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i get that spike/spuffy antis have to hate season seven on principle (and the fact that they act like spike’s arc is entirely frivolous and unimportant is so wildly dismissive of buffy’s i don’t think they actually even like her!), but so many are straight up factually incorrect about what actually happens. i don’t know if it’s a media literacy issue or a choice to be obstinate. probably a mixture. when you want something to be a certain way, misunderstanding something gives you room to declare yourself right.
their main talking point is that ensouled spike forces his presence on buffy. this… just doesn’t happen even once in the season. at all.
spike doesn’t return to sunnydale to see buffy. he goes back to the hellmouth. probably because it’s all he knows, as a demon he considers it home, and not for nothing he’s already being controlled by the first who wants him in place for a specific purpose.
in the first episode, lessons, buffy comes across spike on her own. he’s at some of his most insane for this interaction, and he walks away from her. in the next episode, beneath you, buffy seeks spike out. she goes to the basement and can’t find him. he’s actively hiding from her.
later in the same episode he gets himself cleaned up and goes to her, for the first and only time. he says it’s because something terrible is coming and he wants to offer his help. he tells her if she doesn’t want him around, tell him and he’ll leave and she can revoke his invite (which notably is still active). she doesn’t. she accepts his help.
they talk while looking for the demon and buffy says she can tell something is different about him but she doesn’t know what. spike makes a point to say he isn’t going to tell her what it is. that’s MAJOR. spike does not want buffy to know about his soul. he doesn’t put it on her, and he doesn’t make it her problem. he ends up telling her only after it’s nearly forced out of him and he’s triggered back into insanity after a lucid period. after he reveals his soul, he leaves.
in the next episode, same time same place, buffy seeks spike out. he’s once again hiding in the basement, so she knows where to find him, but he does not go to her. she enlists his help that episode, twice.
the next episode is help. buffy goes to the basement to see spike. she asks if he knows anything about cassie. he later helps buffy save cassie from the boys trying to sacrifice her.
in the next one, selfless, buffy once again goes to spike. it’s a definite a pattern. buffy seeks out spike. it’s actually a lot like much of their relationship in season six, only much more one sided. she tells him to leave the basement because it’s bad for him.
the next episode, him, sees a big shift. it’s still buffy going to spike, but this time she doesn’t just leave him in the basement. she actively chooses to help him out of it, getting xander to let him move into his apartment. there’s a huge and important change in their dynamic now. they are solidly in each other’s lives, and that was and continues to be buffy’s choice.
i won’t do little synopses for each episode from the rest of the season, but from here spike offers to leave at minimum four additional times, half a dozen or more total all season.
he earnestly wants buffy to kill him in sleeper and never leave me, because he’s devastated and terrified that he’s killing. buffy says no, she’s going to help him and she believes in him. she rescues him, because she wants to, and moves him back into her house.
later on spike seems to be gaining back control of his mind, but when the first threatens him he once again says he’s a danger and needs to leave and buffy says no because shes not ready for him not to be here.
buffy wants spike in her life. she makes that fact extremely clear. maybe at first it wasn’t for the healthiest reasons, but a major theme of season seven is spike and buffy healing both as individuals and growing closer together because of it. their relationship empowers and strengthens buffy, and the final episode is called chosen for a reason. this season is about buffy’s agency. that starts when she decides who’s in her life and who isn’t.
there’s never a single moment where spike makes that decision for her. he doesn’t once tell buffy she has to accept him, or that he should have access to her. he doesn’t come around when she says to leave, because she doesn’t say to leave. he stays away from her until she beckons him back. over and over.
spike doesn’t think he deserves anything from buffy. he believes the opposite, even encouraging her to date and hiding his heartache about it. he doesn’t make his insanity and suffering her problem. she volunteers to help him.
i understand having issues with the writing choice of spike back in buffy’s life at all after what happened in season six, but only if you’re engaging with it honestly. you can dislike that buffy makes the choice to have spike around, but it’s obvious when you disregard her agency and pretend he’s the one calling the shots. you hate a story that didn’t happen, and it’s impossible take seriously.
buffy really said the culmination of my day is having a silly little encounter with spike, just feel out of sorts until i get to slap him around a bit. once a day i have gotta do my favorite hobby, get so frustrated by the vampire i keep as a pet i kiss him!
bonus:
sorry i’m on my bullshit again but i CANNOT imagine taking the line “i loved him” —past tense lol—and making that the basis of proof for my endgame ship.
like yeah “loved him more than i will ever love anything” blah blah. she’s clearly saying it in an extremely emotional moment trying to appeal to her friend who also loved someone a lot. (not to mention dawn the sister she sacrificed herself for instead of put a sword through to save the world is RIGHT THERE.)
still past tense! still “loved” as in not love presently.
still ends her own story saying “i love you” —meaning actively right now loves— someone else directly to his face.
ellierose101 replied to your post: To be fair, it took Spike a really long time to believe it too. But of course she did/does, it's plain to see! It's so easy to see that it's crazy.
