#alisonknowles

[artbookdap]

More images from 'By Alison Knowles: A Retrospective (1960–2022)' — all related to 'The House of Dust,' perhaps the first computerized poem in the US, which Knowles produced with experimental composer and Bell Labs resident James Tenney in 1967. The first line of the poem's score was used to build the first physical sculpture of 'The House of Dust' in New York in 1969. Other iterations include a 1971 environment on the campus of CalArts in Valencia, California, and a 2016-2018 reactivation with Art by Translation.⁠ ⁠ Exhibition catalog edited by Karen Moss. Foreword by Julie Rodrigues Widholm. Contributions by Hannah B Higgins, Lucia Fabio, Lauren Fulton, Maud Jacquin and Sébastien Pluot, Nicole L. Woods. Reprinted texts by Benjamin H.D. Buchloh, George Quasha, Julia Robinson, Kristine Stiles.⁠ ⁠ Copublished by D.A.P. & @bampfa⁠ Design by @contentobject⁠ ⁠ @alisonknowlesofficial #alisonknowles #alisonknowlesretrospective #makeasalad #beanturner⁠ @james_fuentes_llc #houseofdust #alisonknowleshouseofdust https://www.instagram.com/p/CiinNhxJzJu/?igshid=NGJjMDIxMWI=

[moma-prints]

The Identical Lunch with Ann Brazeau, Alison Knowles, 1968-69, printed c. 1969, MoMA: Drawings and Prints

The Gilbert and Lila Silverman Fluxus Collection Gift Size: composition: 13 3/4 x 17 7/16" (35 x 44.3 cm); sheet: 19 7/16 x 22 15/16" (49.3 x 58.3 cm) Medium: Screenprint on canvas

http://www.moma.org/collection/works/131743

[paper--trail]

Center for Book Arts Virtual Benefit Join us in celebrating connections ignited by the book arts with a vibrant group of artists, poets, curators, performers, and gallerists to enjoy each other’s company and to honor visual artist #AlisonKnowles. For more information visit www.centerforbookarts.org/benefit21 Our benefit identity, created by Lauren Thorson & Jasio Stefanski of Studio-Set is based on our new graphic identity, which enfolds the innovative graphic history of the Center, while embracing the past and making room for the present. The identity and website are modeled after the idea of a space-time sequence from The New Art of Making Books by Ulises Carrión.

[harvard-art-museums-prints]

Woman's Shirt (Teeth), Alison Knowles, 1964, Harvard Art Museums: Prints

This shirt belonged to Barbara Moore and was worn by her as an everyday article of clothing before being printed by Knowles as part of the Fluxhall concert of May 9, 1964. Harvard Art Museums/Fogg Museum, Barbara and Peter Moore Fluxus Collection, Margaret Fisher Fund and gift of Barbara Moore/Bound & Unbound Size: greatest dimen.: 60 x 54 cm (23 5/8 x 21 1/4 in.) Medium: Screen print on cotton shirt

https://www.harvardartmuseums.org/collections/object/28815

[theideaofthebook]

An exhibition of graphic art and techniques organized to commemorate the opening of The Eindhoven Graphic School in 1967. With contributions by Max Bense, Claus Bremer, Klaus Burkhardt, Reinhardt Döhl, Mathias Goeritz, Ezio Gribaudo, Alison Knowles, Ferdinand Kriwet, Roy Lichtenstein, Hansjörg Mayer, Diter Rot, Mimmo Rotella, Wolfgang Schmidt, Herman de Vries, Andy Warhol, Emmett Williams, and others. ‘artypo’, 1967. Read more at theideaofthebook.com or DM for information.

[moma-prints]

Michael Cooper Performs The Identical Lunch, Alison Knowles, 1969, realized 1973, MoMA: Drawings and Prints

The Gilbert and Lila Silverman Fluxus Collection Gift Size: overall: 17 x 17 x 3/4" (43.2 x 43.2 x 1.9 cm) Medium: Screenprint with hand additions on canvas

http://www.moma.org/collection/works/152695

[moma-prints]

The Identical Lunch, Alison Knowles, 1969, realized 1973, MoMA: Drawings and Prints

The Gilbert and Lila Silverman Fluxus Collection Gift Size: see child records Medium: Series of eleven screenprints with hand additions on canvas

http://www.moma.org/collection/works/127409

[artbookdap]

A few images from 'By Alison Knowles: A Retrospective (1960–2022)' — a book that we are proud to have co-published with @bampfa — where the exhibition is currently on view. ⁠ ⁠ Tthis 300-page goldmine features different colored papers for each section, die-cut dividers and a fully illustrated chronology of the Fluxus pioneer's experiments in painting, printmaking, sculpture, installation, sound works, poetry and artist’s books over the past 60 years. Additionally, the cover of the book is a makeready (press sheet gathered from printing the interior of the book) produced during the printing of the interior pages. So each cover in the edition is unique.⁠ ⁠ IMAGES:⁠ 'Blink,' 1963: Alison Knowles, George Brecht, Robert Watts (collaborating as Sissor Bros. Warehouse)⁠ Alison Knowles and Amanda Degener: 'Tamashi,' 2002; (Photo: David Familian)⁠ 'The Identical Lunch with Ay-O,' 1969⁠ ⁠ Exhibition catalog edited by Karen Moss. Foreword by Julie Rodrigues Widholm. Contributions by Hannah B Higgins, Lucia Fabio, Lauren Fulton, Maud Jacquin and Sébastien Pluot, Nicole L. Woods. Reprinted texts by Benjamin H.D. Buchloh, George Quasha, Julia Robinson, Kristine Stiles.⁠ ⁠ Design by @contentobject⁠ ⁠ @alisonknowlesofficial #alisonknowles #alisonknowlesretrospective #makeasalad #beanturner⁠ @james_fuentes_llc https://www.instagram.com/p/CiinEe-JroT/?igshid=NGJjMDIxMWI=