NoViolet Bulawayo has extended her Caine prize-winning short story about a Zimbabwean girl coming of age in the US into a novel. But has the prize created an African aesthetic of suffering? asks Helon Habila
In a critique of Bulaway’s novel, author Habila questions whether new African fiction aims to appeal to “a Caine prize aesthetic”, instead of reflecting authentic realities. She criticizes Bulawayo’s novel as being filled with all the common problematic tropes that are associated with Africa such as poverty-porn, political violence, AIDs, and children escaping to America for a better life. She suggests that Bulawayo is only really expressing herself freely in instances in the book when she no longer feels the need to narrate and comment on Africa’s social and political situation.










