#broken thread

[notomys-mordax-blog]

I continue to be on a water-color style kick.

This is Aridell: he's the MC of a short jam-style game I've been kicking around for a bit. The working title of that project is "Destiny, A Broken Thread" but that's pretentious as hell and kinda goofy.

The premise of the story is band of legendary heroes gather around the fire as they prepare for their final confrontation against the Dread Lord of the Night Eternal. Before the villain of the story became the Man Who Stole the Sun, he was the groups trusted companion and treasured friend -- and for poor Ari here, he was something *~more~*

It's a ~10k lovers-to-enemies story with heavy Solavellan vibes.

[ningenshikkxku-blog]

@nakaharaxchuuya

Continuation from x:

As soon as that man glued himself on Dazai and started to fight with him, he already knew he was going to be late. Late to stop Chuuya and late to stop the apocalypse he was currently causing in the right time. 

He tried to fight his opponent as much as possible but the fact was that his combat skills were not the best in the world and war logic was not helping in that situation. His gun was already taken and he was forced to fight with his fists, fueled just by his will alone.

In the end, he ended with his arm broken but he finally managed to knock the other unconscious. He quickly ran to his lover and grabbed his hand with his beaten but unbroken one but.... a little bit too late.

A pang of guilt from his failure mixed with a relief Chuuya was alive was changed to an even stronger pang when he saw his beloved, the person he would give anything to, was crying and was going to suffer a lot because he killed his own troops, the very people he associated with and maybe even liked. And all of that was Dazai’s fault.

“I’m sorry,” he whispered in a broken voice as his unbroken arm wrapped around his lover’s body. 

“I’m so sorry,” he whispered again, tears of his own running down his face. 

Well, saying sorry was not going to give life back to these people.... And it was not going to ease his lover’s suffering either....

[catslvrr]

js finished the hanni one-shot dang its good, u're one of my fave now! keep up the good work!

YAY thank u for reading and enjoying :3

[catslvrr]

argrhh I love so much how your fics make me feel so soft giggling kicking my feet like idk the way you build up and write about the feelings is such a good place that give me such a cozy vibe 😮‍💨😮‍💨

loved the hanni oneshot I really like how different the soulmates aus can be so the cutting strings off was such a good twist ksksj dont remember if I ever read any ideia like that, really interesting.. anyway another great work thank you for your service o7

hope u have a great day <3

ahhh thank you this made my day :( i’m glad u enjoyed it!! i hope u have an amazing day as well

[catslvrr]

YOU’VE DONE IT AGAIN….that hanni-one shot was so good let me tell you i was kicking my feet n squealin and everything- THANK U FOR FEEDING US!!!

THANK U FOR READING AND ENJOYING :3

[catslvrr]

man poor broken heart! yn come here let me give u a hug poor baby :( forget hanni I want one broken heart! yn

my widdol snookums 🥺

[auswomenwriters]

General Fiction Catchup

Where has the year gone? Spring is already here and we haven’t posted a roundup of general fiction since autumn. Because there have been so many books reviewed since then, I’ve decided to break it down and start with authors’ surnames ending in A-G. I’ll ignore books already highlighted elsewhere or listed under other forms, such as Literary and Diversity.

River Runby Nicole Alexander (Random…

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[urbantheater]

Broken Thread, being considered Susan Smith Blackburn Prize!

Broken Thread, a play recently produced by URBANTHEATER COMPANY and wrriten by resident playwright Wysteria Edwards is being considered for the prestigious Susan Smith Blackburn Prize.

The Susan Smith Blackburn Prize, established in 1978, is given annually to recognize women who have written works of outstanding quality for the English-speaking theatre.  The Prize is administered in Houston, London and New York by a board of directors who choose six Judges each year, three from each side of the Atlantic.

The Prize currently awards $35,000 annually to the Finalists:  Winner- $20,000, Special Commendation-$5,000,and other Finalists- $1,000.  Finalists are the top ten plays.  In addition, the Winner receives a signed and numbered Willem de Kooning print made especially for the award.  The Special Commendation is given at the discretion of the Judges.

Each year, a specified list of professional theatres throughout the English-speaking world is invited to submit plays for consideration.  Plays are received in September, and the award ceremony is held in February or March.