goose-books productions: a 2023 review
only [checks watch] two months late! view the image in higher quality here; read past years-in-review here; and thank you as always to my beloved @yvesdot for the template!
i shan't be dishonest; 2023 was not exactly the year of max. but i still got a lot of good writing done! transcripts + commentary under the cut, and, uh, take the godsong character roster again.
cws: animal death (february), pregnancy/miscarriage + body image issues (july), addiction (september), self-harm-as-metaphor (october)
january
what’s that? godsong ran away with me for another year? well, it does that. in the second of a plotted trilogy, anna (roughly: what if aeneas were a very sad lesbian?) and her lieutenants visit a soothsayer. ichari wants to kill for her, btw. anna please let them kill for you,
“Have we got to sacrifice an animal?” Sascha said, tilting his head. “Let you dig around in the entrails?” “If you’d like,” the Sibyl said, upper lip wrinkling. “But I’m haughty enough to believe I can make do with a bit of holy blood. Not you. Annadrijanna, if you would give me your hand.” Anna didn’t move. Her eyes widened, very slightly, as she stared at the hand the Sibyl had extended to her, palm up. Ichari’s hand was on their knife again before they could blink. Damn the gods and Avender’s Sibyl, and damn Anna’s quest, the moment she needed it they could have their blade in the prophet’s throat no matter what holy punishment tumbled down on their heels— “It won’t be like the other,” the Sibyl said, nodding to Anna’s right hand. “I keep my tools clean. Far less messy than entrails.” From their cloak pocket they drew a glinting silver pin, topped with a bead of pearl. “Just a prick, that’s all.” Ichari couldn’t tell if Anna’s chest was rising and falling beneath the robes, or if she had calcified entirely. “Anna,” they said, soft, warning. Almost pleading. Just give me the word, Anna. Just say the word. “You’ve a lot of ghosts clinging to your robes, Annadrijanna,” the Sibyl said softly. “I need a bit of life.”
february
while anna’s doing that, ambergris is causing problems. raised in regency patriarchyville, she recently befriended a dragon and received Powers; now she’s working toward 1. making it seem like her family’s manor is haunted 2. killing her parents and 3. having gay sex. not necessarily in that order.
Blood and yolk still stuck to her hands, gumming the webbing between thumb and forefinger. But it was a pretty picture, the mews desecrated, the falcons gone mad and tearing open their eggs. The duchy would whisper that Pyranimia had forsaken even the birds, that the Armindale fortune was suffocating in broken shells, and no one would consider that it was only nature, that rabbits and snakes and stable cats would swallow down their young if they got hungry. But not here, Ambergris thought, serene, picturing what her mother would say when she learned of the mews—the slight twitch of her mouth before her face settled back into glacial calm. Not you. You wish you could. You’re starving for it. But you won’t be rid of me now. You don’t know that yet. But I hold you in my hands now. If I were really a sorceress, I could twist up your body, ruin the organs that made me, the ones that hurt you. Or I could take them out and let you go free. She could sympathize. Abandoned by the goddess, she too might have withered and waned, and come to loathe the children sapping her strength as they grew inside her body. But her mother had made Ambergris too well for that—too cold to love a child or a husband, too cold to shrink from blood. You took the knife from your chest and put it in mine, Ambergris thought. But the gods have been watching. My god has been watching. The storm is building. And before I ever let you eat me, Mother, I will finish a daughter’s work and drain you dry. She raised her hand to her mouth, where her thumb met her forefinger, and licked away the blood.
march
in the spring i wrote a very long paper about antony and cleopatra (the shakespeare play, and also the people, and also the echoes of their story in the aeneid). which got me thinking about the deliberate narrative parallels between dido and cleopatra, which got me writing a ten-minute play where they have a one-night stand. happens to the best of us. i’m very proud of how this one came out, actually, but i have no idea what to do with it. target audience of weird lesbian classicists?
D: I want to be someone they don’t write tragedies about. C: (to the audience) Well. How charmingly ironic. D: If I could just—have—if I could just—just a life. Just someone who loves me. Just someone who won’t go away. Something boring. Something monotone. I don’t care how good I look burning. I want to stop being on fire. C: You have absolutely no sense of flair. D: I miss my sister. (A pause. She looks to C.) C: Can’t help you there. I had mine killed. D: (exhausted) Happens.
april
fans of the aeneid, please enjoy The Scene In Which The Protag Loses To A Tree. if godsong ever drops i will accept a 10-page double-spaced essay about how it is in conversation with the jason & medea myth.
