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I'd like to think I was this punk as a little tyke. This is too cool for words.
Parsi-Cola.
Zam Zam is better.
Pari-Cola/Pepsi Cola?
More recently, the media has speculated that Adam Lanza was motivated by bullying he experienced during his time as a student at Sandy Hook Elementary. Conversely, not a single person has inquired about the mental wellbeing of the Boston Bombing suspects. Experts in psychology, violence and mass murder haven’t appeared on cable news or written op-eds for the New York Times and Washington Post with insight into what causes people to snap. No one has speculated about bullying that Tamerlan and Dzhokhar’s may have experienced, particularly Tamerlan, who was in middle school when he immigrated to the United States, an age when bullying is at its peak. Of course, all of these questions are rhetorical since we already know the answer: Adam Lanza and James Holmes are Christian white males whose names have the appropriate number of consonants. Dzhokhar and Tamerlan Tsarnaev are Muslim (which cancels out white) males who immigrated to the US from a region of the world where names are difficult to pronounce (for us).
James Holmes, Adam Lanza, Dzhokhar Tsarnaev and Double Standards (via azspot)
Rania Khalek on point.
(via mehreenkasana)
Why Dove's "Real Beauty Sketches" Video Makes Me Uncomfortable... and Kind of Makes Me Angry
So this video started going around my facebook today, with about a dozen of my female friends sharing the link with comments like, and “Everyone needs to see this”, and “All girls should watch this,” and “This made me cry.” And I’m not trying to shame those girls! I definitely understand why they would do so. And I don’t want to be a killjoy. But as I clicked the link and started watching the video, I started to feel a slight sense of discomfort. I couldn’t put my finger on why that was, exactly, but it continued throughout the whole thing. After watching the video several more times, I have some thoughts…
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Jamie Foxx attended the MTV Movie Awards on Sunday night to accept the 2013 Generation Award. He did so while wearing a shirt that had the phrase “kNOw Justice” above photos of Trayvon Martin and the Newtown kids.
Many intelligent humans would view Jamie Foxx’s shirt as a way a celebrity can...
First, we have to resist the reductive interpretation of veiling as the quintessential sign of women’s unfreedom. What does freedom mean if we know that humans are social beings, always raised in certain social and historical contexts and belonging to particular communities that shape their desires and understandings of the world? Isn’t it a gross violation of women’s own understandings of what they are doing to simply denounce the burqa as a medieval or patriarchal imposition? Second, we shouldn’t reduce the diverse situations and attitudes of millions of Muslim women to a single item of clothing. Perhaps it is time to give up the black and white Western obsession with the veil and focus on some serious issues that feminists and others concerned with women’s lives should indeed be concerned with.
Eurozine - The Muslim woman - Lila Abu-Lughod The power of images and the danger of pity (via space-invaders-eu)
I love the word ‘desi.’ It is so beautiful. I can go around saying it over and over again. I’m of the view that it is the best word to describe ourselves. Phrases like African Americacan, Asian American, Hispanic American, etc. are bureaucratic words that do not hold within them the revolutionary aspirations and histories of a people (categorized but not controlled). I prefer words like Black, desi, Latino, Chicano, because these words raise associations of struggles, such as the Black Power movement (‘Black is Beautiful,’ etc.), the Chicano struggles of the farm workers, of La Raza, and what not. Desi seems to be a similar word, one filled with so much historical emotion. And again, it is an ironic word, because it means of the homeland, but it does not say what that homeland is. We who use it do not hearken back to the ‘homeland’ of the subcontinent, because we are generally not nationalistic in that sense. Our homeland is an imaginary one that stretches from Jackson Heights to the Ghadar Party, from the rallies against Dotbusters to the Komagata Maru, from the 1965 Immigration Act to Devon Street. This is a homeland that we can relate to and it is what makes us feel like we belong in something of a collectivity. Hence desi.
Vijay Prashad - “Smashing the Myth of the Model Minority” (via literatureisboss)
Desi forever.
