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Buying Hemingway
Hemingway famously hated the covers of The Sun Also Rises and A Farewell To Arms and I am not much of a fan either. The jackets, designed by Cleonike Damianakes Wilkins for Scribner's, embody Art Deco styling of their time, 1926 and 1929 respectively, and feature vaguely Pre-Raphaelite figures in repose, some clad in togas, some not.
The covers feel like an attempt to soften the prose that they cover, to give them dignity and to ornament the modern, short, declarative sentences inside. They're odd, yes, but what surprises me as a new bookstore owner, fiction buyer, and designer, these Hemingway designs are exactly the same as the designs on the editions available today.
What was wrong then is more wrong now. Though I searched for alternate editions to sell, none were available. I did find a lovely design by Paul Sahre of Old Man and The Sea and a new Vintage Classics edition of In Our Time which was redesigned and reissued when the book came out of copyright.
I'll be curious to hear what our patrons think. Maybe the old designs will sell. Ken Burns' new Hemingway documentary on PBS may introduce Hemingway to a new generation of readers or inspire those who never read him to try. Sadly, we force teenagers to read these books as part of American Lit canon, which seems about five or ten years too soon. If you haven't read them, you are fortunate, I envy you. The craft is unmatched.
Challenge 135: YA Book Jacket: Escape
LOOOooved this theme and how tight/ realistic of a prompt Caitlin made it.
For my idea I wanted to depict our 4 main characters on the verge of sneaking out of their private school and into the world they know very little about.
Elizabeth B.
PIPPI LONGSTOCKING
Set of books, Redesigning book jacket.
Pippi is the main character in an eponymous series of children’s books by Astrid Lindgren. Since she has traveled the world and has a story to tell from each of the countries she’s visited, the conceptual statement is called; a travel adventure to freedom.
The book cover design is inspired by travel journey scrapbooks, that are often displayed as watercolors, with different sketches, patterns, and colors. Real stickers are included as part of an extension.
@timebird84, I’m joining the Phandom Masquerade. I had to do mine as a video though to show the cover I did as a design project in college.
Here’s the original post, for anyone interested in participating.
Challenge 135: YA Book Jacket: The Mysterious Lands of Speak Never
This one was a challenge indeed! Between coming up with something original that hadn’t been done by one of the other nine members and not having the source material to pull inspiration and details from, it was tough to come up with a design. Also drawing hands. That was actually the hardest part. That said, this was such a good prompt, and I would totally read this book if it really existed! -Sayada
Challenge 135: YA Book Jacket: Noir Thriller
I imagined this story as sort of a mystery thriller, and tried to give my illustration a noir feel with the high contrast red against black and white. This design incorporates several elements laid out on the surface that imply mystery and adventure, such as a map, a compass, a pen, photograph, and a spilled bottle of ink among other things. And of course there is the tie, featuring a boarding school crest, which runs through the entire composition and wraps around to the back cover where it acts as a frame for the summary text.
The tie looks as if it has been haphazardly dropped on the surface, representing its owner's escape from or rejection of the school. The map and compass imply a plan to travel somewhere, and the spilled ink and other scattered objects imply some unknown conflict while giving hints as to what they might encounter on their journey.
This was a very fun project as I have not had the opportunity to work on any book cover designs before. You can tell I really enjoyed working with lots of detail and coming up with the full wrap-around image.
James
[work]
作家のさらさちささんの詩集『貝殻で掬う花びら』の装丁を担当させていただきました。
繊細さ、鋭さ、それらを包むやわらかさのある本になるよう、 強度はありつつやわらかい表紙、薄い本文用紙、ミシン綴じを選びました。 ミシン綴じの糸の色、表紙とカバーは繊細さ、鋭さどちらも感じられる銀色です。
カバーや本文中の線画はさらささんご本人に描いていただきました。 さらささんは製本も行う作家さんなので、今回裁断とカバーの巻きもご担当いただいています。 カバーとお揃いの栞も作らせていただきました。
182×115mm/64ページ *用紙 本文:Basic プレインホワイト 表紙:Cotton スノーホワイト カバー:ヴァンヌーボVスノーホワイト しおり:ヴァンヌーボVスノーホワイト *加工 カバー+栞印刷:株式会社グラフィック 表紙・本文印刷+ミシン綴じ製本:株式会社羽車 本文裁断+カバー巻き:さらさちさ
2025年11月刊行
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