#citywinerynyc

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△̵̵ Intercome - New York, U.S.A @ City Winery NYC 22.06.2018 . . 🎥 @randajoy12 . . . . . . . #JaredLeto #30SecondsToMars #ThirtySecondsToMars #PROVEHITOINALTUM #Echelon #Rock #MARS #AlternativeRock #MonolithTour #MarsTour #MarsOnTour #Intercome #AltRadio923 #NewYork #CityWineryNYC #WalkOnWater (at City Winery NYC)

[leftothedialmusic]

Seminal, influential alternative/country/roots rockers Cracker (@thebandcracker) with a brilliant career-spanning set at City Winery tonight. #cracker #citywinery #citywinerynyc #davidlowery #johnnyhickman #thebandcracker #nyc #concert @citywinerynyc (at City Winery NYC)

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△̵̵ Intercome - New York, U.S.A @ City Winery NYC 22.06.2018 . . 🎥 @randajoy12 . . . . . . . #JaredLeto #30SecondsToMars #ThirtySecondsToMars #PROVEHITOINALTUM #Echelon #Rock #MARS #AlternativeRock #MonolithTour #MarsTour #MarsOnTour #Intercome #AltRadio923 #NewYork #CityWineryNYC (at City Winery NYC)

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△̵̵ Intercome - New York, U.S.A @ City Winery NYC 22.06.2018 . . 🎥 @meganmarysmith . . . . . . . #JaredLeto #30SecondsToMars #ThirtySecondsToMars #PROVEHITOINALTUM #Echelon #Rock #MARS #AlternativeRock #MarsTour #MarsOnTour #Intercome #AltRadio923 #NewYork #CityWineryNYC #StevieAiello #WalkOnWater (at City Winery NYC)

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△̵̵ Intercome - New York, U.S.A @ City Winery NYC 22.06.2018 . . 📸 @casey_meeks . . . . . . . #JaredLeto #30SecondsToMars #ThirtySecondsToMars #PROVEHITOINALTUM #Echelon #Rock #MARS #AlternativeRock #MonolithTour #MarsTour #MarsOnTour #Intercome #AltRadio923 #NewYork #CityWineryNYC (at City Winery NYC)

[echevida]

△̵̵ Intercome - New York, U.S.A @ City Winery NYC 22.06.2018 . . 📸 @meganmarysmith . . . . . . . #JaredLeto #30SecondsToMars #ThirtySecondsToMars #PROVEHITOINALTUM #Echelon #Rock #MARS #AlternativeRock #MonolithTour #MarsTour #MarsOnTour #Intercome #AltRadio923 #NewYork #CityWineryNYC (at City Winery NYC)

[openingnightposts]

Women Who Rock You™ — Songs From Janis to Alanis & More

On a recent Monday night, when Broadway's marquees dim and much of the theater district takes a well-earned breath, a different kind of expectation filled City Winery New York. The room buzzed with anticipation. Patrons settled into their seats, conversations softened, and eyes turned toward the stage. Everyone seemed to be waiting for the same moment.

Then Mary Bridget Davies appeared beneath the lights. She planted her feet with soft confidence and instantly commanded the room. Before she sang a single note, it was clear this would be more than a concert. It would be an encounter with an artist whose voice, presence, and storytelling can transform a crowded room into an intimate, electric, unforgettable space.

A Song as a Moral Obligation

Allow me to be plain about it, as the old believers were plain: this was not a tribute act content to trace someone else’s outline. Davies — the Tony-nominated force who lived inside Janis Joplin’s skin in A Night With Janis Joplin — does not imitate. She inhabits. From the first phrase, she sang as though the songs were bills she had come to pay. The crowd, glasses of estate wine sweating in their hands, immediately understood they were in the presence of someone who treats a song as a moral obligation rather than a decoration.

Mary Bridget Davies in Women Who Rock You at The Loft at City Winery, NYC. Photo by Edward Kliszus

The Setlist Spanning Janis to Alanis & More

Consider, first, the sheer span of it — and the way that span built, song by song, into a single argument about the women who fought their way into a rock world that preferred its guitars in male hands. She opened with Melissa Etheridge’s aching “Come to My Window,” a confession offered as an overture, then squared her shoulders for the granite triumph of Tina Turner’s “Simply the Best.” From there, she turned to Stevie Nicks, giving us “Landslide” and “Edge of Seventeen” in close succession. Davies did something subtle and brave: rather than chase Nicks’s smoky mysticism, she met it with her own grit. “Landslide” landed not as nostalgia but as a question asked freshly, tonight, of everyone old enough to have changed.