(via mehreenkasana)
The Telegraph's Double Standards
On the 3rd February 2006, during the Danish cartoon controversy, The Telegraph wrote a piece entitled, "Why we will defend the right to offend" commenting: "The right to offend within the law remains crucial to our free speech. Muslims who choose to live in the West must accept that we, too, have a right to our values, and to live according to them. Muslims must accept the predominant mores of their adopted culture: and most do. One of these is the lack of censorship and the ready availability of material that some people find deeply offensive: anyone who wishes to see the cartoons can find them within a few clicks on the internet. Those Muslims who cannot tolerate the openness and robustness of intellectual debate in the West have perhaps chosen to live in the wrong culture. We cannot put it better than the editorial in an Arab paper in which the cartoons briefly appeared yesterday (before all copies were suddenly withdrawn): "Muslims of the world, be reasonable." Cue to now, the aftermath of Margaret Thatcher's passing. The same newspaper that wrote that they defend the right to offend seem to be deeply offended that the BBC may air the song from The Wizard of Oz, "Ding, Dong, The Witch is Dead" on air during Thatcher's funeral. So, it's perfectly reasonable and even acceptable to offend Muslims and to tell them that if they don't like it, they are the ones who have a fundatmental problem and are living in the "wrong culture". Yet, it is not acceptable to parody Margaret Thatcher or celebrate her death in the streets? Pot calling kettle...
During their presentation “Politics of solidarity/Politics of sexuality, beyond the framework of identity” at the Homonationalism and Pinkwashing Conference, the RAHA Iranian Feminist collective presented a list of dos and don’ts for those interested in queerness in Iran.
These guidelines of...
The miners' strike 1984 was one of the longest and most brutal in British labour history. A community fighting for jobs and survival was wholly denigrated and depicted as violent by the majority of the media. THE BATTLE FOR ORGREAVE puts the record straight, as miners recount their own history, their economic and political struggles over decades and the trial they endured for 48 days in Sheffield when charged with riot at Orgreave - facing life imprisonment. Containing compelling testimonies, emotive cinematography, in depth analysis coupled with meticulous detail of the mass picket and the ensuing events of June 18 1984 at the Orgreave coking plant, the documentary also has unique footage of police violence -- all these make this an historic and important document of our time.
By: Heben Nigatu [Buzzfeed]
The Tumblr Creepy White Guys collects messages from “creepy white guys with Asian fetishes”.
From the Tumblr’s description:
Every Asian girl who has ever tried online dating, whether on POF, OKCupid, or Match has experienced it: messages from Creepy…
This only happens to Asian women who are Chinese, Thai, Korean, Filipino, Vietnamese, and Japanese who have been exotified in Western media as both submissive and sexual. To all the other Asian women which includes Middle Easterners, Afghani, Pakistani, Indian, Bangladeshi, Malaysian, and Indonesian, otherwise those coming from predominately Muslim backgrounds, it is the reverse. We "other" Asians are considered by Western media as either violent and/or sexually oppressed because of religion and culture. I've never had a white guy fawning over himself to date me or any women from a Muslim background.
“One cold night a few months ago, a gang of white youths tore through a Bangladeshi neighborhood in the East End of London, screaming obscenities and bombarding the mean little houses with milk bottles,” William Borders wrote in The New York Times on July 9, 1979.
“The incident was just one...
YESSSS CLEAN THEM O U T
Well-played Beyonce!
By: Sara Ahmed
1. It has become commonplace for whiteness to be represented as invisible, as the unseen or the unmarked, as a non-colour, the absent presence or hidden referent, against which all other colours are measured as forms of deviance (Frankenberg 1993; Dyer 1997). But of course...
