#amiet

[srednod]

Cuno Amiet Frühlingsnebel 1940

[expressionism-art]

Portrait du chanteur Felix Loeffel, 1924, Cuno Amiet

[paintingbox]

Cuno Amiet (1868 – 1961) Swiss

Self Portrait with Apple (1903)

[wetreesinart]

Cuno Amiet (Swiss, 1868-1961), The Orchard, 1906, oil on canvas, 72 x 80 cm

[moriras-lejos]

Cuno Amiet

[nouveau-art]

Self Portrait with Apple, 1903, Cuno Amiet

[rubenista]

Cuno Amiet, Self-portrait in Rose, 1907

[4eternal-life]

Cuno Amiet  (Swiss, 1868-1961)

Häuserblock in Paris. Porte de Châtillon, Boulevard Brune, 1936

Aargau Museum of Fine Arts / Aargauer Kunsthaus

The composition of the urban landscape is based on an almost radical system in its simplicity. The horizon divides the canvas into two surfaces of the same size, the upper being occupied by a lightly modulated sky. The lower part of the picture is dominated by an imposing block of houses, with the right hand of Boulevard Brune leading into the depth of the image. In addition to the superstructure, the green area in the front of the image plays an important role, an untroubled fallow, which has given the trampled footpaths of passersby a structuring.

The evening light falls on the building like a directed theater headlight and lifts the building from the tonally reduced environment. In color, the gray-brown façade is dipped into a pastel salmon pink, where the color artist Cuno Amiet can be seen. Who have given the trampled footpaths a structure. The evening light falls on the building like a directed theater headlight and lifts the building from the tonally reduced environment. In color, the gray-brown façade is dipped into a pastel salmon pink, where the color artist Cuno Amiet can be seen.