Forever Yours, Empty.

Jar Jar Binks Fan Club
official daine visual archive

if i look back, i am lost
taylor price

Game Changer & Make Some Noise
🩵 avery cochrane 🩵
Keni
🪼
No title available

No title available
One Nice Bug Per Day
d e v o n
The Stonewall Inn
YOU ARE THE REASON
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
RMH
The Bowery Presents

tannertan36

gracie abrams
seen from Argentina

seen from United States

seen from T1
seen from Türkiye
seen from Austria
seen from Singapore

seen from Russia

seen from Canada
seen from United States

seen from Maldives

seen from United States
seen from United States
seen from Singapore

seen from Indonesia

seen from Greece

seen from United States

seen from Brazil
seen from Iraq

seen from United Kingdom

seen from United States
@negative---spaces
Forever Yours, Empty.
THE DESTRUCTION OF EVERYTHING IS THE BEGINNING OF SOMETHING NEW
Though I may seem at times somewhat distant from you, through the gray mist of my own moods, I am never far; my thoughts always circle around you.
Friedrich Nietzsche (via almost-rabid)
Details at Alexander McQueen by Sarah Burton FW11
WALTER DE MARIA 13, 14, 15 Meter Rows, 1985 42 solid stainless steel polygonal rods Each rod: 3-1/2 inches diameter (8.9 cm), 1 meter long
The exhibition comprises two installations that are derived from the same numerological principals and are linked both physically and conceptually. A Computer Which Will Solve Every Problem in the World/3-12 Polygon — on loan from the Boijmans van Beuningen Museum in Rotterdam and on view in the United States for the first time — occupies the entire 21st Street gallery. The work consists of seventy-five solid stainless steel rods, each one measuring one meter long and having equal volume and weight. The rods are arranged on the floor in ten rows, with every successive row increasing by a meter in length. The rods become increasingly faceted with every row. Metal halide lights dramatically illuminate the space; the steel rods flicker, suggesting the latent energy contained within them. Created before computers evolved into the ubiquitous objects that they are today, the work ingenuously asks whether such a device could, in fact, solve any potential problem. De Maria’s title, in combination with the subtle variations of the piece, implies that the most profound answers may be found by phenomenological rather than technological means, that is, through our own heightened awareness.
“Talking To Myself”, Yohji Yamamoto
Backstage Alexandre Herchcovitch, fall 2013
“Mirror” by Tokujin Yoshioka
Alexander McQueen S/S 2007 details.
TATIANA LËSHKINA