Jun 20, 2023
🆕🎶 「 キャノンボール 」 new single by blackdada is now available worldwide! 🌐 Listen now and discover new sounds from Japan on our weekly updated playlist 🎧 https://spoti.fi/3lgjH73
seen from China
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seen from China
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seen from United States
seen from Germany
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seen from France
seen from Netherlands
seen from Australia
seen from Belarus
seen from China
seen from United States
seen from China
seen from United States
seen from Malaysia
seen from Türkiye
seen from United States
seen from Norway
seen from Italy
🆕🎶 「 キャノンボール 」 new single by blackdada is now available worldwide! 🌐 Listen now and discover new sounds from Japan on our weekly updated playlist 🎧 https://spoti.fi/3lgjH73
A serious review of 'Adam Pendleton: Who Is Queen?' and the 'Who Is Queen' reader from @themuseumofmodernart is up now @aigaeyeondesign via linkinbio. @marcuscivin writes, "Pendleton’s extensive use of handwriting and typography suggests productive and subversive interrelationships between typography, language, and protest. His works call attention to the abstract potential of language by examining how it can suggest and refuse meaning. The intensity of the graffiti-influenced writing is perhaps even a challenge to any supposedly clear, cool, neutral typography. Where Pendleton repeats letterforms and words or writes them on top of each other, he communicates various disaggregated versions of truncated, pensive phrases like “not the way,” “but now I am,” and “we are not.” His treatment of text expresses doubt and musicality while also reflecting the development of individual and collective identity.… A nearly 300-page book, 'Adam Pendleton: Who Is Queen? A Reader,' accompanies the MoMA exhibition. It resembles a University course reader and a designer’s process book and includes influential thinkers who linger on abstraction and the complexities of political histories and language. It asserts that Pendleton is as much a book designer as a painter and video maker. Sections of text in the reader switch from black letters on white backgrounds to white letters on black backgrounds. A casually xeroxed text might be surrounded or interrupted by copies of painted pages. Within a text, a page might repeat but be covered in geometric shapes. There are photographs of 1968’s Resurrection City, part of the Poor People’s Campaign and a precursor to the Occupy movement. The photographs show plywood shelters in Washington, DC, on the National Mall where activists demanded more federal support, writing messages of hope and determination on the plywood and on posters.…" Product shots courtesy @pendleton.adam #adampendleton #whoisqueen #blackdada @stuartcomer @adynyc @mario_gooden_thisishowwework @virtuosa12 @tillman_glossitis https://www.instagram.com/p/CWTRfwXFfJS/?utm_medium=tumblr
An extensive review of 'Adam Pendleton: Who Is Queen?' at MoMA is up now @4columnsmag @evan_and_hell writes, "Like much of Pendleton’s earlier work, 'Who Is Queen?' is dizzying in its erudition; its references are cited in a curatorial didactic, extended wall labels, and a doorstop reader.… Pendleton’s refusal to elaborate his sources within the work itself—and, in some cases, his attempts to partially obscure those sources by layering them—aligns the piece with scholars such as Moten and Frank B. Wilderson III, who have repeatedly insisted on the right of Black subjects to not be understood." Read the full review via linkinbio. The 'Adam Pendleton: Who Is Queen? (A Reader)' is a new release this week from @themuseumofmodernart Edited by Adam Pendleton with Alec Mapes-Frances. Introduction by Stuart Comer. Text by Adrienne Edwards, Mario Gooden, Danielle A. Jackson, Adam Pendleton, Lynne Tillman. Product shots courtesy @pendleton.adam #adampendleton #whoisqueen #blackdada @stuartcomer @adynyc @mario_gooden_thisishowwework @virtuosa12 @tillman_glossitis https://www.instagram.com/p/CVx6NEkJKwB/?utm_medium=tumblr
Spreads from 'Adam Pendleton: Pasts, Futures, and Aftermaths, Revisiting the Black Dada Reader,' published by @daba_press & @buchhandlungwaltherfranzkoenig In 2011, Pendleton (born 1984) assembled 'Black Dada Reader,' a compendium of texts, documents and positions that elucidated a practice and ethos of "Black Dada." Resembling a school course reader, the book was a spiral-bound series of photocopies and collages, originally intended only for personal reference, and eventually distributed informally to friends and colleagues. The contents—an unlikely mix of Hugo Ball, W.E.B. Du Bois, Adrian Piper, Gertrude Stein, Sun Ra, Stokely Carmichael, Gilles Deleuze—formed a kind of experimental canon, realized through what Pendleton calls "radical juxtaposition." In 2017, Koenig Books published the 'Reader' in a hardcover edition, with newly commissioned essays and additional writings by the artist. A decade later, Pendleton has composed another reader, building upon the constellation of writers, artists, filmmakers, philosophers and critics that emerged in the first volume. Source texts by Sara Ahmed, Mikhail Bakhtin, Toni Cade Bambara, Amiri Baraka, Augusto de Campos, Hardoldo de Campos, and Décio Pignatari, Angela Davis, Gilles Deleuze, Julius Eastman, Adrienne Edwards, Clarice Lispector, Achille Mbembe, Philippe-Alain Michaud, Charles Mingus, Piet Mondrian, Leslie Scalapino, Leonard Schwartz and Michael Hardt, Juliana Spahr, Cecil Taylor and Malcolm X. We recommend this as supplementary reading for 'Adam Pendleton: Who Is Queen,' currently on view @themuseumofmodernart — whose official MoMA Reader releases October 12. Read more via linkinbio. #adampendleton @pendleton.adam #pastsfuturesandaftermaths #blackdada #blackdadareader https://www.instagram.com/p/CULeUDyJB_S/?utm_medium=tumblr
Adam Pendleton's highly anticipated Fall 2021 exhibition, 'Who Is Queen?,' opens @themuseumofmodernart September 18, and we are delighted to see this feature @nytimes with a preview not only of the show, but the 'Who Is Queen? Reader' (forthcoming in October) — "a sourcebook reader that has been produced "in lieu of a catalog, explaining some of the artist’s many inspirations." Published to accompany Pendleton's installation at MoMA, this reader serves as a primer and handbook to the exhibition and features a number of photocopied textual and visual sources, many of which directly relate to the concept, content and programming of the exhibition. The project questions the notion of the museum as repository and addresses the influence that mass movements, including those of the last decade such as Black Lives Matter and Occupy, could have on the exhibition as form. Drawing on the work of figures as disparate as Glenn Gould, Michael Hardt and Ruby Sales, 'Who Is Queen?' seeks to explore the nexus of abstraction and politics. Read the full @nytimes feature via linkinbio. Book photo courtesy @pendleton.adam #adampendleton #whoisqueen #whoisqueenreader #blackdada #wiq https://www.instagram.com/p/CTpno53pk4j/?utm_medium=tumblr
/ˌaspəˈrāSH(ə)n/ @pendleton.adam ‘glory’ x #blackdada @hirshhorn #manifestodc #adampendleton https://www.instagram.com/p/CFNZRYZAKU3/?igshid=d8jufa4xd1yo
#repost @xxxibgdrgn #BlackDada 🖤🖤🖤🖤 https://www.instagram.com/p/B5GAlyAn7sVvlAReXO4jFEiJPiP26sNPHDHSEE0/?igshid=11nyn7f60okeu
#blackdada https://www.instagram.com/p/BsI_PNvBJLS/?utm_source=ig_tumblr_share&igshid=1agizu6xfgb50