#afohiko

[shih-coulda-had-it]

trick or treat !!!

CAUGHT YOU!

[thatforgottenbasilisk]

what's all this about a kotaro as afohiko child fic >:O you're making tenko afo's grandson? hana his granddaughter? the house = vault for all of afo's in-laws? i am clapping my hands together in prayer that sorahiko's remained free

SEE THE THING IS AFO DOESNT KNOW!!! HE HAS NO IDEA!!! here's what AFO knows about that whole situation:

He and his (now ex-)husband Sorahiko had a test tube baby. sonboy child was going to be his pride and joy!! until he got STOLEN

Sorahiko took the fucking kids

HE DIDNT EVEN NAME SONBOY CHILD!!! YOICHI JUNIOR!!!!!! SORAHIKO RAN OFF WITH HIM THE SECOND HE WAS GROWN ENOUGH TO SURVIVE OUTSIDE THE TUBE WHAT THE FUCK SORAHIKO

where the fuck did sorahiko go actually

FOUND EX HUSBAND!! where baby

theres no baby

what the fuck did you do with sonboy child, sorahiko

well. life expectancies for babies on the run i guess. maybe sonboy child didnt get those flamingo salinity tolerance crazy baby survival shigaraki genes

sora wont make another one! hes a hero now! what the fuck sorahiko part 2 electric boogaloo

man. this blows. no husband no baby no nothing what the hell

AT NO POINT!!! DOES HE EVER DEFINITIVELY DISCOVER THAT THE BABY IS EVEN ALIVE!!! HE SUSPECTS THE BABY IS DEAD BUT ALSO COULD BE ALIVE. SCHRODINGERS SONBOY.

NO CLUE WHERE HE IS THO. SORAHIKO YOU SNEAKY BASTARD

[pocketramblr]

If you’re still taking asks for the 5 hcs of an AU…! AfOhiko AU where Gran Torino actually just stole the design of Captain Hero for his costume (changing the color palette only), figuring that he’d never linger anywhere long enough for people to put two and two together. It’s old-school, and really, kinda dated. Except All for One notices him, and proceeds to make things weird.

*points and laughs at the nerd*

1- Sorahiko's path to heroism was... Unconventional. By the time he designed his hero outfit, he didn't exactly have any designs of his own to show off his own personality or mission or style. But, Sorahiko's anyways been a fan of the classics. Classic cars, classic movies, and especially classic comic books. So he just takes Captain Hero's costume and picks the colors he would rather wear, calls it a day.

2- No one else noticed. No other heroes, no civilians, no villains. Not En, not even Nana. It's not exactly a poplar comic, and he changed enough, and he doesn't stay and chat or get caught on camera very often. Until one day, when En was doing something Sorahiko would call "the height of stupidity", and Sorahiko ran in, grabbing and shoving him out of the way of AfO's attack. And AfO stares, and tries to figure out why this guy looks familiar, he's pretty sure he hasn't seen that quirk or face before. It buys them enough time to flee.

3- the next time AfO's seen him, he's put it together. A Captain Hero recolor! His little brother's favorite comic hero (used to be his favorite too) protecting his quirk's current user. Must be the universe's idea of a joke. He addresses both of them- "One For All, Captain Hero."- and that makes both start. AfO doesn't really bother to remember many hero names. AfO usually just goes by quirk, if that. AfO should be calling him "that pest" or "guard dog" or "Jet" or maybe "Torino."

Not "Captain Hero." En has no clue what that even means.

Sorahiko's soul is trying to leave his body.

That confirms to AfO that it was on purpose on this hero's part, and he says he hasn't read that comic in a while. Perhaps it's due for a reread. (He doesn't mention he never did finish it, after his brother told him too, then died.)

Sorahiko can only come up with the words "Well, it's a classic."

AfO agrees. "Does it also get better with age?"

The awkwardness manages to increase. Nana causes a distraction, and they flee.

4- This just gets worse every time they meet. Sorahiko isn't sure if he's being mocked, flirted with, or just confusing AfO. He's called "Captain Hero" each time they meet. En's given up on trying to understand. Nana decides to hunt down the comic and give it a read at this point. Sorahiko considers changing his costume, but 1- he really doesn't want to let AfO win, 2- idk it seems to be kinda keeping them all alive right now so

5- Nana is the first one to point out that AfO has been slowly changing his look though- little things, one by one. He's taking more inspiration from the Demon King in the Captain Hero comics. (Sorahiko noticed it too, but was refusing to voice it.)

Sorahiko is pushed past his limit by that. He goes on patrol alone, hoping to get a chance for AfO to see him without threat to OfA, so he can just bluntly and directly ask "Ok, dude, what's your deal?"

AfO gives him that chance, and just smiles and shrugs. "Just want to get to know someone with a common interest better."

[gentrychild]

5 hc- take any one of your aus that doesn't already have it, and add AfOhiko?

*cracks knuckles*

I will try to refrain myself from making it too cursed.

