10, 13, and 17 for the end of year book asks. 💕
10. What was your favorite new release of the year?
Henry Henry by Allen Britton
I don't know if I would recommend this overall to everyone because it is definitely a very Specific Sort Of Book, but god. A modern, queer retelling of the Henriad? I didn't know I needed this. This killed me, this revitalized me. I cannot stop thinking about it and I read it months ago. This is going to stay with me forever. Most of the books I read, I get from the library because I do not have the money or space in my apartment for all the books I read, but this... this I had to get a copy of it. I need to analyze it, I need to memorize it.
I knew the broad strokes of how it would go because, well, the Henriad has been around for hundreds of years. But the way it went? The liberations it took? It was exactly what I want from a tragedy where I can see the ending and I know the ending and I want so badly for the characters to break out of the Tragedy, but they never can. Beautifully executed.
13. What were your least favorite books of the year?
This is going to get long and ranty, sorry lol
Honestly, it was a year with a lot of low-rated books for me. It was not a good reading year overall, which is a shame. I have organized my lowest rated books into sub-categories because my complaints tend to be the same by genre.
Delilah Green Doesn’t Care by Ashley Herring Blake (horrendous, I will never read anything by her again)
Cleat Cute by Meryl Wilsner (so aggravating, I am mad when I think about this book)
Late Bloomer by Mazey Eddings (this made me want to not read sapphic fiction anymore, I was so fucking done)
If This Gets Out by Sophie Gonzales
Caught in a Bad Fauxmance by Elle Gonzalez Rose
The Pairing by Casey McQuiston (this made me realize I am so fucking done with Casey McQuiston as an author. I have hated all of their books except Red White and Royal Blue and I just need to call it quits. )
Time to Shine by Rachel Reid
Big Swiss by Jen Beggin (disappointing because this was so hyped up as a Genuinely Well Written book and the writing mostly was good, but the characters and execution just fell apart)
I don't careeeeeeee I just don't fucking careeeeeeeeeeeeeeeeee atttttt allllllllllllllll. To be fair, I am not a big romance fan in general, but I do tend to like queer romance most of the time since there is like a genuine hurdle for why people can't be together rather than just bad miscommunication. But these just fucking sucked (in my own opinion, other people might have loved them and that's totally fine). A lot of the authors (I'm looking at you especially, Ashley Herring Blake) had some of the most tone-deaf ways of writing about characters of color or nonbinary characters, specifically writing afab nonbinary characters as though they were women and ignoring that amab nonbinary people exist. Totally tone deaf while also including so much virtue signaling I felt like I was watching fucking Dora the Explorer remind the audience that stealing is bad. The neurodivergent rep was just fucking horrible. I'm sorry, it was. Also, bad writing (minus Big Swiss, that was genuinely good writing), bad plots, bad characters, etc. Some of these characters are like 30+ years old and acting like entitled 12 year old brats. It was painful to read.
Also, Meryl Wilsner, girl, wtf. Watch TikToks about ADHD is not "medical research," jfc. And the word "queer" is not fucking linked with TERF-rhetoric. Are you fucking kidding me?
The New Couple in 5B by Lisa Unger
The Princess of Las Vegas by Chris Bohjalian (this should have been like 200 pages less and then maybe it would have been great)
The Reappearance of Rachel Price by Holly Jackson (this was baffling how bad it was. I like other books by this author. She's normally really good at plotting out a story that is a shakily plausible but mostly acceptable within the framework of mystery conventions, but this?? Wtf happened?)
Home is Where the Bodies Are by Jeneva Rose
Love Letters to a Serial Killer by Tasha Coryell (I read this expecting it to be trash and was still surprised by how bad it was)
The Mystery Writer by Sulari Gentill
I’m Starting to Worry About This Black Box of Doom by Jason Pargin (This book could have been a tweet)
Everyone Who Can Forgive Me is Dead by Jenny Hollander (compelling premise, stupid as fuck execution)
The Drowning Kind by Jennifer McMahon
Ughhhhhhhh noooooooooooooooooooooooooo. I love thrillers, but these didn't make sense? They just went for vibes and no actual substance. The plots were terrible, the twists were done only to have twists rather than to serve an actual purpose. Some of them had random 10 year time skips that were mentioned in a single sentence and it was so off putting? So many of them felt like the author copy/pasted twitter threads about social commentary into the book and made it monologues. It was terrible. None of these were compelling, none of these made me give a shit about the events unfolding. Just bland and unimaginative the whole way through, even if the premise itself sounded promising.
Contemporary Literary Fiction
Piglet by Lottie Hazel (I read a few books about EDs this year, but this had nothing else to really offer except Commentary. Actually, I think the issue was that it wasn't written like a real ED? It was written like ED as a metaphor, which just sucked. Although, admittedly, the food was described beautifully. I liked her writing style and will probably read more by her, but this plot and this MC did not work for me)
Overall, I hate the term "chick lit" and find it to be extremely derogatory. But damn. These books were not making a good case for why that's a bad term. These books really were just "wow, women have it rough and we should be poetic about it" without any additional substance.
Breaking the Dark by Lisa Jewell
I understand that they wanted a big name in the mystery/thriller genre to write this Jessica Jones novel, but I wish they had gotten someone who was actually familiar with the source material or at least willing to research it before writing.
I like Jewell's books and writing style, so this wasn't a bad novel on its own. But it was a horrible depiction of Jessica Jones's character and ultimately a bummer of a read. Jewell basically ignored every aspect of Jones's personality and also didn't seem to feel like writing about any of her powers, so she just... ignored them? Ignored their entire existence? And she also just sort of passed over Jessica Jones's entire history about her family being killed and being held hostage and repeatedly raped for over a year. Like, I get that Jewell didn't really want to write about the ramifications of all that, but then don't write a book with a main character who went through all of that. I don't know what to tell you.
17. Did any books surprise you with how good they were?
Anyone’s Ghost by August Thompson (I knew this was going to rip my heart out for personal reasons, but I also think it would have destroyed me even if I wasn't as emotionally connected to the plot.)
My Murder by Katie Williams (Amazing premise with fantastic follow-through)
The Royal Art of Poison: Filthy Palaces, Fatal Cosmetics, Deadly Medicine, and Murder Most Foul by Eleanor Herman (I like non-fiction, but I am always pleasantly surprised when the author manages to present it almost conversationally. This was in-depth without being condescending or overinflated and was genuinely fun to read)
Emma Southon's books (Basically the same comment as above. I expected something a little dry but educational, but I got educational and very cheeky!)
Bless anyone who actually read any of that lol