Anti-Thatcher and Thatcherism Songs
In no particular order: 1) The Specials Ghost Town (1981): "Ghost Town is a prophecy that sounds like an aftermath. The ghost town it describes, gutted by recession, is the terrain before a riot ("people getting angry") but you sense it will be as bad or worse after the anger has erupted. Hence the song's circularity: it begins as it ends, with a spectral wail that could be either a cold wind or distant sirens. When the riots did break out, the Specials found the experience frightening rather than vindicating. Let's not forget that the violence had pernicious unintended consequences: Thatcher ignored many of the recommendations in Lord Scarman's report and instead invested in state-of-the-art riot gear that came in handy during the miners' strike three years later." Via The Guardian 2) The English Beat Stand Down Margaret (1980): "'Margaret' is Margaret Thatcher, who was British Prime Minister from 1979-1990. Dave Wakeling of The English Beat explains: "The late '70s in England were troubled times: high unemployment, secession, the fear of nuclear war breaking out, the kind of fantasy end-of-the-century, end-of-the-world kind of feeling. And Margaret Thatcher came on, kind of like the last great hope of the British Empire. She'd actually been born above a grocery store in Nottingham, a working class city. But had developed airs and graces and a posh accent and kind of saw herself as being of the upper classes, which she wasn't. So it was sort of a false accent, and a false attitude that went with it. Then she fell head over heels with her teenage heartthrob, Ronald Reagan, and went about trying to dismantle any sense of social unity that England had: breaking the unions, letting people go out on strike and starve. And in a very few short years she managed to turn people in England from neighbors to competitors. A lot of people bought shares in the gas company and the train company and the water company, bought shares in the companies that our dads had already paid for. And in doing so turned everybody into competitors - instead of neighbors now we were competing as investors, jealously guarding our shares. Our people stopped talking to each other at bus stops. People started to become more suspicious of each other. And the sense of camaraderie was broken in a way that I haven't ever seen fully replaced, really. It may have been that Britain needed dragging into the 21st Century, but it may also be that making the mistake of believing that just because communism was obviously collapsing, that didn't mean that all of the tenets of world capitalism were absolutely accurate. That there was perhaps stuff in our system that weren't that great, either. And I think they're starting to see that it's okay for someone to make a billion dollars, but if they do, somebody else has to go without dinner that night, because that money comes from somewhere. And so the rich get richer and the poor get poorer, and poor old Margaret was acting as though she had airs and graces to the manor born. So it was stand down in the political sense – resign. But it was also stand down as in get off your soap box. Get off your high horse. Stop trying to talk down to people. You don't really know that much more than them, anyway. And stop putting on this hoity toity accent, because you know you're really a shop girl from Nottingham." Via Songfacts 3) Pet Shop Boys Opportunities (Let's Make Lots of Money) (1986): "Written as a satire of Thatcherism and its embodiment in conspicuous consumption and yuppies in the United Kingdom during the 1980s, the song's indirect attack on its subject matter has come to exemplify the Pet Shop Boys as ironists in their songwriting. Via Wikipedia 4) Morrissey Margaret on the Guillotine (1988): "In a 1984 interview, Morrissey spoke of the then-Prime Minister, Margaret Thatcher: "She is only one person. She can be destroyed. It is the only remedy for this country at the moment." Morrissey's first solo album, Viva Hate, included a track entitled "Margaret on the Guillotine", a jab at Thatcher. British police responded by searching Morrissey's home and carrying out an official investigation, while Simon Reynolds, who had interviewed Morrissey for Melody Maker, was questioned about the tone in which Morrissey had made certain remarks about Thatcher." Via Wikipedia 5) Billy Bragg Between the Wars (1985): This song relates to the Miners' Strike of 1984-1985, which started when Thatcher's government closed down the Cortonwood Collery in Yorkshire, along with 20 other pit closures. The National Union of Miners responded by calling for national strike. However, Thatcher violently and brutally crushed the miners' strike. Many of the towns affected from the strike have never been able to recover and are still in an economic depression. You can read more here & see photos from the various strikes from 1984-1985. 6) Chumbawamba Fitzwilliam (year unknown): Before Chumbawamba received world-wide fame for their song, Tubthumping (1997), this anarcho-punk, alternative band had written many songs devoted to the Miners' Strike. The song Fitzwilliam is dedicated to the pit village of Fitzwilliam, which was one of the worst cases of economic decline following the strike. Via Wikipedia
7) Eddy Grant Electric Avenue (1982): Grant's song refers to the 1981 Brixton Riots. Any other songs you can think of? Please let me know!
We cannot be blind to the oppression against the Romani people.
Once again: Happy International Romani Day!