1 - Thanks to an unfortunate and unlikely coincidence brought by yours truly, unbeknownst to pretty much everyone except two characters and soon Izuku, when Izuku makes his jump in time, it's when Sorahiko is desperately trying to break up with All for One. He tried ghosting him. He tried killing him. Nothing works. The bastard just clings to him.

2 - In this AU, Izuku manages to escape AFO because the villain doesn't use his full strength to apprehend him. Izuku runs to Gran Torino's house, asking him for help. To his horror, AFO barges in five seconds after him and screams at Sorahiko that he just met their son from the future and that's why they can't break up.

3 - It's very important to me that you are aware that Sorahiko is in his pajamas and fuzzy slippers when that insane conversation happens. Izuku wonders out loud when All for One had the time to meet another time traveler today only to be informed that he is the secret lovechild. The Todoroki flashback is so intense that he has to sit down. All for One keeps insisting on the fact Izuku looks like the both of them, has multiple quirks, and obviously came specifically to prevent his two dads from breaking up and to make sure he exists in the future.

Izuku and Gran Torino, at the same time: "You are insane."

AFO: "See? He sounds exactly like you!"

4 - Izuku makes a run for the window while they are distracted but AFO grabs him with one hand without even looking back. Nana and Toshi chose this moment to visit. All for One is distracted from his not break-up conversation by the arrival of One for All and is about to lunge towards Nana when Sorahiko takes one for the team and sacrifices himself by kissing AFO. Nana grabs the two kids, currently frozen solid, and run like hell. AFO does not chase them. Nana starts explaining that Sorahiko's bad taste when it comes to men is legendary but Izuku doesn't want to hear a word of it and yeets himself back to the present.

5 - When he returns home, Gran Torino sees his scandalized expression and swore him to secrecy, for Toshinori's sake. It happens that the reason why Toshinori didn't recognize his successor despite meeting him in the past is because he erased all memories on a three days period through sheer strength of will. Nana and Sorahiko made a pact to never remind him what had happened that day and Izuku, to protect All Might's sanity, agrees to do the same.

[figurativepieceoftrash]

And if you find it interesting: 9, afo. Thank you!

Prompt 9: Say you love me

"Say you love me."

Not a question, but a command. Comfortingly familiar and gratingly predictable all at once. Pathetic, too, Sorahiko has come to realize. For all his bluster and projected confidence, Hisashi is damningly insecure.

Not that he knows it, of course. He could never be so self-aware. Sorahiko isn't exactly certain he wants him to be, though.

"Give me a reason to and maybe I will," he replies with begrudging interest, because it's ten in the morning, and the shirt he's wearing isn't his, and maybe, just maybe, he's a little bit pathetic too.

"So demanding." There's a touch of mockery in that. Sorahiko feels an arm close around his waist, pulling him ever so slightly into Hisashi's orbit, before a quick peck dusts his cheek. "There, is that enough for you? I'm not especially inclined to take you back to bed now, so it'll have to do regardless."

Inadvertently, the bridge of Sorahiko's nose wrinkles. "What's that supposed to mean?"

"That you smell like eggs." Sorahiko feels the head on his shoulder incline, pointedly towards the stove at his waist. "That's the worst omelet I've ever seen, by the way. You know you're supposed to remove the shells, don't you?"

A growl. "I did."

"Then what's that lumpy bit there?" 

Sorahiko's eyes follow the path of Hisashi's finger. He honestly can't parse where its target lies. As loathe as he is to admit it, the entire omelet is a mess.

"Just be grateful I'm cooking you anything, you–"

"Let's not get heated Sorahiko, you know I'm only teasing." That elicits an eye roll. Sorahiko knows quite the opposite. He isn't. Not entirely, anyways. "In truth, I find this domestic side of yours rather endearing. To force yourself through something you're so humiliatingly inept at, and all for my sake… I had no idea I held such an impressive sway over you."

"Fuck off."

"Ah, but not so impressive, it seems. I supplied the reason, did I not? A kiss and a compliment in one, I'm certain that's enough to fulfill my end of the bargain. So now you say…?" he trails off, pointedly pulling away from the two's considerably prolonged embrace.

Sorahiko hates that he misses the warmth. He hates it even more once he catches on to the familiar note in Hisashi's phrasing. Bargain.

Over the course of their intermittent and considerably rocky relationship, Sorahiko has come to learn, with increasing intensity and emphasis, that Hisashi sees the world entirely and exclusively in terms of transaction.

An expensive, candlelit dinner in exchange for sex. An apartment key for one-sided, yet ineffably binding romantic exclusivity. A name for a name. Breakfast for a button down. Physical affection for verbal affirmation.

Sorahiko doesn't mind it, per se. He likes knowing the terms of his relationship. The boundaries, the expectations, the do's and don'ts. It's no secret that he struggles with displays of affection, and Hisashi evokes them in ways that are obviously permissible, if not entirely free.

