#chatterbones

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shiboyugi is mesmerizing me at the moment. it's atmospheric, airy, beautiful. it is, visually, reminiscent of the clear water of a wild stream. it's psychologically poisonous, slow-acting and sweet. yuuki is cool. yuuki is a beast. yuuki is a victim and a ghost in the body of a traumatized waif. it's quietly cruel then loudly so all at once. it's all about survival but it avoids hope like the plague. it's voyeuristic. you're a hypocrite watching it. you're a capricious emperor. there is no room for relatability in yuuki's strategy and know-how. she's your champion. you root for her. and she gores other waifs for you. and in contempt of you.

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yall were right about that dingy ass bathroom having homosexuals in it

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Title: Gideon the Ninth (The Locked Tomb #1) Author: Tamsyn Muir

As the blurb says: "Lesbian necromancers explore a haunted gothic palace in space!"

You'd be forgiven for missing the science-fiction aspect at first. Don't go in expecting much technology talk ; for, you see, caring about the technical aspects of things is nerd shit, and your narrator Gideon is NOT paying attention to any of that boring crap. Similarly, you'll be forgiven for feeling confused by the court politics happening throughout and as a main aspect of the story -- because again, your darling beloved narrator Gideon is NOT paying attention to anyyy of that boring crap.

Oh I love Gideon. She is sooo... hm... uh... she certainly exists. You know. Ok, you know? She's fantastically stupid at times and an EXCEPTIONAL liar if you consider how much she lies to herself. (i love her)

Then i Adore Harrow and definitely not because I have questionable feelings of nostalgia for when I was capable of working from 7 am to 2 am on the regular. I have to stick with my fellow weakling with a big brain there. I love Harrow.

I'll stay very vague about the story there. I went in basically blind, and had a Smashing Time with it. It is Very Good. It is Verrrry Fun in Manyyy Ways. Gideon is a very funny, very engaging narrator. But I think this comes from something extradiegetic that I've been suspecting -- that Muir did a very, very good job writing this first book. There's some worldbuilding in there, but it's never allowed to hold up much space, again because Gideon doesn't care and won't pay attention long enough to let you know much. Her story is pretty much entirely personal, which in addition to her nemesis stuff makes it very easy to engage emotionally with the book. The setting is very dark, very goth, but again -- Gideon is markedly Not Into It. Her humor allows you to follow her easily, and lets you get hit like a fool when you realize that The Setting Is Very Dark.

You often hear about Show Don't Tell, but here I think what Muir did really well is Dont Even Allude To It Actually!. It reminds me of... maybe of how Daft Punk uses silence to create really startling and engaging rhythms. This felt similar. Some things are simply not told, shown, or foreshadowed -- they merely drop at the right time.

This is an A+ book to me. I had so much fun. I'm glossing over things I could be critical of because I don't think it's worth it. Read the goth lesbians. Read it!!!

Can't wait to read the rest. I'm letting myself breathe between them so they really stick and stay with me, but I can't wait.

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going on an adventure it's just me, the skull, these two girls who are vaguely in love with me, this guy i majorly fucked over, this other guy who wants me dead but hasnt recognized me yet, and Deacon

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the two depressed ronin spies from person of interest make for very fertile ground for the cultivation of a slow burn mutual pining grown men yaoi

you really get the sense that reese is originally put off by finch's dandy routine and also never gave a strong thought to his own sexuality and that he would just agonizingly slowly grow completely obsessed with him and his idiosyncrasies

you also really get the sense that they both would respect each other and their work too much + be enormous cowards about it = never confessing. also they have no friends so no one is here to state the obvious

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broke: the three musketeers is a stupid title because there's four of them

woke: the three musketeers is an apt title because d'artagnan loses his letter of recommendation in chapter 1 because he can't stop picking fights with everyone and then he has to hustle until page 513/700 to get to the point where the boss of the musketeers finally let him join. his musketeer status was NOT a given

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cons of playing old video games:

no fandom

visuals that aged poorly

pros of playing old video games:

no fandom

visuals that aged poorly

cheap as hell

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the opening sequence to shiboyugi continues to be peak.

for a whole chunk of the season you only get the moody melancholic music and a camera shot that looks vaguely first person. blues and purples on a highway scene. a big mesh fence with holes in it. you drop down to the road, with cars flying past you. it's both poetic and unsettling.

some time down the road you realize this is yuuki's POV, at least in part. you learn this after seeing her silently ponder her life, existence, people, these death games she plays. unsure what she really thinks, as you most often are as the viewer.

it's ambiguous but not so much. the scenery is one of a chunk of highway network far off from any cities. she's alone. she's walked all the way there. it's night. you can guess at the her mindset: she's lost, she needed a walk and fresh air, and twenty minutes didn't cut it, could never have cut it. she may be suicidal. dropping down in the stream of cars hurled at speeds made for turning people into paste. she may be thrill-seeking. she's playing with her own mortality, the same way she does at work. the ambiguity lies in the fact that this is her free time.

and then a few more episodes down the line the cars begin to wear crowns of flames as they fly past. every impersonal speeding car is also a desolate car fire. you can't seem to get a glimpse of people in it. it's become surreal, alienating. who does she have? no one. just danger and the vestigial impression of people existing.