#british collections

[duerer-renaissance]

Hans Sebald Beham The Fall of Adam and Eve, 1552 London, British Museum (woodcut with color, 350 253 mm)

sources: British Museum, https://www.britishmuseum.org/collection/object/P_1909-0612-4

[duerer-renaissance]

Anonymous, Netherlandish Christ as the Man of Sorrows, ca. 1850 London, The Victoria and Albert Museum (ivory in tortoiseshell and wood frame on velvet backing, 412 mm x 330 mm)

Albrecht Dürer Christ, Man of Sorrows, Mocked by a Soldier (from The Large Passion), 1511 Chicago, The Art Institute of Chicago (woodcut, 286 x 197 mm)

The V&A Museum, http://collections.vam.ac.uk/item/O312262/christ-as-the-man-of-relief-unknown/ The Art Institute of Chicago, https://www.artic.edu/artworks/19534/christ-man-of-sorrows-mocked-by-a-soldier-frontispiece-from-the-large-passion

[duerer-renaissance]

Anonymous, after Albrecht Dürer Rest on the Flight to Egypt, ca. 1830-1840 London, The Victoria & Albert Museum (clear glass with silver staining and painted details, 416 x 307 mm)

Albrecht Dürer The Holy Family with Three Hares New York, The Metropolitan Museum of Art (woodcut, 384 x 279 mm)

sources: V&A Museum, http://collections.vam.ac.uk/item/O115071/rest-on-the-flight-to-panel-unknown/ The Met, https://www.metmuseum.org/art/collection/search/359765

[duerer-renaissance]

Wenceslaus Hollar A Recumbent Lion, after Dürer, 1645 Edinburgh, National Gallery of Scotland (etching on paper)

source: National Galleries of Scotland, https://www.nationalgalleries.org/art-and-artists/157531/recumbent-lion-after-durer

[duerer-renaissance]

Albrecht Dürer Portrait of Michael Wolgemut, 1516 Nuremberg, Germanisches Nationalmuseum (oil and tempera on lindenwood, 290 x 270 mm)

Anonymous (German), after Dürer Portrait of Michael Wolgemut, early 17th century London, The Victoria & Albert Museum (medal, lead, 53 mm diameter)

“This is lead medal representing the bust of Michael Wolgemut (active 1470- d. 1519) and Albrecht Dürer's (1471-1528) monogram. The source for this medal is one of the two paintings by Dürer of his teacher Michael Wolgemut. One of these is in a private collection in South Germany; the other is in the Germanisches Nationalmuseum in Nuremberg. The latter is dated 1516, and was originally in the Paul von Praun Kunstkabinett. “Mende believes the medal to date from the mid to late sixteenth century, and the date 1508 on the obverse to have been added so that it would be a pendant to the so-called Lucretia medal (inv. 4574-1857), also purporting to date from 1508. Mende dates the Lucretia medal to about 1530-40. However, the Lucretia medal is more likely to date from the early seventeenth century, during the so-called Dürer Renaissance. Therefore if the Wolgemut medal was made at the same time as it, this would suggest this medal too dates from the early seventeenth century.“

sources: Web Gallery of Art, https://www.wga.hu/html_m/d/durer/1/08/4wolgemu.html The V&A, http://collections.vam.ac.uk/item/O93832/michael-wolgemut-medal-unknown/

[duerer-renaissance]

Albrecht Dürer The Standard Bearer, ca. 1501 New York, The Metropolitan Museum of Art (engraving, 11.5 × 7 cm)

Virgil Solis, after Urs Graf Standard-Bearers of the Swiss Confederation, 1530-1562 London, The British Museum (etching, engraving, 95 x 63 mm)

sources: The Met, https://www.metmuseum.org/art/collection/search/391082 The British Museum, https://research.britishmuseum.org/research/collection_online/collection_object_details/collection_image_gallery.aspx?assetId=88093001&objectId=1487220&partId=1

[duerer-renaissance]

Johann Friedrich Leonart, after Albrecht Dürer Agnes Albertidüreri Conjux, ca. 1670 London, The British Museum (mezzotint on paper, 99 x 66 mm)

source: https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3024950&partId=1&searchText=leonart&page=2