#bianual

[memorieswereliketattoos]

Amé esto 😍 Con ustedes... Caravana por la paz y la restauración de la madre tierra. . . #mcafestival #estaciónmapocho #bianual #mentecuerpoalma #mansonombre

[memorieswereliketattoos]

Amé esto 😍 Con ustedes... Caravana por la paz y la restauración de la madre tierra. . #mcafestival #estaciónmapocho #bianual #mentecuerpoalma #mansonombre

[revisual]

GARAGE by Dasha Zhukova

http://garagemag.com/ http://gmbhshop.com/2012/02/24/garage-magazine-no-2/ *//The Garage Center for Contemporary Culture was founded in 2007, in an abandoned Constructivist garage in Moscow, in the hope that it would become a catalyst for Russia’s emerging art scene. Since opening we have held 36 exhibitions, 26 international and 10 Russian. We have exhibited established and respected artists such as Antony Gormley, Mark Rothko, Ilya Kabakov and James Turrell, alongside hundreds more.

Garage is run by a strong team with a definitive international voice, and out of an increasing abundance of ideas, Garage the magazine was born. It is a place where we can bring to life projects that transcend the bricks and mortar of our physical space, and showcase ideas that we wish to share with a wider audience, beyond the limits of Russia.

We are excited about initiating a truly global artistic dialogue between talented, creative people from the many different artistic fields in which we work.

Welcome to the world of Garage!

£8.50 //*

mike meire (art director) http://www.meireundmeire.de/recent In 2008, Dasha founded the IRIS Foundation, a non-profit organization dedicated to promoting contemporary culture. It is housed in one of Russia's architectural masterpieces, the former Bakhmetevsky Bus Garage, designed in 1926 by the Constructivist architect, Konstanin Melnikov. Actually the place itself has given its name GARAGE.   The fact that I started my own magazine APART already in the early '80s shows I am really into magazines. I look at magazines like the manifest of a certain group of people. I am rather interested in designing attitudes than styles. 

Even the typography is based on a software we have programmed where the letters appear randomly. Just to get back this kind of Letraset effect from the pre-desktop decade. An endless search for the right balance between control and coincidence.

When I redesigned 032c five years ago people hated me. They were so angry at me because of the stretched fonts. People came up with this label called "New Ugly". Which I never had in mind be honest. I was just looking for a rougher and darker beauty. I got tired of these good-looking-but-no-meaning magazines. Anyway I am not interested in a particular style. I am very much concerned about creating a unique personality for each magazine I am responsible for. Every magazine is run by a different board of people. I try to decode their desire to put out something they believe in, and shape it the way people will recognize it later. I am an art director and I have to make sure that each issue gets its lasting moment in our economy of attention.