Joy Belongs in Rock

Then the genius of the curation revealed itself in its detours. A sly, swaggering “Stuck in the Middle with You” — that 1970s gem from Stealers Wheel — arrived as a wink, a signal that joy belongs in rock as surely as catharsis. Sheryl Crow’s “All I Wanna Do” loosened every shoulder in the house. Then the mood banked toward the songwriter the night had come to honor: “Don’t Compromise Yourself” gave way to a slow-burning “Get It While You Can,” which Davies recast as a rock ballad. It proved, alongside the hard-charging numbers, that she can carry a song at any temperature and keep it from falling apart. Throughout, between songs, she told stories — funny, tender, occasionally wicked — about these women and their lives, revealing the evening’s quiet thesis: that we all know the songs, but rarely the survival they contain.

Its Final Reckoning

From there, the set continued to expand its reach. Patti Smith’s “Because the Night” arrived as a holy collision of poetry and pulse, until the room felt less like a winery than a chapel that had learned to sweat. Then Davies pulled everything down to a hush for Jerry Ragovoy's “Stay With Me” (originally recorded by Lorraine Ellison), reimagined as a slow, bluesy ballad that let the band breathe, and her voice ache. “What More Do You Want” followed, and then a nod to a newer generation in an Alanis Morissette “Uninvited/You Oughta Know" medley before the night bent toward its final reckoning. Across ballads, hard rock, and blues, Davies made each idiom sound native to her. That was the surest sign of a singer who has lived inside all of them.

The Mary Bridget Davies Band — Lead & rhythm guitar, bass, keyboards & organ, drums, and percussion with Mary Bridget Davies in Women Who Rock You at The Loft at City Winery, NYC. Photo by Edward Kliszus

Honoring Jerry Ragovoy: One Song That Waited

And then there was the thread that ran through the entire night. The true emotional center of the evening belonged to the songwriter being honored: Jerry Ragovoy, the author of “Piece of My Heart,” “Cry Baby,” and “Get It While You Can,” whose 2026 induction into the Songwriters Hall of Fame was celebrated that evening. Ragovoy wrote with a craftsman’s restraint and a believer’s ache. His songs surfaced across the set like a recurring vow — the rock-ballad “Get It While You Can” earlier in the night, and, near the very end, a “Piece of My Heart” that Davies did not simply sing but repatriated, returning it to the bloodstream of the woman who first made it famous.

A True Moment of Being

The most haunting of them, though, was “Don’t Compromise Yourself,” a Ragovoy composition written for Joplin before her death, a song she never lived to record. To hear Davies finally give it breath was to witness a circuit, broken for half a century, quietly close. With any true moment of being, time does not march so much as dilate. The present opens a door onto the past, and for three minutes the two stood in the same room. Davies has said the song’s message is simple and merciless — that, in the end, you are all you have — and her reading made the philosophy seem less like a lyric and more like a hand on the shoulder.

Janis Joplin. Cash Box (1968) Public Domain via Wikipedia Commons

Interpretation is Itself an Act of Creation

What struck me, sitting there, was how completely the performance dissolved the distance between songwriter and singer, between then and now. Ragovoy built his songs the way a master builds a staircase — every step load bearing, nothing ornamental — and Davies climbs them without ever looking down. There is a lesson in that humility. In an era that prizes the new for its own sake, she insists that interpretation is itself an act of creation. To sing an old song truly is not to embalm it but to wake it. Indeed, the whole evening argued, gently but firmly, that a great song belongs to whoever is brave enough to mean every word of it.

Keeping Guitar-Driven American Rock Alive

Here, the critic in me wants to widen the lens, because what Davies is doing belongs to a larger, increasingly endangered tradition. American rock and roll was forged out of grit and imagination, and the commanding bark of a lead guitar — the lineage the Rock & Roll Hall of Fame exists to protect — has grown rare on live stages. Therefore, it matters that her band keeps the guitars loud and the groove human, refusing the airless perfection of the click track. The blues run underneath everything she sings. You can hear it the way you hear bedrock under a river.

Eric Clapton playing The_Fool with Cream (1968). Hit Parader Magazine Public Domain via Wikipedia Commons

Today’s Revivalists

In that sense, Davies stands alongside today’s revivalists — Greta Van Fleet, Dirty Honey, Rival Sons, and Mammoth WVH — who insist, against the algorithm, that a real amplifier in a real room still has something to say. She is, in effect, carrying the torch from a slightly different angle. Where they revive the riff, she revives the singer who once stood in front of it. She gestures, too, toward kindred spirits like Chrissie Hynde, whose toughness is the connective tissue of this whole story.