Anna set his jaw. He braced his wooden hand against the trunk, then stepped up onto the coil and reached for the golden branch. It was slick and cold under his fingers, closer to stone than wood; Anna took hold and yanked. The branch slid from his fingers. Anna grabbed the trunk so he didn’t fall backward, ice jolting up his spine. The serpent hadn’t moved. Again he tried to snap the branch. A whisper of leaves as it bent, but there was no give; again his sweat-damp hand fell away. The word that slipped from his mouth startled him, because it was the sort of word no one used in a temple, something Caradorra had been scolded for saying in front of their mother. Another glance at Sascha. The serpent hadn’t stirred. Anna wiped his hand on his robes, straining up on his toes, and wrapped his hand around the base of the branch. If he could saw at it—but his sword lay gleaming and useless in the grass, his calves starting to ache, the branch warming under his touch. Please, Iv, please, please, please— He ignored the flicker in the corner of his eye: movement from the lakeside. But then came the hiss, rising like steam from the water thrown at the charred walls of a burning city, and his blood ran cold. Breaking from the lake, wet and shimmering, came an enormous frilled head. The second serpent, awake and alert, slitted yellow eyes fixed on Anna. It moved faster than thought—legs bunching, coils rippling, launching itself for the tree. “Sascha, down!” Ichari shouted from the treeline, and the gun went off, louder than godly thunder, and the branch beside Anna burst into splinters, and as he gave a last desperate yank the golden branch snapped cleanly into his hand.
may
while working on the actual plot of godsong, i was also fleshing out the backstory, and ended up stumbling into the personalities of anna’s parents (a t4t4t throuple! let’s go gay people). so here’s a bit of anna backstory from the perspective of his mother, who is wonderful and nervous. did you know anna was chosen for priesthood at age 11? probably had no long-term psychological effect on her at all.
It was a celebration for Eli’s records: three days and three nights of festival feasting, of singing and dancing and hymns, of the temple bells ringing a clangorous echo from dawn until dusk. In past years, after past Ivtouchings, the celebrations had been citywide but quieter, briefer—the ceremonial anointment before the temple doors, to mark the new priest as a new melody in Iv’s living voice, and then a song. But it had been three hundred years since Iv had plucked a child from the rings of Ivander to holiness. No simple ceremony would suffice. On the first day, the older Ivtouched helped Anna atop an oxcart, the horns of each ox wrapped in gold ribbon, and led him in cheering parade through the city’s spiraling roads to the temple. In the street, in the surging shouting crowds that followed on foot, Radi cheered her voice hoarse and tried to etch the picture into her memory: the brilliant blue of the sky, the loose tail of ribbon flapping from one oxhorn, the glint of the sun off the bronze-painted spokes of the cart’s wheels. All of those details she might have set to canvas, with a small enough brush and a steady enough hand. But she knew even then that she wouldn’t try. There was no replicating her son’s smile, so broad it must have ached, or the dazed look of joy in his eyes. As if he were dreaming and praying not to wake. As if some curtain had unveiled before him to show him the heavens in shining vivid color, the world created for him anew. Someone else’s hands would mark him holy; someone else’s hands had dressed him in the dark Ivtouched robes, billowing out behind him in the breeze. He wasn’t quite tall enough. The hem was pinned up so it didn’t drag. Every few minutes atop the cart, Anna’s hand drifted down to hike the fabric up, more twitchy than deliberate, each yank a quiet spear through Radi’s heart.
june
please refer to my february comments on that list of ambergris’s.
Ambergris regarded them coolly. She had pulled them around the back of the orchestra into a corner: curtained from the rest of the room by a clot of musicians, the strings near too loud to speak over, the lanterns throwing warped shadows over the floor. “I apologize,” she said, slow, “if I startled you, Captain. I’d like a word.” Ichari’s heart still pattered at their ribs. Again they forced down the shaking need to wipe that faint smirk from her face. “You’ve had a few. You satisfied yet?” “Y-you’ve met my husband,” Ambergris said, “twice now.” So she had been watching, then, probably sunken into the shadows like a grotesque. “Twice too many times,” they said, curling their lip. “You aren’t impressed.” “Don’t let me offend your wifely sensibilities.” Ichari flashed their wickedest grin to see if she would squirm. “But you’re too pretty to go to waste on an ill-dressed fool’s limp cock.” Ambergris didn’t flinch, but her eyes widened slightly. Big innocent eyes, Sascha’s eyes, with all the guilelessness of a kitten. “Am I?” “Too good for him? I’m sorry you had to find out this way, duchess.” “Not duchess,” Ambergris said, “yet. I find—I know I’m too good. Am I pretty.”
july
more backstory, this time in second person about ambergris’s mother, who gets a POV in the book proper. not a very fun POV, but there's generational trauma to explore. creusa is the doctor that's been called in to help jonquilla through a miscarriage; she is gnc as fuck (jonquilla voice: you're insane).
