the animal jam situation is insane
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@sarepia-theater
the animal jam situation is insane
Evil villainous acts being committed on christmas
oh i have fun story about this video!
years ago i was somewhat acquainted with the person who recorded it (or at least initially posted it to yt), theoneandonlysomething/xxnyanclawxx. They used to be somewhat prominent in the aj community for glitch tutorials, and some hacking related stuff like this (like test adventure rooms, and at one point they'd even made a website that tracked item/animal/pet release/leave dates from stores, including upcoming releases...it doesnt work anymore but it was hilarious telling the AJIWW server exactly at rollover when lobster tails came back to stores because I Already Knew). Nyanclaw is the person who gave me my hacked/"glitched" phantom crates (the unreleased variant with the colorless lightning) both of which I still own and cherish to this day. They're also who I followed to explore Sandy Shores/Speedo Sands with my own eyes back when that was a thing.
The account EpicKaylaX3 was actually an old account that someone had left the username and password to in the comments of an old animal jam video. if i remember correctly it was an AJMV contest? there was one other account as well, Kurupt.
Both of these accounts are unfortunately banned now, but I used both frequently back in the day mainly because they had free chat (my mom. would not let me have free chat as a kid lmao.) You can even see my old main account, gigi1099, in the buddy list, as well as an old friend of mine, Aubreykitkat!
EpicKaylaX3 had some real artifacts in the jamagram inbox including monthly member gift jamagrams, and cards that hadn't been available in years by the time I joined AJ . It was an OLDDD account, from before even I started playing.
I wasn't even aware other people knew about/used the account at all until Nyanclaw posted this video. It's sad that it's banned now but I'm assuming it was used to avoid getting the main account banned, and because it was probably assumed totally abandoned, which is understandable. It's just a funny coincidence that it ended up being an account I'd been using to roleplay with lmao.
*walking around lgbt animal jam* SHE/HER forest??? epic PRONOUNS???? GAY mart clothing????? TRANS raccoon?????? JUNO?????????
Quick note that you shouldn’t support art that contains animal jam characters in Headdresses.
Regardless if it was a commission the art still depicts inappropriate use of a headdress
(This doesn’t mean to attack or harass the original artist. If you’d like to inform them link them this article)
hey guys guess who redrew + fixed up all their mlp alpha designs. the autism has won.
(versions w/o most accessories under keep reading if u want a better look at their designs/cms. i tried redoing their cms to include their symbols)
hey so my commissions are open for the first time ever for real money,, 👉👈 you can find all my terms and prices and examples here if you're interested, as well as my art portfolio
MY SITE
i'm back from canada and ready to take commissions again! please consider commissioning me, nobody's done so yet lmao
*walking around lgbt animal jam* SHE/HER forest??? epic PRONOUNS???? GAY mart clothing????? TRANS raccoon?????? JUNO?????????
Looking back animal jam "advanced vocab" roleplay groups are/were literally the funniest fucking thing. they way they took things way too fucking seriously. starting in-rp wars over petty out of rp drama. mauling characters over the smallest shit. theyd use big words and act all serious to make themselves look more mature but then blow the most stupid shit out of proportion. its so fucking funny
and the way you had to submit a form for every fucking thing. i get wanting a certain amount of info for someone joining/visiting/making a new character but the leaving forms are funny as fuck. submit this letter of resignation to tell us why you dont want to be in our edgy hellscape roleplay group anymore
fun text
made the mistake of making fun of hd wolves in the pillow room and everyone started ganging up on me for saying headdresses are cultural appropriation. imagine being Like That
I accidentally started a whole fight in Jamaa Township once bc I asked a headdress wearer "Hows that cultural appropriation" nd some OTHER bigot approached after the first left & he was like. "Can i wear a circus hat? Is that appropriation too?"
This fight got so much attention there were at least 30 ppl in it & for once the server was completely full because of this
imagine. being a headdress wolf in the year of our Mira & Zios 2021
So update on the hyenine situation, it turns out hyenine was NOT banned by AJHQ but instead was banned as part of a mass hack that also got aparri, wootmoo, wisteramoon, bepper, and, get ready for this one, THE AJHQ ACCOUNT ITSELF
AJ PLAYERS READ THIS - DO NOT SPAM UNBUDDY PEOPLE, YOU COULD GET PERMANENTLY BANNED FOR SOME REASON????
(video is not mine, tumblr wouldn't let me upload it so i had to download it and put it on yt myself for it to work)
dream sweet in sea major is literally a jamaa song idc i love it so much and i'm gonna explain why
basically it chronicles a group of animals' journey to jamaa after their species' heartstone is found—they finally get to go home. in this case, they're sailing there (partially bc i have a hc that jamaa is a pacific island), and to make it easier let's say it's a group of foxes.
let's analyze the lyrics:
"alone at the edge of a universe humming a tune / for merely dreaming we were snow" - the foxes are onboard the blue heron, speeding away from the shores of wherever they came from before and in the hands of liza, a mystical stranger. that had been their whole world; all that they had known, but they knew they were heading for a better life.
