#belizeancontemporary

[katienumi]

i finally learnt how to repost with all the pics 🤭😄 Thank you so very much @stuqan for coming to the studio with Stefan. For asking questions, listening, seeing and suggesting. means so very much to me. #belizeancontemporary (at Gasworks) https://www.instagram.com/p/CaLTxROtKq3/?utm_medium=tumblr

[katienumi]

#repost @noticeboardunited ・・・ #katienumi #belize #noticeboardunited ________________________________________ i worked hard this year. i am grateful to everyone who gave my work platform. #belizeancontemporary please check out the entire project by Kate Genever. Link in bio https://www.instagram.com/p/B3lw7iyl_M2/?igshid=prcltdsv21ml

[katienumi]

Panic, 2017 interview by Isani Cayetano #belizeancontemporary https://www.instagram.com/p/B2hy1S1ltpb/?igshid=119zeu5wbij16

[katienumi]

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the Wall, 2015 for LAB 2 interview by Andrea Polanco #belizeancontemporary #kareemclarkebelize https://www.instagram.com/p/B2hwsK2FL8f/?igshid=1l0g7p1eecys0

[katienumi]

2017 and 2019 First photo under the Tiger of @aiww Circle of Animals/Zodiac second photo: @noticeboardunited poster with exhibition list. Grateful to participate where these artists also participate. Thank you Kate Genever for this photo and this opportunity. Thanks @ivanpatricksmith for the #MigrationResidency in 2017, where i met Kate, my first residency, and where i met great artists and learned a lot about City of Sanctuary and their work. Thanks @camilasoldepool for that connection to Ivan. thanks Yasser Musa of the Image Factory Art Foundation for allowing space, providing equipment for documentation and free use of gallery space for 4 years. Camila came to the Wall 2/ In Word: Kareem Clarke (2015) a piece i did in the LAB 2. Camila who @franquisimoarocha brought to the space. Franco who was introduced to me by Jamaul Roots a phenomenal artist, singer and chef. Jamaul who was introduced to me by Winsom Winsom, an artist and phenom. It is hard to be a Black woman artist in Belize, who is lower middle class, non-academic, and who has persistently called-out and called-in the National Institute of Culture and History for their long standing cultural inertia. So i am grateful for every one who has given me platform. i feel seen and grateful. #blackwomanartist #belizeancontemporary The Notice Board is a contemporary visual art project showcasing the work of international artists in 2 public venues in the Lincolnshire village of Uffington. Featuring ongoing month-long exhibitions, the project aims to connect audiences to the work of diverse artists whilst offering an unusual exhibiting space. All artists involved are responding to the theme: The Lands of the Free? All artworks are editions. Artists are invited to send artwork for one or both venues. The exhibitions are accompanied with information about the artist, their work and their country. The project has been initiated and is curated by artist Kate Genever https://www.instagram.com/p/B2Z75v7F7H1/?igshid=1iwpht4bu8u14

[katienumi]

When i started doing embroidery in 2016 [photo 1: Suffer Not the Childr(en) detail, embroidery floss on white Dacron (the material used for most school uniform in Belize) and photo 2: To Bed (2017) detail embroidery on fitted sheet and pillow case] #embroidery #installation #belizeancontemporary https://www.instagram.com/p/B1tucSmllQd/?igshid=1uwndr7r8ustx

[katienumi]

What it must feel like To just exist in this world Race is a construct Gender is a construct Class is a construct Education is optional Imagine Living Just living Not explainin from GRUBreload August 17, 2019 Biscuit = system (part 3) #belizeancontemporary #beborn #embroidery #poetry #installation #performance The range eh? And some still sleepin' on my art. Oh well. Thank goodness i do for me. i do because erasure. i do because we, Black womxn, must write ourstories. i do because a young me needed the kind of work i am making right now. image description: an embroidered biscuit on brown cotton https://www.instagram.com/p/B1nZNvTFmfe/?igshid=y13c600i0p7l

[katienumi]

Men pierce the openness of my heart Ungracious with the gift of my body Undone by the treasure that is my mind, Reclaim their manhood calling me clingy Rinsing me off with cold shower and too fragrant soap i reduce men, a single line in a long poem A mere Weak transmission under heavy broadbands of context and obscurity. Invisible to all, except themselves They hide, try But the guilt rides them mercilessly i made you a forever Maybe seen Even important the silent culprit A line in a long poem God, a Black woman You make a dark recess, hidden, your indiscretion from GRUBreload August 17, 2019 Doughtnut = sex (part 1) #belizeancontemporary #beborn image description: an embroidered doughnut on brown cotton (at Ladyville, Belize) https://www.instagram.com/p/B1nXS8rlDDZ/?igshid=1sa8j77majobf