Why do people remain attached to churches even if they are no longer religious? Discover how the architecture and location of churches, as symbols of socio-cultural backgrounds and communities, maintain their allure.
The Sint-Albertuskerk in Zwartberg and the Sint-Theodarduskerk in Beringen-Mijn, both designed by architect H. Lacoste, initially appear similar in architecture. Both churches are imposing brick constructions with high pointed arch windows and stained glass. However, upon closer inspection, subtle differences emerge, emphasizing their unique character and functional nuances. A significant contrast between the two churches lies in their locations. The Sint-Albertuskerk in Zwartberg is centrally located among various neighborhoods with predominantly Italian, Turkish, and former Soviet Union immigrant populations, symbolizing its role as a unifying center. In contrast, the Sint-Theodarduskerk is situated in the heart of a specific community, mainly comprised of Turkish and North African immigrants.
The diversity of these communities is reflected in the architecture. Zwartberg, with its diverse socio-economic and cultural backgrounds, features a modest brick architecture that exudes a sense of neutrality. This contrasts with the Sint-Theodarduskerk in Beringen-Mijn, where the architecture evokes a sense of familiarity with its Byzantine style, fostering connection through parish complexes and galleries. This approach proves effective, as activities are organized in and around the church during the September mine celebrations by both the Christian and Islamic communities, as well as non-believers.
These churches demonstrate how architecture not only shapes physical space but also provides social and cultural meaning and function, tailored to the specific context of the community. A profound understanding of the interaction between architecture and socio-cultural aspects is essential to comprehend the unique identity and role of each church within its environment. Starting from here is crucial for transforming and designing churches for contemporary and future use, separate from religious connotations, without disregarding the local community.
Churches as Cultural Beacons: Architecture and Community PART II