Sep 4, 2025
Church girls scripts from future episodes/scrapped comics
seen from T1
seen from United Kingdom
seen from United States
seen from Germany
seen from Canada
seen from Ukraine
seen from Ukraine
seen from Venezuela
seen from Russia
seen from United States
seen from Australia
seen from Germany
seen from Denmark
seen from Jordan
seen from United States
seen from T1
seen from United States
seen from United States
seen from Canada
seen from Egypt
Church girls scripts from future episodes/scrapped comics
Irene Galitzine Spring/Summer 1962 Haute Couture Collection. Model Deborah Dixon. Canessa hat. Photo Frank Horvat for Harper's Bazaar. Rome 1961.
Irene Galitzine Collection Haute Couture Printemps/Été 1962. Modèle Deborah Dixon. Chapeau de Canessa. Photo Frank Horvat pour Harper's Bazaar. Rome 1961.
Alessandra Ambrosio in Canessa out in Venice Beach on October 18, 2023.
Who is the best FNAF Movie?
Springtrap and Gianelle Cómic
Springtrap and Deliah Comic
Lucky the Rabbit and Dixie Grim
Happy tree friends
One Piece
Wallace and Gromit
Wendell and Wild
Zone-Archive
Meru the Succubus
FNAFNG Circus Show
Thanks for Winners
US Vogue April 15, 1960
Simone d'Aillencourt with director Federico Fellini, wears a white Ottoman evening dress. By Simonetta. Hat by Canessa. On the wall, the giant poster of Fellini's latest film; La Dolce Vita.
Simone d'Aillencourt avec le réalisateur Federico Fellini, porte un habit de soirée ottoman blanc. Par Simonetta. Chapeau par Canessa. Au mur, l'affiche géante du dernier film de Fellini; La Dolce Vita.
Photo William Klein vogue archive
US Vogue October 1, 1963 🖤🖤🖤🖤🖤
Model Unknown/Modèle inconnu
Two-faced wool, that pairs red and camel-colour. The jacket and skirt of the dress are red-side-out; the top of the dress, camel with a collar shaped like a deep cup, coming close to a camelcoloured hat. (Hats, with these highrising necks, usually echo the colour, texture, even shape-as here.) Suit fabric, by Luciano Forneris. Hat by Canessa, designed by Forquet. Shoes by Eugenia of Florence. Hair Pablo, Elizabeth Arden, Rome, Filippo
Laine double face, qui associe le rouge et le camel. La veste et la jupe de la robe sont rouges; le haut de la robe, camel avec un col en forme de bonnet profond, se rapprochant d'un chapeau camel. (Les chapeaux, avec ces encolures hautes, font généralement écho à la couleur, à la texture, voire à la forme, comme ici.) Tissu de costume, par Luciano Forneris. Chapeau par Canessa, dessiné par Forquet. Chaussures par Eugenia de Florence. Coiffure, Pablo, Elizabeth Arden, Rome, Filippo
Photo Karen Radkai
vogue archive
US Vogue October 1, 1963 🖤🖤🖤🖤🖤
Model/Modèle Veruschka von Lehndorff
Bistro checks on tweed, in black and white, making the skirt of a shift and softly tailored jacket with a wideVd open neckline. Emerging from this, the shift-top: black velvet with high cuffed collar. Suit of Gandini wool. Black Velvet beret by Canessa. Shoes by Lucarelli. Hair Pablo, Elizabeth Arden, Rome, Filippo
Carreaux bistrot sur tweed, en noir et blanc, formant la jupe d'une veste droite et légèrement cintrée à large encolure dégagée. En émerge le shift-top : velours noir à col haut à revers. Costume en laine Gandini. Béret en velours noir par Canessa. Chaussures par Lucarelli. Coiffure Pablo, Elizabeth Arden, Rome, Filippo
Photo Karen Radkai
vogue archive