Stranger Things
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In Stranger Things, the Upside Down serves as both a literal and psychological inversion of the ordinary world — a shadow realm where suppressed truths, pain, and hidden powers manifest. From a Theistic Satanist perspective, this inversion echoes the idea of embracing what lies beyond societal and spiritual suppression. Just as SATHANAS represents divine rebellion and individual enlightenment, the Upside Down symbolizes the shadow self and the courage to traverse realms of fear in pursuit of understanding. For those who identify as both queer and spiritually transgressive, this journey resonates deeply — the path toward self-acceptance is often one of descending into the darkness others fear.
The characters’ experiences highlight the tension between repression and liberation. Eleven, for example, embodies power that is simultaneously feared and worshiped — her gifts are stigmatized by those who fail to understand them, much like nonconforming identities and beliefs in a conservative world. A Theistic Satanist might see in her story the sacred process of awakening — the moment of realizing one’s divine potential despite demonization. Similarly, the queer viewer connects with that struggle to express one’s true essence in a world that prizes conformity over authenticity.
SATHANAS, in a theistic framework, is not merely a figure of evil but an archetype of enlightenment and resistance. In the context of Stranger Things, the forces of the Upside Down might be misinterpreted as wholly malevolent, but a more nuanced reading could see them as catalysts of transformation. The “monsters” become symbols of what happens when society disowns aspects of itself — repressed power becomes grotesque. A Satanic and queer reading reframes these forces as the parts of existence demanding integration rather than extermination.
The relationships in Stranger Things — between friends, families, and outsiders — mirror the spiritual alliances that arise among those walking alternative paths. Queer community and Satanic faith both thrive on chosen kinship over imposed structures. Just as the protagonists rely on loyalty and love to survive the darkness, Theistic Satanists and queer spiritualists forge bonds of defiance and devotion in a world that often misunderstands them. Love becomes an act of resistance, a sacred flame burning even in the cold forests of Hawkins.
Ultimately, Stranger Things speaks to the eternal dance between light and dark, conformity and rebellion, faith and self-determination. Through the lens of a gay Theistic Satanist, the show is not only horror and nostalgia — it is a mythic mirror of spiritual liberation. The Upside Down is the abyss we each must face to find our truth; SATHANAS is the archetype who holds the lantern in that descent. To embrace both is to affirm life’s totality — shadow and flame alike.
MOREZ 9 9 9
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