As for lovers, they are discovering new ways to love. Listen, their windows are open. You can hear them laughing.
Mary Oliver, from “Late Spring” in Felicity: Poems

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@pixyhazy
As for lovers, they are discovering new ways to love. Listen, their windows are open. You can hear them laughing.
Mary Oliver, from “Late Spring” in Felicity: Poems
the greatest responsibility of a friend is similar to that of a lover: not to save me, not to fix me but just to remind me who i am when i start forgetting. some days i lose my mind entirely and sometimes i need another pair of eyes to point at the light and tell me, “there. that’s still you.”
French Toast - Kate Jarvik Birch
American , b. 1977 -
Goache on paper , 6 x 6 in.
Pictures of Malibu. Oil on panel, 2021 and 2022
June 8, 1897 Rilke and Andreas-Salomé: a love story in letters (1897-1926)
— endlessnamelesseternity (via letsbelonelytogetherr)
“I never realized what a big deal that was. How amazing it is to find someone who wants to hear about all the things that go on in your head.”
— Nina LaCour
“She had always assumed that when she was old, she would have total confidence, finally. But look at her: still uncertain. In many ways she was more uncertain now than she had been as a girl. And often when she heard herself speaking she was appalled at how chirpy she sounded — how empty-headed and superficial, as if she’d somehow fallen into the Mom role in some shallow TV sitcom. What on earth had happened to her?”
— Anne Tyler, A Spool of Blue Thread
Stages of writing a novel: (1) this is a great idea (2) this is a good idea (3) this is an idea (4) what even is this (5) i have made a terrible mistake (6) okay there's something here (7) this is actually good (8) this is too good, something is wrong (9) wait did i accidentally write something real (10) close laptop. do not think about it for three days. open laptop. start over from stage 4.
Cherry Chorus - Kate Jarvik Birch
American , b. 1977 -
Gouache on paper , 6 x 6 in.
Open Invitation. - Antonia Tyz Peeples , 2013.
American , b. 1957 -
Oil on linen , 36 x 48 in.
6 June 1926 Letters to Véra by Vladimir Nabokov
the intimacy of:
“someone waiting for you the whole day just to have a small conversation with you.”
It's the sweetest thing.
Don't take each other for granted.
June. white cotton, red lipstick. trying a new writing routine. bitter orange marmelade. wild strawberries. empty museums, scribbled notes. stacks of beat-up library books. transparent fragrances (delicate citrus, blooming jasmine). working by the open window - rustling paper, rustling branches. dancing bats. litchi lemonade. collecting beautiful sentences, beautiful thoughts, and weaving something worthwhile out of them. doing the work, gently and relentlessly.
“You know how every once in a while you do something and the little voice inside says ‘There. That’s it. That’s why you’re here’ … and you get a warm glow in your heart because you know it’s true? Do more of that.”
— Jacob Nordby
Esmerald Afternoon - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas , 24 x 36 in.