The Encore — and the Verdict

For the encore, she reached past rock entirely and offered Linda Perry’s 1992 song “What’s Up,” and the choice was perfect — a benediction with excitement rather than a fireworks finale, a song that asks rather than asserts. It sent everyone out into the West Side night a little quieter and a little more awake. As a verdict, then, permit me to borrow the consumer-guide brevity of the trade: this is an A. Go when Davies is in town.

Because finally, that is the gift of Women Who Rock You™, the developing concert-and-media franchise from Don’t Compromise Productions. It reminds us that these songs were never merely entertainment; they were, as Davies puts it, survival guides. On an ordinary Monday, in a warm room above the river, an extraordinary singer handed them back to us, still warm, still true, still — gloriously — alive.

The Last Word

If this review accomplishes one thing, let it be this: do not wait. Mary Bridget Davies sings like the lyric is aimed at you alone, and such intimate rooms do not stay secret for long. Follow her next moves, then book a table at City Winery New York, where every season delivers Broadway-caliber voices, handcrafted wine, and the rare thrill of guitar-driven rock played for real. Discover the music. Then go feel it live.

Event Information

Women Who Rock You™ — Songs From Janis to Alanis & More

Starring Tony Award nominee Mary Bridget Davies

City Winery New York 25 11th Avenue (Pier 57), New York, NY 10011 [phone]  ·  citywinery.com/new-york-city

Tickets — Current & Upcoming Seasons

tickets.citywinery.com  ·  Women Who Rock You tickets & tour info

Artists, Roles & Instruments- Mary Bridget Davies — Lead vocals, the evening’s star and interpreter - Jerry Ragovoy — Composer & songwriter; posthumously honored 2026 Songwriters Hall of Fame inductee - The Mary Bridget Davies Band — Lead & rhythm guitar, bass, keyboards & organ, drums, and percussion

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https://youtu.be/7Iwd-5ooyE4?si=2aRyLZDeNa8lL8XU

[openingnightposts]

