— Susan Sontag, from As Consciousness Is Harnessed to Flesh: Journals and Notebooks 1964-1980 (via lunamonchtuna)
Sweet Seals For You, Always
Stranger Things

@theartofmadeline
Game of Thrones Daily
noise dept.
Cosimo Galluzzi

titsay

No title available
Today's Document
occasionally subtle
Keni

izzy's playlists!

Kiana Khansmith
$LAYYYTER

shark vs the universe
styofa doing anything
Three Goblin Art
Jules of Nature
sheepfilms
KIROKAZE

seen from Singapore
seen from United States

seen from Algeria
seen from Malaysia
seen from United States
seen from United States

seen from Italy

seen from Malaysia
seen from United States

seen from Italy
seen from Belgium
seen from United States
seen from Türkiye
seen from United States

seen from Romania

seen from United Kingdom

seen from United States

seen from United States
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@sapphoeresia
— Susan Sontag, from As Consciousness Is Harnessed to Flesh: Journals and Notebooks 1964-1980 (via lunamonchtuna)
She is a writer; a born writer. Everything she feels and hears and sees is not fragmentary and separate; it belongs together as writing.
Virginia Woolf
Adonis, tr. by Khaled Mattawa, Selected Poems
Virginia Woolf, A Writer’s Diary, August 18th 1921
[text ID: And so this August is wasted.]
Helen Oyeyemi, from “White Is for Witching”
Cathy Linh Che, Go Forget Your Father
Alex Dimitrov, from Love and Other Poems; "Love"
[Text ID: I love that instant when an arc of light passes through a room and I'm reminded that everything really is moving. // I love August and its sadness. // I love Sunday for that, too.]
I love women. Platonically, romantically, sexually, communally. I love women. I want to be surrounded by women all the time.
sophia ippoliti
The Handmaiden (2016) dir. Park Chan-wook // Portrait of a Lady on Fire (2019) dir. Céline Sciamma
Nostos: Il ritorno (Franco Piavoli, 1989)
Sylvia Plath, The Bell Jar
“I have no way of telling what I miss I am only the one who misses it”
— W.S. Merwin, from “After the Voices,” The Moon Before Morning (Copper Canyon Press, 2014)
*spends all of my time alone* perfect! but why am i crazy
pink hues
“I—how I destroy myself on even the least of the sweetest things—”
— Natalie Diaz, from Postcolonial Love Poem; “Waist and Sway”
Virginia Woolf’s working table, photographed by Gisèle Freund (1965)