Oct 8, 2020
George Condo. There’s No Business Like No Business, 2020.
acrylic, pigment stick, and metallic paint on linen
seen from Bulgaria
seen from United States
seen from Maldives
seen from United Kingdom
seen from United States
seen from Yemen
seen from China
seen from United States
seen from Mexico
seen from United States
seen from United States
seen from Singapore
seen from United States
seen from Singapore
seen from United States
seen from United States
seen from Australia
seen from China
seen from Hong Kong SAR China
seen from United States
George Condo. There’s No Business Like No Business, 2020.
acrylic, pigment stick, and metallic paint on linen
Elise Ansel, DÉJEUNER II, (AFTER MANET), 2015.
Elise Ansel is an artist from NYC whose work is derived from historical Old Master paintings, using a painterly notation and shorthand to translate them into her own contemporary pictorial language. The piece above is a hyperstylized version of Manet's famous 1863 painting Le Déjeuner sur l'herbe (translation Luncheon on the Grass).
Ansel describes her process and vision, stating:
"My paintings are about re-creating, re-visioning, and re-presenting paintings that were created at a time when women were seen as objects. The paintings I work after are distant mirrors which I interpret through the lens of gestural abstraction. My paintings begin with a specific pictorial point of departure but then move towards abstraction as the representational content is balanced by focus upon color, composition and the materiality of the paint. Linear, rational readings are interrupted. The historical paintings I work from become structures on which to hang paint; the soundness of these structures capacitates great improvisational freedom. The real subject becomes the substance and surface of oil paint, the variety of its applications, and the ways in which it can be used to celebrate life."
Wim Botha, Prism 10 (Dead Laocoön),2014, Bronze, Approx. 208 x 163 x 112cm
John Isaacs, The architecture of empathy, 2014, Statuario marble, 170 x 94 x 177 cm, Installation view Galleria Massimo Minini
______
See more on: ♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest
See more John Isaacs on iheartmyart. See more sculpture on iheartmyart.
Recycle Group, Sarcophagus, 2010, courtesy of Galerie Rabouan Moussion
Chad Wys, Dirge 4, c-print, 2012, 24” x 24”
Website | Tumblr | Facebook | Society6
______
See more on: ♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest
See more Chad Wys on iheartmyart. See more sculpture on iheartmyart.
Chad Wys, Sight Line, paint on found print and frame, 2013, 9.5" x 8" x 1"
Alexandre Mury, Papoula, 2013
______ See more inspiring art on: ♥ iheartmyart | facebook | twitter | instagram | flickr | mail list | pinterest | soundcloud
See more artwork by Alexandre Mury on iheartmyart. See more photography on iheartmyart.