T.3 Delights at City Winery NYC: A Holiday Tour Worth Singing AboutCabaret Magic in the Heart of ManhattanStep into City Winery on a December night, and the atmosphere feels downright enchanted. It’s intimate, electric, and pulsing with the sounds of holiday cheer. Nestled in a snug corner of Manhattan’s vibrant arts scene, City Winery evokes a vintage cabaret energy. Think candlelit tables, clinking glasses, and a velvet-draped backstage — perfect for a trio like T.3 to shine.Warming up the crowd before T.3. was the a capella group Blackout. Check them out. We'll be hearing a lot more from them! View this post on Instagram A post shared by BLACKOUT (@blackout_nyc)The venue, buzzing with an eager crowd, becomes a portal to simpler, joyful times. Fans laugh, sip their drinks, and eagerly anticipate what’s to come. Moments later, the spotlight hits, and out strolls three theater-seasoned performers — Liam Fennecken, Jim Hogan, and Brendan Jacob Smith. This is no ordinary show. This is T.3’s FaLaLaLonely tour, and it’s everything the season promised and more.From Broadway Stages to Viral StardomT.3 is more than a trio of polished voices; they’re a phenomenon. Since wowing America’s Got Talent audiences in Season 16 with Into the Unknown, they’ve been on a fast track to national acclaim. That viral moment earned them over 4.6 million YouTube views, but the charm was always organic. Blending Broadway backgrounds with millennial sensibilities, they connect deeply with theater aficionados and TikTok-savvy fans.Individually, their resumes speak volumes. In Kimberly Akimbo’s national tour, Jim Hogan exudes rich baritone brilliance. Liam Fennecken, fresh from Chicago as Amos Hart, brings warmth and charisma. Brendan Jacob Smith? The soulful storyteller. As Art Garfunkel in The Simon and Garfunkel Story, he effortlessly channels legends. Together, though, they transcend any solo credits.FaLaLaLonely: An Evening of Musical TriumphsThis holiday season, T.3’s FaLaLaLonely is the gift we didn’t know we needed. In New York, they wrapped audiences in soaring harmonies and resonated storytelling. The show opened with the title track, FaLaLaLonely, a catchy, feel-good, joyful, and merry tune. It’s the original song that sneaks into your playlist and never leaves.Then came the covers. And oh, what covers they were. Disney magic arrived early with a soaring Let It Go, delivered with emotional precision. O Holy Night followed, a performance so lush it felt celestial. For Beach Boys fans, Little Saint Nick was reimagined, buoyed by Joshua Lee Turner’s collaboration, offering just the right splash of retro joy.Mid-show, the trio slowed things down with Stevie Wonder’s Someday at Christmas. It was poignant, smooth, and offered a moment of reflection amid the festivity. The medley of mistletoe classics proved another highlight, with Have Yourself a Merry Little Christmas stealing hearts.Of course, T.3 knows its audience well. Broadway standards like Defying Gravity from Wicked and The Sound of Music medley drew a knowing cheer. My Favorite Things and Edelweiss shimmered with nostalgia. Yet, their cover of Kansas’ Carry On Wayward Son blew the roof off. Patrons clapped, sang, and rose to their feet — the energy was undeniable.Original music also took center stage. Brendan Jacob Smith’s When I Knew You showcased introspection and heartfelt storytelling. It’s a testament to T.3’s artistry: They’re equally magnetic, delivering stripped-down originals as they are with powerhouse covers.The Band and the Blend: Perfect HarmonyWhile T.3’s voices often steal the show, their backing band deserves equal praise. On drums, Josh Roberts drove rhythms with effortless dynamism. Damon Smith’s (Brendan Jacob Smith's brother) keys added texture and drama, perfectly timed with David Kawamura’s brilliant, tasty lead guitar work. Meanwhile, Sean Muzzi’s bass grounded every number with subtle brilliance. Together, the instrumentalists elevated T.3’s arrangements into something transcendent.Yet it always comes back to the voices. T.3’s harmonies remain their signature magic. They’re pitch-perfect, emotive, and sophisticated, effortlessly weaving vocal tapestries that make audiences swoon. Whether belting out O Holy Night or crooning Baby Please Come Home, their balance of power and intimacy is unmatched.The T.3 Phenomenon: A Love That Spans GenerationsT.3’s music possesses a universal appeal. Perhaps it’s the way they honor timeless classics while bringing contemporary flair. Or maybe it’s their playful online presence. With over 459k TikTok followers, they’ve proven a cappella is cool again. Fans adore their imaginative vocal takes and natural chemistry, making every performance feel personal. Besides, everyone enjoyed how the trio shared their holiday memories.Their debut EP, Option Up, released in collaboration with Straight No Chaser’s SNC Records, cemented their place in the a cappella world. Featuring Broadway legends like Shoshana Bean and Morgan James, it was a masterclass in creative arrangements. Now, FaLaLaLonely extends that promise, delivering holiday cheer with tradition and originality.The Future Sounds Bright for T.3City Winery was just one stop on their ambitious 11-city holiday tour. From New York to Boston, Philadelphia to beyond, T.3 proves they’re more than a viral sensation. Their energy, craft, and love for music unite audiences, old and young alike. T.3 is on stage at City Winery NYC for their national holiday tour. Photo by Edward KliszusFor those yet to experience them live, don’t wait. T.3’s shows are electrifying, heartwarming, and utterly unforgettable. Their recordings — whether the soaring FaLaLaLonely or their take on Little Saint Nick — demand repeat listens. Stream their EPs, share their videos, and spread the word.Why T.3 Deserves Your AttentionIn a world awash with overproduced music, T.3’s artistry feels refreshingly authentic. Their voices, harmonies, and charisma leave audiences smiling, dancing, and occasionally wiping away tears. They’re proof that vocal precision, paired with genuine joy, transcends genres and generations.This holiday season, let T.3’s FaLaLaLonely brighten your days. Whether live at a club or through a streaming service, their music promises something timeless and authentic. And as the audience at City Winery can attest, T.3 isn’t just another group. They’re a musical experience you don’t want to miss.Catch T.3 on their holiday tour, stream their new EP FaLaLaLonely, and let their harmonies soundtrack your season.T.3 Delights at City Winery NYC: A Holiday Tour Worth Singing AboutT.3Liam FenneckenJim HoganBrendan Jacob SmithMusiciansDrums: Josh RobertsKeys: Damon SmithElectric Guitar: David KawamuraElectric Bass: Sean MuzziHarp: LiAnn ClineFor information about T.3 tours and recordings, click HERE.City Winery NYC25 11th Avenue (Pier 57)New York NYFor other City Winery Events, click HERE.Readers may enjoy Bliss Street at City Winery, The Gospel According to Heather, and Christmas Lights Spectacular: NYC Edition. Read the full article