Why is it so comforting at the same time so angsty?
seen from Germany
seen from Japan
seen from United States
seen from China
seen from China

seen from Malaysia
seen from China
seen from Venezuela

seen from Belgium
seen from Mexico

seen from United States
seen from China

seen from United States

seen from Malaysia

seen from United States

seen from Singapore

seen from United States
seen from United Kingdom
seen from United States

seen from Canada
Why is it so comforting at the same time so angsty?
Marvel Graphic Novel #76: Daredevil and Black Widow in Abbatoir
Pathologic Major Arcana Tarot (Pt. 1)
0 - The Fool - Daniil at the Polyhedron
1 - The Magician - Mark on stage with Tragedian masks
2 - The High Priestess - Taya at the Abbatoir (with an Odongh and Khatangher)
(please credit @j-k-u or @confirmed-haruspex)
Jessica Lowndes as Julia Talben. Abattoir, 2016.
Playing staying out of the drizzle under the iron former abattoirs de Vaugirard in the 15th arrondissement, Paris. . . . #Paris #abbatoir #parisien #parisienne #parisphoto #parisjetaime #15earrondissement #parisbynight #parislife #parisienlife #parisart #parismonamour #parismaville #parisgram #parislove #pariscity #villedeParis #Instaparis #Iloveparis #parisfind (at Parc Georges-Brassens) https://www.instagram.com/parisfind/p/BxO46W-HYrA/?utm_source=ig_tumblr_share&igshid=9eqcly56qp8y
Thursday, February 1: Anger as Art, “The Crush”
The thrash revival of the mid ‘00s had two distinct strains: there were the younger acts that sought to recreate the golden age of Reign in Blood, Master of Puppets and Bonded by Blood, but then there were also the grizzled veterans who saw an opportunity to give it another go. Anger as Art fit into the latter category, as every member had logged hours in C- and D-level thrash acts back when Combat and Relativity were operating at peak capacity. With two ex-Abbatoir members, a bassist who would later join Heretic, and Evildeads’ original drummer, this bunch had clearly done their time in the trenches. As a result, it was hardly surprising that “The Crush” sounded like a lost Exodus tune from the Baloff years, maybe also mixed in with some early Slayer. But it also wasn’t surprising that the tune felt more natural and lived-in than the bands Century Media and Earache were scouting circa 2006. “The Crush” opened Disfigure, Anger as Art’s third and arguably best album, and not only recalled ‘80s thrash, but also felt authentic on account of not only the member’s previous experience, but also their fundamental understanding of what thrash was all about.
Taking a pig to the abattoir tomorrow, so I went out this evening to check the trailer. Good thing I did—no lights. Turned out water had got into the connector, and one of the cables was cracked. What should have been a quick check turned into a full repair session under the steading lights, well into the night. But better to find and fix it now than discover the problem halfway to the abattoir with a pig in the back and no indicators.