In the week since Lil Nas X released the provocative, pointedly homoerotic âIndustry Babyâ music video and North Carolina rapper DaBaby regaled a Miami Rolling Loud audience with a vile quip about gay sex and AIDS between songs, conversations about homosexuality and homophobia in hip-hop that have been percolating all year have come to a head. Itâs been a painful handful of days, full of terrible conversations, lies, prejudices, and false equivalences. Itâs been illuminating watching masks come off and hearing what people think these two stories say about the state of hip-hop. T.I. weighed in on Instagram, complimenting Lil Nasâs courage but also positing the âIndustry Babyâ video and the Rolling Loud remarks as acceptable opposites, respectable differences of opinion: âIf you have a Lil Nas X video, and him living his truth, you gone damn sure have people like DaBaby who are going to speak they truth.â
The Atlanta star facing multiple accusations of sexual assault also claimed that the LGBTQ community is âbullyingâ DaBaby and complained about âhigh standards of morality,â framing rap shows as safe spaces where a terrible remark shouldnât be villainized, a sentiment echoed in a tweet by Torontoâs Tory Lanez (whose appearance at the Rolling Loud set in question was met by stern criticism â since last year Megan Thee Stallion accused him of shooting her â and is surely the reason DaBaby is under intense fire, since gross, public homophobia is more often met with a yawn): âWhen did rap get so politically correct that u canât speak your mind and have an opinion?â Veteran Louisiana rapper Boosie Badazz took things a step further, using a gay slur in an Instagram Live stream, where he also threatened to âdrag his ass offstage and beat his assâ if he saw Lil Nas recreate the (mock) nude dance sequence in âIndustry Babyâ at an awards show. âFacts,â retired NBA shooting guard Nick Young added in the comments.
Thereâs almost too much mess to keep up with. After posting a flimsy, passive-aggressive pair of apology messages that also hit at Dua Lipa, whose âLevitatingâ remix with DaBaby remains perched at No. 3 on the Billboard Hot 100 chart and who has said she was âsurprised and horrifiedâ by the Rolling Loud incident, DaBaby released a video for a song called âGiving What Itâs Supposed to Give,â borrowing Black queer slang for the title and closing with a message in rainbow colors: âDonât fight hate with hate. My apologies for being me the same way you want the freedom to be you.â (More recently, Baby responded to criticism from Questlove by saying he has no clue who that is, a bold take since you can go to his YouTube page and watch a clip of him performing a medley of cuts from his Kirk album on The Tonight Show With Jimmy Fallon, backed, of course, by the Roots with Quest on drums.)
The message in the many twists this dialogue has taken is that a lot of people who claim credit for being open-minded also maintain that they deserve the right to object to some of the avenues of expression favored by the queer people they purport to have no problem with. Itâs acceptance with a caveat: You can be gay, bi, trans, pan, nonbinary, what have you, so long as you donât make too much noise about it. If you coddle hip-hopâs cisgendered, heteronormative core, you can cook. If you show too much queer attraction and self-expression, people get uncomfortable. The illusion of respect for our differences erodes. Acceptance is conditional upon giving the masses something to relate to. Young M.A is appreciated because straight male hip-hop fans see themselves in her verses about romancing women; thereâs enough ambiguity and fluidity in Tyler, the Creatorâs music to give a listener plausible deniability about whether the song theyâre listening to is about falling in love with a man or not. (x)
I think the title of this essay says it best: "I don't see an end to this."