"a siren sounds like the goddess who / promises endless apologies of paradise" - in the distance, they hear the fading bustle and noise of the shore. they remember mira's appearance to them, the message her spirit brought to their family, that they could finally return home to jamaa.
"and only she can make it right" - the foxes have mixed feelings about mira, as generations of foxes have lived and died without ever getting to see their homeland after they fled it in the night all those years ago. they feel forgotten, though they know it is not her fault. they feel that the only way to right this wrong, to make their ancestors' pain and homesickness worth it, is if they can actually make it to jamaa and if liza can actually be trusted.
"so things are different tonight / we'll go together in flight" - the foxes know that things are finally changing for them. they are actually going home after centuries of living their whole lives without ever returning, and they are going to go together.
[a shift, a flashback]
"it's now and never / a reverie endeavor / awaits somnambulant directives / to take the helm" - the foxes must leave quickly. they've been woken up in the middle of the night to be urgently informed that they can return to jamaa, and that the blue heron is waiting for them—but they're running out of time. the ship leaves soon and will not come back for fear of being discovered.
"believe me, darling / the stars were made for falling / like melting obelisks / as tall as another realm" - the foxes do not have time to consider the options; they must act on instinct to change their entire lives. but they have to do it. generations of their ancestors waited their whole lives for this moment. they must accept this change, however drastic.
[back to the ship]
"un ensemble d'enfants / la galaxie s'étend / jardin de l'imagination / combler la lacune / roller passé la lune / comme nous evoluons" ("a group of children / the galaxy extends / garden of imagination / bridging the gap / skating past the moon / as we move") - to the older foxes who have seen many days, this journey may be tiring. but to the young foxes, it is the happiest moment of their lives. they watch in pure fascination as the ship goes "skating past the moon," and their galaxy extends into what's beyond the sea. they talk excitedly while they imagine what jamaa is going to be like.
"it feels like flying / but maybe we're dying / a cosmic confluence / of pyramids hologrammed" - the initial thrill of the journey is fading after several hours in, and some foxes begin to despair. they wonder if they are actually being led to their death, to die at sea. should they have trusted liza? was mira only a trick of the light?
"she knows you heard her / staging music murder / in line before the show began / to be where i am" - liza hears of the foxes' worry and reassures them that she knows where she is going, what she is doing, and that her intentions are good. she formally apologizes for taking so long to find their heartstone and knows there is nothing she can say to heal the damage time has done. she knows how long they have been waiting and that they had never given up hope, and tells them that she had never given up on them either.
"children born of one emotion / our devotion's deepest ocean / no division reasoned we'll be / free / to know / we are beyond a bow" - the foxes return to their place at the side of the ship, watching the horizon for any sign of their home. they share an emotional moment of longing and devotion towards jamaa and know they will not have to suffer any longer there. they will be free.
"and lo, the hues arrange to show / it's perfectly clear" - the ship glides through the veil that shrouds jamaa from the naked eye so that human sailors cannot find it. at last, jamaa appears on the horizon.
[a tone shift]
"you look quite divine tonight / here among these vibrant lights / pure delights surround us as we sail / signed, yours truly, the whale" - the foxes erupt in pure joy. this is momentous. some cry, some weep, some laugh; they embrace their family and friends. they've nearly made it. jamaa is within their sights. everything seems to be smiling at them, tinted with the hues of the night just before dawn. past the boat, a whale goes by. they've entered the waters.
"joy mirage's kingdom come / no one left at stake / now that existence is on the wake / let's see what we can make" - through the tears of joy and relief beyond relief, the foxes begin to enthusiastically plan what they are going to do when they dock and how they are going to spend the first day of their new lives now that they no longer live in fear.
"apart is wholly ending / a line in any final song / so long so far" - the foxes briefly, wistfully remember their old lives. they will not miss it, they conclude.
"we will be atoning / at last eternal through the past / above a blinding star" - they are finally returning to the land that their ancestors left so long ago. they wonder what will be left of their ancient homes. they mourn the fact that it could not have happened sooner, that their predecessors never came back. but they will atone for this with their own homecoming. above their heads, the stars shine more brightly than they have ever seen before, guiding them gently towards the bank as they fade into the dawn. maybe each one of them is a jamaasian who never came home. i forgive you, they say. do you forgive me?
"bye, hi / sigh, hawaii / we never meant to part" - the blue heron approaches the shore and crawls up the river towards jamaa township. the foxes begin to see their ancestral home up close as they rush past the lost temple of zios. many burst into tears of joy yet again. they sing to the land—we are sorry. we never meant to leave.
"sublime, thy art / one light / higher than the sun" - the ship glides into the bank of jamaaa township as the sun rises and casts the city in a dazzling light. the foxes are awestruck by its beauty. they go ashore.
"invisible to some / until it's time" - the foxes realize how lucky they are to be experiencing this as their ancestors were never able to. they accept that it was simply not their time to return before this moment. they move into the city.
in conclusion: this is a song about coming home to jamaa.
yall wanna fight or somethin
2 types of people
duality of man
100% real confirmed image by ajhq