But it does feel… obsessive, on occasion. Demanding. Almost religious in its ritualism.

And even so, he's powerless in the face of it.

"I love you." 

Why does he mean it, when he says it?

Sorahiko would like to think it's because he pities him. The two have never exchanged personal information with each other beyond that of addresses, ages, and names, but what he's gleaned of Hisashi's life from shrewd bits of insight he's been allowed hasn't painted a pretty picture.

Hisashi is wealthy, certainly. Excessively so. Doubtlessly successful from the perspective of the average salaryman, and more still. 

But there's a desperation to it, Sorahiko has often noted, a compulsion to throw himself into to his work, whatever it may be, to parade his wealth around in the form of designer suits, and limousines, and French Champagnes, and penthouse suites, that suggests less of a desire to pursue a life worth living and more of a ravenous, clawing need to escape the reality of one that isn't.

The only pictures in his apartment are stock photos, he never speaks of his family, and the way he manipulates tenderness out of Sorahiko – hungrily, always hungrily, but with such a marked desire for distance – implies an upbringing completely devoid of genuine emotional connection. 

Every tender word is postured with Hisashi, practiced, and calculated, and rehearsed. Out of a compulsive desire for perfection, certainly, for power over one's partner, but there's also a very real sense of fear to the practice. Vulnerability is not a word in Hisashi's vocabulary. 

It isn't found in Sorahiko's either. Maybe that's why the pity comes so easily.

But no, that isn't his desire's origin, as much as he may wish it were.

There's a magnetism to Hisashi completely independent of his more vulnerable aspects, a surety and gravity as powerful as it is prevalent. Sorahiko loves to butt heads, the thrill of a chase, the stubborn push and pull of a yearning to which neither party will vocally lay claim.

Belonging to someone else, someone just as jaded, and worn, and pessimistic as him. Someone who comprehends the importance of detachment in the face of intimacy.

That was why he'd broken things off with Nana Shimura, though he'd never say it aloud. He'd known her too well, and she'd cared too much. Not enough distance.

"And I love hearing you say it." Apparently, Hisashi is feeling generous this morning. The second peck is placed on his lips. "I'm leaving the country tomorrow for work. I don't know when I'll be back."

Not generous then, placating. A salve in anticipation of a burn. Oh well. Last night had been too passionate anyways. Really, it's a blessing. Thank God for distance.

Breakfast is eaten in cold, impassive silence. Hisashi doesn't even comment on the obvious bits of eggshell that crack between his molars. Doesn't even lament the burnt crust that coats the dishes underside. A rare occurrence by all accounts. He lives for drama.

Sorahiko should be grateful. And he is.

Thank God for distance.

[cyber-phobia]

Idk why but every time I'm reminded of your afohiko art I say it as (all for hiko) in my head and now I'm dying cause I need a fic of them.... where Afo says that one line thats like "for you? The world, 'hiko"

Slide over to @shih-coulda-had-it I haven't drawn them yet lol

[barid-bel-medar]

Five headcanons for an AU where nana accidentally played wingman for afohiko? (“My friend is VERY HANDSOME, SINGLE, and READY TO MINGLE, especially if you buy him a sweet instead of a drink”)

So how this all works is because AFO is already wearing the Stupid Helmet of Doom son Nana geniunely has no clue what the fuck he looks like, and it mucks with his voice enough she doesn't recognize that either. So when Sorahiko is being flirted with by attractive white haired guy at the bar, she swings in to help!

AFO on the other hand knows exactly who both of them are, but he is also interested in at least getting access to Sorahiko's pants, and then maybe murder. He is also endlessly entertained by an OFA-user trying tho help wingman for him.

Sorahiko is reluctantly being charmed by AFO, it's incredibly annoying, he doesn't know why his taste in men in is kinda arrogant assholes with superiority complexes but there's something about this guy that's doing it for him.

Then a month and six dates later Nana knocks the Stupid Helmet of Doom off AFO and realizes that AFO=Sorahiko's new BF. It's awkward.

Sorahiko breaks up with him. It's tragic. AFO attempts first murder and then apprentice theft (he tries to kidnap Toshi). AFO gets nailed in the balls. Eventually this somehow culminates in Gran Torino screeching 'I want a divorce!' in the middle of a fight, confusing the shit out of everyone.

Bonus: Toshinori likes to pretend that those events never happened and that Gran Torino's taste in romantic partners isn't awful. Sadly Gran has accidentally dated multiple supervillains so it's not too successful.

[your-sovereign-ruler]

Writing Prompt #2

"Why can't I hate you?"

Hero's voice, usually so strong and assertive, cracked and broke under the weight of their sobs.

Their lover, Villain, straddled their thighs and let them cry their rage and shame into their chest, hands carding through Hero's hair. Soothing their beloved until the sobs trailed off and they drifted off to sleep, clutching the hem of their shirt for comfort.

Villain said nothing, just held Hero tight and didn't let them go.

They would never let Hero go.