Four weeks Creusa tends your bedside—four fuzzy weeks drifting in and out of fever, your thoughts racing like loosed horses, as you bleed out the last of your hoped-for heir. You loathe her for it, with a bright-hot intensity you can only grasp for moments at a time between unconsciousnesses. You loathe her for daring to pity you, for helping you sit up to drink down your pain relief; you loathe her for doing it well. You loathe her because she is fresh and young and rosy-cheeked and you are soft and lumpy and pathetic. You loathe her because she is beautiful despite all she does to destroy it, despite the way she prowls the manor in trousers, despite the fact that you have never once seen her suck in her stomach. Beautiful the way you were mere years ago. Beautiful enough to make breath catch when those worn fingers tuck her shorn hair behind her ears. What gives her the right to see you like this? What gives her the right to sprawl out in your home, in your chambers, in all her impropriety? What gives her the right to choose to be—this? Does she have a husband somewhere who lets her run free? Children she tends to with the same slight curve of a smile she gives you? Sisters? Brothers? Who does she fall into bed with at night? You want to step inside her skin, to pry it up, to take her apart and see how her heart beats. She’s had her hands in enough of your blood. You want to hold her organs. Your dreams come in tatters. Your stomach swollen to bursting again. The endless hallways. Dittany soaring away from you. Children squirming in your gut. Creusa stroking your hair. Sometimes those are not dreams, you think; sometimes your eyes flutter open and she is there, patient, quiet, calm. As she always is, except for the crease in her soft rose-petal lips, because when you are asleep she does not smile at you. She watches you as if she is afraid for you. She watches you as if she is guilty of something. There are other dreams, too. Dreams you refuse to remember.
august
in august i had a Medical Experience. but first i finished the draft of godsong2, because i never fucking lose. this bit is from the very last scene, where no one is doing well.
Most days she shaved her face each day after morningsong, when she had the strength and a passable mirror. In Ivander she had not needed to, but she liked the look of it, the cleanness; in Armindale Manor she had been particularly careful. Sascha must have noticed, or picked it up from her face, because he scrambled wobbling back to his feet. “I’ll fetch a razor, eh?” “Sascha—” Ichari started, but Sascha waved a hand. “I’ll do it, Anna,” he said, earnest. Her twinge of warmth was faint; she inclined her head slightly. They had done something like this before, Sascha scrunching up next to her to wind his fingers through her hair—hair, Anna realized distantly, that was soot-choked and tangled now. He had spun her waves into a thick braid, then a number of tiny ones, chattering all the while; she had repaid him for it once with a spiraling swirl of mehndi across each of his fluttery hands. Now, though, when he held the razor up to her face, there was a new trepidation in the set of his lips. It took Anna too many sticky seconds to realize he was trying and failing to settle the terrible shake in his hands. “Sorry,” he said, blanching, when Anna looked at him. “Ah, I’m sorry, I…” “Armindale,” Ichari said, soft. Gentler than she had ever heard his name in their voice. They held out a palm. “S’okay.” Anna tilted her face toward them. Sascha scooted back to wrap his arms around his knees and watch Ichari sliver the hair from her chin, one hand braced against her cheek, their hands callused and cold and kind.
september
and we've reached the part of the year where school hit me like a Fucking Train. here's some carronash. that is, MILF julius caesar x neopronouns mark antony, in an extremely uneven borderline-religious-worship dynamic that has swallowed the latter's entire life (more about their deal here). you know, out of context here, they almost look sweet.
Ash shut xir eyes so xe wouldn’t see her hear it, and xe croaked, “I need a drink.” Her chest rose and fell beneath xim in silence. Somewhere beyond xir walls, a cart rattled over the streets. “I know,” Ash said, panic starting to rise cold in xir throat. “I know—I know, but it hurts, I need a drink, Julienne, it hurts, I think I’m going to die. I think I might fucking die.” I know you do, she had said the last time xe’d told her xe needed a drink. I know you do. I know you know why it’s a bad idea. And she had kissed xir forehead like an anointment and held xim when xe shook with frustrated sobs. Nothing now. Just her hand combing through xir curls. “Julienne,” Ash said, near a whine, the craving a spidery itch beneath xir skin. “Ash,” Julienne said. “Am I asking too much of you?” It didn’t sound like a condemnation. Xir insides curled anyway. “No,” xe said, small as a scolded child. “No, I just—I just…” “If it’s too much,” she said, soft. “If you can’t bear it. There’s no shame in that.”
october
i posted this poem here, but we’ll see it again! i think it’s kind of heavy-handed, but that's what happens when you try to articulate an insanity.
