[nas-aa]

I come from the earth

[nas-aa]

Me for #RIMOWA shot by Collier Schorr

[grantcary]

Nia Long and Jude Law in Alfie

[accras]

😍

[sbrown82]

Apparently, this pair was inspired by Mick Jagger & Marsha Hunt! ☕️

[nas-aa]

[chilewithcarnage]

[nas-aa]

[nas-aa]

like instagram, tumblr, probably Pinterest too 😭 and I thought you were from nyc

but okay i hear that. I’m sorry it never worked out for you both

Oh damn, wow that’s wild to me, but at the same time I’m so glad we made art together & got to be in films and music videos. Such a magical time I’ll always cherish and always love him unconditionally, it’s definitely hard to realize you and someone you love are not on the same page anymore. ♥️♥️ thank you for the love! No I’m really from NC, we lived in Baltimore and worked in nyc a lot

[nas-aa]

Why did you and your ex break up? I’ve seen you guys’ faces everywhere

Omg!? Where!!

We had a plan, to move to nyc together and all of a sudden. He wanted to live off the grid in the woods with this guy he met & live very unplugged. And we broke up and he’s been living off the grid ever since.

[nas-aa]

[nas-aa]

[themaiajae]

📸: blackpowerprincess

[nas-aa]

Me & my ex had such a magical time lmao

[themaiajae]

📸: blackpowerprincess

[nas-aa]

I’m all grown up

[nas-aa]

[medievalpoc]

Cameos featuring detailed profiles of Black men and women in precious metals and jewels were popular in many European countries. The ones above date circa 1600-1800. Some art historians relate the style above to depictions of the goddess Diana, others relate them to the association of Blackness and wealth that came though trade in the Middle ages and Renaissance.

You can read more about cameos like these in Black Africans in Renaissance Europe By K. J. P. Lowe, p. 204-206, and Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England By Peter Erickson & Clark Hulse, p. 193-198.

[medievalpoc]

Cameos featuring detailed profiles of Black men and women in precious metals and jewels were popular in many European countries. The ones above date circa 1500-1800. Some art historians relate the style above to the Black King Balthazar or certain saints, others invoke the association of Blackness with wealth that came though trade in the Middle Ages and Renaissance.

You can read more about cameos like these in Black Africans in Renaissance Europe By K. J. P. Lowe, p. 204-206, and Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England By Peter Erickson & Clark Hulse, p. 193-198.

[nas-aa]

Insta: blackpowerprincess