sheepfilms
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izzy's playlists!
YOU ARE THE REASON
Cookie Run:Kingdom Official!
Fai_Ryy
Cosimo Galluzzi
Color Me Curious

tannertan36
almost home
Cosmic Funnies

No title available
KIROKAZE
occasionally subtle

Game Changer & Make Some Noise
2025 on Tumblr: Trends That Defined the Year
d e v o n
The Bright Sessions

bliss lane

Kiana Khansmith

seen from Türkiye
seen from Austria

seen from Vietnam
seen from Canada

seen from United Kingdom
seen from United States
seen from United States
seen from Bulgaria

seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from Costa Rica
seen from United States
seen from Canada

seen from United Kingdom

seen from France
seen from Myanmar (Burma)
seen from United States
seen from United States
@studiodiscordia
Home alone, JF Julian
Made in the Shade, Paul Almasy
Daido Moriyama (via PRISM)
Mirror mirror, Viviane Sassen
Drew Price, Structure in Black, Oil
Willem de Kooning, Landscape at Stanton Street, 1971
Joseph Beuys
I Like America and America Likes Me, 1974
Beuys traveled to the United States in 1974 and performed an action entitled I like America and America Likes Me at the René Block Gallery in New York. The action actually began at Kennedy Airport, where friends wrapped him in felt and transported him to the gallery in an ambulance. Beuys then spent several days in a room with only a felt blanket, a flashlight, a cane that looked like a shepherd’s staff, copies of the Wall Street Journal (which were delivered daily), and a live coyote. His choice of employing a coyote was perhaps an acknowledgment of an animal that holds great spiritual significance for Native Americans, or a commentary on a country that through its Western expansion had become “lost” America.
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.
(via)
Erotos, Nobuyoshi Araki
Welcome
Alfredo Jaar - Unseen, 1997
Sleep walking, Julien Mauve
Candy, Aaron McElroy
SubmissionFriday Hidden beauty - another camouflage photo by Maximilian Moschetti
Guy Bourdin