#chi-tsung

[w-jasmine]

吳季璁 Wu Chi-Tsung  

灰塵 Dust 

Installation Video camera, projector, tripod Dimensions variable 2006 

In front of the Screen, the Camera Points in the direction of the light of the projector. Its focus is on the center of the space, sending video signal of the projector. Thus a live circulation of light and electronic signals is established. A tripod in front of the projector blocks the light projected into the camera. At the appropriate position and the right angle, you can see the dust in the space reflecting the projector’s light. On the screen it wavers and glimmers just like the moment before sunrise when everything in the air can be clearly seen. As viewers walk around in the space and disrupt air current, the image of flickering dust changes rapidly and constantly. Through the medium of video, we can rediscover and pay attention to the world around us in life.

螢幕前方的攝影機，正對投影機鏡頭的光源,對焦在空間中央,拍攝的訊號傳回投影機中，形成一個光線和電子訊號的現場即時循環。 投影機前一腳架遮斷射入攝影機的光線，在一個適當的位置和角度，空間中的灰塵粒子會反射投影機的光線，在畫面上飛舞閃爍，就像日出前的剎那，空中的一切清晰可見；隨著觀眾的進入走動，帶動氣流的變化，瞬息萬變。 透過影像媒體，重新發現和觀注生活週遭的外在世界。

DETAIL: http://wuchitsung.com/archives/68 INFORMATION: http://wuchitsung.com/

[w-jasmine]

Wu Chi-Tsung  吳季璁

Perspective Video 001 錄影001  2008

The central locus of my creative work has always been a discussion as to the real nature of images; how they are produced, perceived by viewers and the impact they have. However, the way in which this is executed has never been particularly disciplined or scientific, resembling something more akin to a game. Sometimes I experiment with just one part, or exchange some of the elements to see what changes that causes in the creation of images and whether there is anything of interest hidden inside.

A great deal of the depth of illusion created by pictures or images comes from the single point of perspective. In other words, all straight lines not parallel to the picture disappear into some point in the distance, almost as though space is being sucked into a bottomless hole. It was this view point that made me wonder what the viewable world would be like if there was no point of disappearance.

I guess it would be really flat.

我的創作主軸，一直以來環繞著影像的本質探討，影像如何被生產、如何被觀者感知及產生作用等；不過它的進行方式不太嚴謹、科學，比較像是個靈機一動的遊戲，有時只挑出某個部份來實驗，或置換某個元素、環節，看看影像的生產運作，會產生怎麼樣的變化，有沒有什麼好玩的東西躲藏其中。

圖像、影像的深度幻覺，有一大部分來自於單點透視的效果，也就是所有不與畫面平行的直線都交會在無限遠的消失點，像是空間被吸進一個無止境的深洞。於是我有個想法，如果沒有消失點，我們所見的世界會變成什麼樣子。

我猜應該會­很扁。

DETAIL: http://wuchitsung.com/archives/293 INFORMATION: http://wuchitsung.com/bio-cv