audience members. When they took to the stage, they churned out a mediocre bunch of mod tracks in mockney accents. Most people didn't take too kindly to their presence if I'm honest. They went against the grain of the night. When I looked them up after the gig their website was pretty basic and the photos were of four blokes of completely different looks and hairstyles gurning back at me. "Fuck these pub rock idiots" I thought and probably then checked my email or looked at porn or went and had a bath in champagne or something.
The Ordinary Boys didn't register on the radar again. That was until the saucy little shits started turning up on TV. HOW DARE THEY. How can the sassy and sarcastic Twenty Twos, fronted by Jenny Christmas not be on TV but this bad memory is? What's more, they've only gone and all got the same haircut and mod uniforms, even the long haired, tenacious guitarist who held out he longest ended up looking like Liam Gallagher in a Clash tribute band. They stank of industry pushed emptiness.
What followed was a faux lad rock onslaught of songs from debut 'Over the Counter Culture' as the band sang about ordinary shit, as they're the Ordinary Boys yeah? Just like you or me, in shit jobs struggling to pay the bills, week in week out. Man we're all so working class.
Then it got worse. Lead singer Samuel Preston, otherwise known simply as 'Preston  North End' by the press, became a minor celeb. With a celeb girlfriend and a reality TV career. He even went on and then subsequently walked off Never Mind The Buzzcocks in a completely non publicity seeking way all out of principle for his girlfriend or book or career or something noble that you or me couldn't understand as he's an artist and you're just a fucking pleb who works in Morrison's. Two more albums later and they were gone for good.
So what's all this got to do with their reunion and new album? Well first off it's called context you critical shits. Secondly it is this history that weighs heavy on their shoulders. A blessing of course as the mass of people older than Jenny Christmas will remember their name and at a push, their music. But also a curse. A celebrity marriage, a TV spat, a stylised image. It all amounts to being seen as a joke. It puts them at a deficit already. I have no doubts they are serious, hard working musicians but try shaking your legacy. Go on. It's like boycotting Nestle. It's impossible.
So this album's ok. It's we produced. There's a few catchy tunes. Opener 'About Tonight' is a Weezer style romp with Costello style vocals. 'Almost Ready' is melodic and warm, recalling the best of the late 90s to mid noughties indie musings. 'Cruel' is a well written pop song, something I remember Preston North End saying was a personal goal way back when he was trying to be taken seriously after his 'Buzzcocks flounce. However it's all very average and dated. There's also some utter stinkers. Guitar lines are obvious. Lyrics often abysmal "love is a four letter word" is offered up as if it's an original thought and I would put money on the fact that 'Panic Attack' is the worst album filler you'll hear this side of 2015. It's fucking dire with a capital shit. So this is what it is. Fans will like it I'm sure. There's a few sing along moments for the crowds (if there are any crowds), it's pleasant and inoffensive and as beige as the ordinary, day to day life they're still singing about. An album of filler for the over the counter culture. But what would I know, I'm just some fucking pleb who works in Morrison's. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â 4/10Â
This article first appeared on the bloody ace and enduring webzine that is Tasty.
This. Featuring Sam Herring of Future Islands. Rapping.
No words, just this.
Listen to The Waterboys new album Modern Blues ahead of is release next week, exclusively via MOJO in the UK.
If you haven't guessed I'm a fan. Catch it whilst you can.
'My Rush' by #1 Dads
'Hold Back The River' by James Bay
'Jordan' by Rival Sons
'In The Mirror You Can Only Kiss Your Mouth' by The D.O.T
I like Mike Skinner. Always seems like a bit of an everyman lost soul.
'Jolly F*cker' by Sleaford Mods
No words, just this
Last Week's Singles
...this week. Don't let it ever be said this blog isn't bang up to date.
