merci, screenshot, Marine Frœliger, 2021, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
KIROKAZE

if i look back, i am lost
The Bright Sessions
🪼
Today's Document

shark vs the universe
hello vonnie

oozey mess

titsay
almost home

Love Begins

Origami Around
RMH
No title available

pixel skylines
★
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
EXPECTATIONS

Product Placement
seen from Indonesia
seen from Greece
seen from Israel
seen from United States

seen from United States

seen from United Kingdom
seen from United States
seen from United States
seen from Bangladesh

seen from Egypt

seen from India

seen from Ireland

seen from Argentina
seen from India

seen from United Kingdom

seen from T1

seen from India

seen from Australia

seen from Saudi Arabia

seen from United States
@portfolio-ourobouros
merci, screenshot, Marine Frœliger, 2021, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
pourquoi être étranger?, screenshot, Marine Frœliger, 2013, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
oiseau, Marine Frœliger, 2013, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
Embrasser le spectre, deployment n°11, details, degré Est, Frac Lorraine, Metz — FR, Marine Frœliger, 2022, extract from ourobouros, elements for constellations in situ (2012 — ∞).
curator: Fanny Gonella
Following on from her exhibition at the Octave Cowbell Gallery in Metz in late 2022, the artist invites us here to engage in a paradoxical meditative experiment. Drawing on her experience as a facilitator, she invites visitors to take the time to ‘inhabit’ the Degré Est space. Let’s take off our shoes, settle comfortably onto the rugs and take our time. How much time do we have? Perhaps enough to wait for a volcano to erupt, or to bide our time whilst it lies dormant? A long stretch of time that the artist likes to use to evoke her practice, which lies at the intersection of observation, creation and transmission. In this project, which began in 2012 and which she calls Ouroboros, Marine Froeliger draws on her collection of elements (photographs, embroidery, drawings, photocopies, screenshots, sound works, sculptures…) and presents new assemblages, including meditation mats’ laid out on the floor. Certain images recur endlessly, each time remodelled and reconfigured, just as the cycles of nature repeat themselves. A snake biting its own tail – a symbol known as ‘Ouroboros’ – has become the title of this ‘living archive’ developed by the artist. At the Frac, we will be able to literally immerse ourselves in these images and sounds, and rethink the prisms through which we perceive the world. These prisms stem from science, art or esoteric practices – all of which serve as palliatives for living in physical and digital worlds that have become unliveable. Fanny Gonella, director Frac Lorraine, Metz, France, Februar 2023 Sound composition linked here : — laterrretrrremble (theearthquakkkes), 20’41, looped, not that loud exhibition view, collages, pictures and drawings on meditation mats, engraved yoga blocks, covered mattresses, photogram, wood sculptures. pictures by Andreas Lejona
meta-maison, digital photography, Marine Frœliger, 2017, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
le jugement, digital photography, Marine Frœliger, 2020, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
soleil, screenshot, Marine Frœliger, 2012, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
burn, digital photography, Marine Frœliger, 2020, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
structure, digital photography, Marine Frœliger, 2019, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
commons, screenshot, Marine Frœliger, 2020, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
friction, drawing (finger on tablet), Marine Frœliger, 2024, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
montagne double, digital photography/collage, Marine Frœliger, 2013, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
j'ai oublié, drawing on post-it, Marine Frœliger, 2013, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
confinement, screenshot, Marine Frœliger, 2021, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
eymoutiers, screenshot, Marine Frœliger, 2021, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
volutes, drawing (finger drawing on tablet), Marine Frœliger, 2021, extract from ourobouros, elements for constellations in situ (2012 — ∞), personal collection.
Sedition, deployment n°5, details, les crues de Saravi, Le Triangle des Bermudes, Diedendorf — FR, Marine Frœliger, 2018, extract from ourobouros, elements for constellations in situ (2012 — ∞).
curator: François Génot