2:35 grindstone // max franciscovich there is a knife in my hand. there is a knife i am holding in the palm of my hand. i hold it by the blade. when i squeeze the blood runs down through the webbings of my fingers and the sting is hot. if i uncurl my fingers i will let go of the knife and it will not hurt. if i let go of the knife i will forget pain. suffering and fear will dull and scab over and my eyes will close. when i squeeze i remember it hurts. i remember i am dangerous. my eyes can close. i can cut with a touch. if i let go of the knife it will not hurt to make a fist. if i let go of the knife i will make a fist. if i let go of the knife in my hand i will forget there is a knife in my hand. when i squeeze the sting whets my thoughts and i see the world in all its brutal glory and i touch nothing i could ruin. there is a knife in my hand. there is a knife i am holding in the palm of my hand.
november
no nano this year :( i was being crushed by school and mentals, unfortunately. which sucks, because i've had a streak since 2018! but alas. next year. i did write a little more godsongverse backstory, set in anna's old city and starring the book's hector and andromache figures (ira and lucia, respectively; imi and nia are their twin toddlers).
Here was a part of the war that would not be told: that sometimes it would be late, very late, the sun sunken into the earth and the children in bed, before Ira came home. That Imi and Nia were asleep, Lucia suspected, was not an effect but a reason, because sometimes her heart-knit lover was nigh unrecognizable in the doorway, hunched and haggard, bathed in gore, and the twins would have been terrified. Blasphemous, maybe, for Lucia to see the dried blood cracking in rivulets on Ira’s skin and think of Iv’s shattered face. But even blasphemy was better than the other reason she shied from the thought—that likening Ira to the holiest of martyrs felt like giving up. Giving into what she suspected everyone else already thought inevitable. After the first night she had stopped fearing the worst. There would have been no missing the uproar in the city. Her fears were simpler: how much blood there might be, how many times Ira would wake in the night. But unless the wailing rose high enough to shake the temple down, the sixth wall of Ivander stood, and Lucia sat at home with the spinning and waited.
december
and… would you look at that, more godsong. i did write non-godsong things this year! but most of them are short stories i'm hoping to send out for publication, so i'm not keen on sharing yet. this, however, is literally a godsong x hadestown AU that i’ve been calling spadestown, and if i ever finish it i Will be posting it here. in a beautiful alternate world, godsong is an annaspades romcom. (it's not even that in this AU.)
Lying on the bed watching Anna write, Spades said, “You know xim. The queen.” Not an accusation, exactly. But a search for solid ground, an escape from the ice shifting under her. At the desk, Anna tapped the end of his pen against his lips. Distracting lips, unfairly plush. “Yes,” he said after an absent moment. “It is—natural. Xe returns every summer.” “Only here?” “As far back as I remember.” Anna blinked; Spades watched it sink in. “But not where you come from.” Spades shrugged. There were gods where she had come from, too. Not the sort one poured drinks for. “I suppose we can’t all be holy,” she said, reaching out across the narrow span of the room to his chair. Anna took her hand, his skin warm against hers, his pen calluses already familiar—the tip of his second finger, the inside of his third. When she closed her eyes, Ash’s grin flashed behind her lids. Xe must have known who she was. Gods always knew. “Sing it again,” she said, patting the bed beside her. Anna was staring at the page. He hummed another bar under his breath. Spades thought she might have to get up, to close the journal for him, to slip the pen from his hands and kiss him and hope he kissed back instead of dreaming louder. Then Anna said, “Sing what?” Spades tipped his chair back to hear him yelp. “What do you think, dipshit?” “My song?” Anna said, and there was his little winking smile. “Or our wedding hymn?” There was only one bed in the attic room, so they slept curled together. Invariably Spades woke with silky hair in her mouth. Not bad, she figured, for a night always warm.
and that's a wrap! i know i didn't post much this year, but i'm still hard at work at various odds and ends. thank you for sticking around, and i hope everyone reading this has a wonderful 2024!