#acting voice

[akuaktor]

Analisa Suara yang Sering Terlupa

Suara, mudah terlihat, tapi sulit diciptakan. Kenapa?

“What is Acting? Voice. Voice, voice” Stella Adler di The Art of Acting, (Adler, 2000:17)

Dalam banyak, maaf, bukan hanya banyak, tapi hampir semua Acting Review yang kami tulis, suara selalu menjadi perhatian utama kami. Kenapa? Bukan hanya karena kata Stella Adler di atas, atau juga kata Tommaso Salvini yang dikutip Stanislavski di beberapa bukunya, tapi karena menurut kami, suara adalah…

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[homelesssandiego]

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[julimcgourty-blog]

Stella Adler talks about the actor’s size. But by “size” she isn’t referring to their physical size, boisterous voices or sweeping arm gestures. Instead she is talking about the inner depth of the actor. She exemplifies this point by bringing up British actors, who, at the time of this video had great size in the outer sense. People used to think that is what made great acting and consequently where “acting voices” and such things came into play. However, Adler’s point is that these animated British actors did not have the ability to portray internal depth and present it to the audience. Which, in her opinion, is a a flaw because the “inner size” is necessary for modern acting.

In order to reach this inner depth many actors take to training in and using the “Method Acting” technique. Adler herself was a teacher of this technique and even formed the Stella Adler Studio of Acting in New York City. In short, method acting is a series of techniques that actors use to develop lifelike emotional performances by portraying the thoughts and emotions their characters have. While most would agree with Adler that emotional depth is important there is a lot of controversy that comes from the term “method acting”. Many people connect this with actors who permanently stay in character even when they are off-stage, even though not all method actors use that technique. There are many practitioners who teach different versions of this method, but overall it has developed a bad reputation among non-method-actors.