Jenny Lewis - âJust One of the Guysâ (Warner Bros)
We havenât done a singles column in a few weeks and no-oneâs seemed to notice. Well, you canât help but take that one personally. Nonetheless, letâs do what this column does best - review singles badly. First on the endless production line of over polished creations is Jenny Lewis. This twee track sounds like Lana Del Ray lite. A sugary dose of retro mid West pop that occasionally slurs and grrrs but mostly purrs. Itâs too soft for my palate but a while ago we panned Rita Oraâs âNever Let You Downâ for being too cutesy and now you canât escape the thing. So a hit? Perhaps. A great song? Not really. 6/10
My Glass World - âUntil the Endâ (Luxury Noise)
From twee pop to twee indie with My Glass World who lament about anything and everything with a single piano, a swaying synth line wot sounds a tad like a violin and a warbling vocal. Itâs like Birdyâs writing team has taken them aside and told them how to do âmiserableâ. However, to their credit, this song is truly subtle and emotive in a way that most singles arenât these days (think anything by Sam Smith or Coldplay). Itâs a man, with some keys, pouring his heart out on record and you canât knock that can you? 7/10
The Talks - âRadioâ (All Our Own Records)
Ska. The home of the original skinheads. The home of the mods, the Jamaican musicians, Trojan Records and racial integration. The first musical genre to stretch across the boundaries of race and nationality to preach peace and unity. Then something awful happened. Being a skinhead was hijacked by the far right and overnight everything became confusing. Ska lost its potent unification vibes and no-one really knew where they stood. All of this was a terrible blight on a seriously important musical movement, but conversely, could be considered a mere fly in the ointment the moment pseudo-geezer Olly Fucking Murs decided to release a ska pop record and start wearing a pork pie hat. Fuck. So thank goodness The Talks have arrived to at least bring the genre back to a reasonable level of objectionableness. I mean, the lead singer is a bit too happy for his own good, but everyoneâs allowed to have a good time. This tune is a feel good, party hard slice of syncopated madness that even my ska-obsessed mate Keith would enjoy after a few Red Stripes. Heartly approved. 8/10
The Naked & Famous - âWhat We Wantâ (Universal) New Zealand five piece The Naked & Famous have been around for a while now, slowly building a sturdy following. No-one can be blamed for not taking these guys seriously in the beginning. They sounded like every other synth pop MGMT bandwagon jumper and whilst this gave them a good shoe-in to the charts, it also meant they appeared throw away. This of course was almost certainly down to their label, whose A&R man probably said something like âGuys, I love the vibe of the shit youâre selling but letâs talk numbersâ before forcing them to release something that sounds more ânowâ. But that was then. âWhat We Wantâ is a hundred times deeper. Itâs a real song, not a dancing synth puppet. Itâs full of sorrow and lament, itâs a long sigh of resignation with a giant chorus and everything youâd expect from a band who has done nothing but hone their art since 2010. 9/10
Skillet - âNot Gonna Dieâ (Atlantic)
Like overblown, nu-metal melodrama? Then youâll love Skilletâs new single. Itâs a heady cross between Disturbed and Evanescence, with dual male-female vocals and many, many fist in the air moments. The huge call to arms chorus is as epic as expected, but whilst singing about ânot dying tonightâ it still sounds more like a complaint about having to eat dinner at the table with the rest of the family, and not in your bedroom watching TV. Also, the lead singer is wearing a waistcoat. Subversive. Still, it is what it is (the song, not the waistcoat) and just when you thought they donât make them like that anymore, it turns out they do. 7/10
Damian Lazarus & The Ancient Moons - âLovers' Eyesâ (Crosstown Rebels)
Straight outta Delhi with this Bollywood dance mix by Damian Lazarus. A dirty bassline hums and growls whilst a relentless, head nodding rhythm rolls throughout, as several Indian male vocalists skat and yell through their own rhythmic patterns. Itâs a simple, stripped down mix but impossible to keep the old noggin from bouncing back and forth to the infectious beat. Bollywood has churned out some of the best dance tunes even before they started getting remixed by the likes of Panjabi MC. This simple but perfect track is no exception to the rule as less-is-more rules the roost. Fantastic. 9/10
Agnes Obel - âDorianâ (Play It Again Sam)
More introspective piano warbling, this time from silky voiced Agnes Obel who offers up the whispering âDorianâ for public consumption. Itâs a thick, ethereal fog of a song, that would make Bat for Lashes green with envy. Tightly layered and full of mystery, the song spins and weaves around itself. Greater than the sum of its parts, the track sounds huge and weighty as Obel woos all with her luxurious voice. A truly great song worthy of your attention. 10/10 Song of the Week
Smoke Fairies - âShadow Inversionsâ (Full TIme Hobby)
Dark and creeping, âShadow Inversionsâ sounds like a bluesy, rock and roll band that thatâs been told to keep it down as the neighbours are trying to sleep. Still full of swagger and attitude, the girl duo Smoke Fairies pull no punches but do it in their own, half paced, hushed style. It makes for an oddly pleasant track that never takes off, but makes no qualms about even trying. A lazy, blues slump that sounds all the better for the large dose of so-what apathy that comes with it. Good stuff and see you never week, yeah? 8/10
No words, just this.
Fuck.